Kirjahaku

This book examines the sociocultural networks between the courts of early modern Italy and Europe, focusing on the Florentine Medici court, and the cultural patronage and international gendered networks developed by the Grand Duchess of Tuscany, Vittoria della Rovere. Adelina Modesti uses Grand Duchess Vittoria as an exemplar of pan-European 'matronage' and proposes a new matrilineal model of patronage in the early modern period, one in which women become not only the mediators but also the architects of public taste and the transmitters of cultural capital. The book will be the first comprehensive monographic study of this important cultural figure.This study will be of interest to scholars working in art history, gender studies, Renaissance studies and seventeenth-century Italy.

This book examines the sociocultural networks between the courts of early modern Italy and Europe, focusing on the Florentine Medici court, and the cultural patronage and international gendered networks developed by the Grand Duchess of Tuscany, Vittoria della Rovere. Adelina Modesti uses Grand Duchess Vittoria as an exemplar of pan-European 'matronage' and proposes a new matrilineal model of patronage in the early modern period, one in which women become not only the mediators but also the architects of public taste and the transmitters of cultural capital. The book will be the first comprehensive monographic study of this important cultural figure.This study will be of interest to scholars working in art history, gender studies, Renaissance studies and seventeenth-century Italy.

This insightful volume is the first English-language book to explore the life and legacy of Elisabetta Sirani, one of the most celebrated women artists of seventeenth-century Italy. Elisabetta Sirani (1638-1665)--painter, printmaker, and teacher--was one of the most innovative and prolific artists of the Bolognese school. The daughter of a painter, she hailed from a city whose university was believed to have had educated women since the Middle Ages and that celebrated the cult of Saint Catherine of Bologna, who was known for her skill as a painter and illuminator--ideal conditions to encourage the training and patronage of skilled women artists. Drawing on extensive archival documentation and primary sources, including inventories, sale catalogues, and Sirani's work diary, this book provides an overview of the brief life, fascinating oeuvre, critical fortune, and cultural legacy of this successful Baroque painter. Art historian Adelina Modesti vividly describes the society that both inhibited and supported Sirani, examining her influence on students at Bologna's school for professional women artists as well as her significance in the professionalization of women's artistic practice during the seventeenth century. Gorgeously illustrated throughout, this book focuses on women's agency. More specifically, it explores Sirani's identity as both a woman and an artist, including her professional ambition, self-fashioning, and literary construction as Bologna's preeminent cultural heroine.