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Aeschylus: Oresteia

Aeschylus: Oresteia

Aeschylus

Oxford University Press
2002
sidottu
Aeschylus' Oresteia is a tragedy of inescapable killing within one family, such that each generation must avenge it in kind. Right and wrong are ambiguous in this harsh system. Their conflict is resolved, and the family saved from extinction, in the case of Orestes the latest and matricidal killer. The gods' wisdom and the human process together inaugurate a way of just conduct which will ensure stable families and community; and the exemplary setting for this transition from the mythic to the historical is Aeschylus' own city of Athens. The Oresteia is majestic as theatre and poetry; its recent successful return to the stage has confirmed its very high place in world drama. This new and close translation tries to preserve these qualities: introductory and explanatory matter emphasizes the interconnection of scenes, ideas, and language which distinguishes this unique work, the only trilogy to survive from Greek tragedy.
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The Complete Aeschylus : Volume 1

The Complete Aeschylus : Volume 1

Aeschylus

Oxford University Press Inc
2011
nidottu
Based on the conviction that only translators who write poetry themselves can properly re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Aeschylus' Oresteia, the only ancient tragic trilogy to survive, is one of the great foundational texts of Western culture. It begins with Agamemnon, which describes Agamemnon's return from the Trojan War and his murder at the hands of his wife Clytemnestra, continues with her murder by their son Orestes in Libation Bearers, and concludes with Orestes' acquittal at a court founded by Athena in Eumenides. The trilogy thus traces the evolution of justice in human society from blood vengeance to the rule of law, Aeschylus' contribution to a Greek legend steeped in murder, adultery, human sacrifice, cannibalism, and endless intrigue. This new translation is faithful to the strangeness of the original Greek and to its enduring human truth, expressed in language remarkable for poetic intensity, rich metaphorical texture, and a verbal density that modulates at times into powerful simplicity. The translation's precise but complicated rhythms honor the music of the Greek, bringing into unforgettable English the Aeschylean vision of a world fraught with spiritual and political tensions.
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Aeschylus Plays: I

Aeschylus Plays: I

Aeschylus

Methuen Drama
1991
nidottu
Classic plays reissued in the new Methuen Greek Classics series in a new distinctive style The Persians; based on the destruction of the Persian invaders in 480BC, breaks with the Greek tradition of purely dramatising myths to deals with the recent past and with characters who would have been familiar to its first audience in 472BC; Prometheus Bound stages the stand off between the original rebel and hero Prometheus and almighty Zeus; Suppliants, follows the plight of Danaus and his daughters, in flight from a fateful marriage contract with the King of Egypt's sons and shows the triumph of humanity over brute force while Seven Against Thebes dramatises the final battle between the two sons of Oedipus Eteocles and Polynices in the climax of the Oedipus saga. Translated by Kenneth McLeish and Frederic Raphael, these plays are widely studied in schools, colleges and universities.
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Aeschylus Plays: II

Aeschylus Plays: II

Aeschylus

Methuen Drama
1991
nidottu
Four of Aeschylus' greatest plays reissued in the new Classical Greek Dramatists series Includes the Oresteia trilogy, a key sequence of plays within the Western dramatic tradition - widely studied in schools and universities. Agamemnon tells the tale of the king's return from the battle of Troyto find that his wife has laid out a red carpet to welcome him that will, ironically, lead him to his death; The Libation Bearers continues the saga into the next generation with Orestes and Electra seeking justice for their dead father whilst in the Eumenides, the traces of inherited bloodlust are laid to rest by the figure of Athene. Translated with an introduction and notes from J. Michael Walton - the series editor for the Greek classics and reissued in the new Methuen Classical Greek Dramatists series in stylish, new and modern jackets.
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Aeschylus: Agamemnon

Aeschylus: Agamemnon

Aeschylus

Cambridge University Press
2003
pokkari
Treating ancient plays as living drama. Classical Greek drama is brought vividly to life in this series of new translations. Students are encouraged to engage with the text through detailed commentaries, including0 suggestions for discussion and analysis. In addition, numerous practical questions stimulate ideas on staging and encourage students to explore the play's dramatic qualities. Agamemnon is suitable for students of both Classical Civilisation and Drama. Useful features include full synopsis of the play, commentary alongside translation for easy reference and a comprehensive introduction to the Greek Theatre. Agamemnon is aimed primarily at A-level and undergraduate students in the UK, and college students in North America.
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The Persae of Aeschylus

The Persae of Aeschylus

Aeschylus

Cambridge University Press
2009
pokkari
The Persae is the oldest of surviving plays and its subject matter is unique in ancient drama, since it is concerned with a recent historical event, the defeat of the Persians at Salamis; yet before the publication of this work in 1960, there had been no edition suitable for university students and scholars. This major edition - the first to be attempted on such a scale - incorporated much material that former editions had neglected, including a number of textual suggestions and elucidations. In his introduction, Dr Broadhead assesses the Persae as a work of dramatic art, considers how far Aeschylus' patriotism has coloured his presentation of the tragedy, discusses the possibility that the play is part of a tetralogy, and reviews the evidence for a Sicilian text. He also explains the principles followed in establishing the text, which is accompanied by select critical notes. There is a full-scale commentary, which takes account of the scholarship that was current when this volume was first published. The appendices form an important supplement, and include a conspectus of metres; notes on spirit raising, the tragic kommos, and Persian names; and an account of the battle of Salamis.
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Aeschylus: Prometheus Bound

Aeschylus: Prometheus Bound

Aeschylus

Cambridge University Press
1983
pokkari
The myth of fire stolen from the gods appears in many pre-industrial societies. In Greek culture Prometheus the fire-stealer figures prominently in the poems of Hesiod, but in Prometheus Bound Hesiod's morality tale has been transformed into a drama of tragic tone and proportions. In the introduction to this edition Mark Griffith examines how the dramatist has achieved this transformation, looking at the play from all angles - plot and characters, dramatic technique, style and metre. He includes a short section on the production of the play and on the questions of authenticity and date. The commentary guides the reader through problems of language, metre and content. An important feature of this volume is the appendix, which gathers together the existing fragments of the other two plays in the supposed Prometheus trilogy, quoting them in full in the original language and in translation, with short accompanying commentary. This is an edition suitable for undergraduates and students in the upper forms of schools, but it also deserves the serious attention of scholars. The introduction requires no knowledge of Greek and will interest students of drama and literature in other cultures too.
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Aeschylus

Aeschylus

Aeschylus

Princeton University Press
2014
pokkari
An extraordinary drama of flight and rescue arising from women's resistance to marriage, The Suppliants is surprising both for its exotic color and for its forceful enactment of the primal struggle between male and female, lust and terror, brutality and cunning. In his translation of this ancient Greek drama, Peter Burian introduces a new generation of readers to a powerful work of Aeschylus' later years. He conveys the strength and daring of Aeschylus' language in the idiom of our own time, while respecting what is essentially classical in this dramatist's art: the rigor of the formal constraint with which he compresses high emotion to the bursting point. The Suppliants, which is the first and only surviving part of a trilogy, does not conform to our expectations of Greek drama in that it has neither hero, nor downfall, nor tragic conclusion. Instead the play portrays unresolved conflicts of sexuality, love, and emotional maturity. These distinctly modern themes come alive in a translation that re-creates the psychological immediacy as well as the dramatic tension of this ancient work. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Aeschylus

Aeschylus

Aeschylus

Princeton University Press
2016
sidottu
An extraordinary drama of flight and rescue arising from women's resistance to marriage, The Suppliants is surprising both for its exotic color and for its forceful enactment of the primal struggle between male and female, lust and terror, brutality and cunning. In his translation of this ancient Greek drama, Peter Burian introduces a new generation of readers to a powerful work of Aeschylus' later years. He conveys the strength and daring of Aeschylus' language in the idiom of our own time, while respecting what is essentially classical in this dramatist's art: the rigor of the formal constraint with which he compresses high emotion to the bursting point. The Suppliants, which is the first and only surviving part of a trilogy, does not conform to our expectations of Greek drama in that it has neither hero, nor downfall, nor tragic conclusion. Instead the play portrays unresolved conflicts of sexuality, love, and emotional maturity. These distinctly modern themes come alive in a translation that re-creates the psychological immediacy as well as the dramatic tension of this ancient work. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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The Agamemnon of Aeschylus, a Rev. Text With Brief Critical Notes by A.Y. Campbell

The Agamemnon of Aeschylus, a Rev. Text With Brief Critical Notes by A.Y. Campbell

Aeschylus

Hassell Street Press
2021
sidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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The Tragedies Of Aeschylus

The Tragedies Of Aeschylus

Aeschylus

Hutson Street Press
2025
nidottu
Experience the enduring power of ancient Greek drama with "The Tragedies Of Aeschylus." This collection brings together the timeless works of Aeschylus, one of the founding fathers of tragedy. Immerse yourself in the profound themes of fate, justice, and the human condition as explored in plays like "The Oresteia," "Prometheus Bound," and "The Persians." Aeschylus's masterful storytelling and poetic language offer a glimpse into the world of ancient Greece, where gods and mortals clash in epic struggles. These plays, rich with symbolism and moral complexity, continue to resonate with readers today. Discover the brilliance of Aeschylus, a playwright whose influence has shaped the course of Western literature and theater. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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The Prometheus Bound of Aeschylus

The Prometheus Bound of Aeschylus

Aeschylus

Cambridge University Press
2013
pokkari
Originally published in 1899 as part of the Pitt Press Series, this book contains the Greek text of Aeschylus' Prometheus Bound. The tragedy is prefaced with a history of Prometheus in Greek myth and an attempted reconstruction of the other two plays in the Prometheus trilogy, of which Prometheus Bound is the only extant piece, with detailed notes following at the end of the text. This book will be of value to anyone with an interest in early Athenian drama.
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