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79 kirjaa tekijältä Alan Bennett
Alan Bennett's extraordinary ear for dialogue and sharpness of perception have made him a master storyteller. In "Father Father Burning Bright" he writes with tragicomic insight about a son's vigil at his father's deathbed where their lifelong battle continues to the end. "The Laying on of Hands," a brilliantly funny satire, describes a society memorial service for a rather special masseur who died tragically young; and in "Miss Fozzard Finds her Feet," a lonely, unmarried department store clerk discovers there's more to life than looking after her brother through her only indulgence, her podiatrist.
A collection of autobiographical works by prominent English writer Alan Bennett is comprised of his occasional journalism, his criticism, and, predominantly, his diaries, which consider such areas as the theater, famous actors, and politics. Reprint.
Alan Bennett's award-winning series of solo pieces is a classic of contemporary drama, universally hailed for its combination of razor-sharp wit and deeply felt humanity. In Bed Among the Lentils, a vicar's wife discovers a semblance of happiness with an Indian shop owner. In A Chip in the Sugar, a man's life begins to unravel when he discovers his aging mother has rekindled an old flame. In A Lady of Letters, a busybody pays a price for interfering in her neighbor's life. First produced for BBC television in 1988 to great critical acclaim, the Talking Heads monologues also appeared on the West End Stage in London in 1992 and 1998. In 2002, seven of the pieces were performed at the Tiffany Theater in Los Angeles for a highly praised brief engagement, and in 2003 a selection of the monologues premiered in New York at the Minetta Lane Theatre. These extraordinary portraits of ordinary people confirm Alan Bennett's place as one of the most gifted, versatile, and important writers in the English Language.
Untold Stories brings together some of the finest and funniest writing by Alan Bennett, one of England's best-known literary figures. " Bennett] does what only the best writers can do--make us look at ourselves in a way we've never done before." --Michael Palin Alan Bennett's first major collection since Writing Home contains previously unpublished work--including the title piece, a poignant memoir of his family and of growing up in Leeds--along with his much celebrated diary for the years 1996 to 2004, and numerous other exceptional essays, reviews, and comic pieces. In this highly anticipated compendium, the Today Book Club author of The Clothes They Stood Up In reveals a great many untold secrets and stories with his inimitable humor and wry honesty--his family's unspoken history, his memories of Peter Cook and Dudley Moore, and his response to the success of his most recent play, The History Boys. Since the success of Beyond the Fringe in the 1960s, Bennett has delighted audiences worldwide with writing that is, in his words, "no less serious because it is funny." The History Boys opened to great acclaim at the Royal National Theatre in 2004, winning numerous awards, and is scheduled to open in New York City in April 2006.
Following on from the phenomenal success of Writing Home, Alan Bennett reminisces about his early years from his schooldays to undergraduate life at Oxford University. It was an ordinary childhood - growing up in Leeds taught Alan early on that 'life is generally something that happens elsewhere'. Yet the children who long for German bombs to lend their city some wartime glamour; the working class mother who reads Ideal Home and dreams of coffee mornings and cocktail parties; and 18-year-old Alan - a practising Anglican who is deeply distrustful of God - strike a chord within all of us. In fact, it is their very ordinariness that makes these tales so special - combined, of course, with the wry observation and tender understatement that have earned Alan Bennett his place at the forefront of contemporary writing. The stories on this volume are: 'A Strip of Blue', 'Proper Names', 'Our War', 'Eating Out', 'An Ideal Home', 'Aunt Eveline', 'A Shy Butcher', 'Unsaid Prayers', 'Days Out', 'No Mean City'. 2 CDs. 2 hrs 10 mins.
George III's behaviour has often been odd, but now he is deranged, with rumours circulating that he has even addressed an oak tree as the King of Prussia.
'Believe me, my young friend, there is absolutely nothing half so much worth doing as simply messing about in boats. In them or out of them, it doesn't matter. Whether you get away or you don't, whether you arrive at your destination or whether you never get anywhere at all, you're always busy.'Ever since the publication of Kenneth Grahame's novel in 1908, the characters of Ratty, Mole, Toad and Badger have delighted generations of readers. Now Alan Bennett has written an adaptation for the stage, a version which is both true to the original and yet carries that distinctive Bennett hallmark.Alan Bennett introduces this edition, writing about the history of the project and the staging of the production.'Bennett is even able to inject the odd sly joke for the adult without bewildering the tots... the result is a delightful evening, a treat for anyone.' The Times
Adapted by the author from his autobiographical memoir, The Lady in the Van tells the story of Miss Mary Shepherd, whom Alan Bennett first came across when she was living in the street near his home in Camden Town. Taking refuge with her van in his garden originally for three months, she ended up staying fifteen years. Funny, touching and unexpectedly spectacular, The Lady in the Van marked the return to the stage of one of our leading playwrights.The Lady in the Van with Maggie Smith opened at the Queen's Theatre, London, in December 1999.
Funny, touching and real, this second collection of Alan Bennett's classic work for television from the late 1970s and early 1980s is full of fine observations of life as it is lived. Often imitated but never equalled, Bennett's work is a masterclass in how to write for the small screen and gives as much enjoyment in the reading as it did in the viewing.The television plays included in this volume are Our Winnie, All Day on the Sands, One Fine Day, Marks, Say Something Happened, Rolling Home and Intensive Care. This volume also contains a new general introduction by Alan Bennett.A companion volume of Alan Bennett's work from the 1970s is published as Me, I'm Afraid of Virginia Woolf.
An unruly bunch of bright, funny sixth-form boys in pursuit of sex, sport and a place at university. A maverick English teacher at odds with the young and shrewd supply teacher. A headmaster obsessed with results; a history teacher who thinks he's a fool. In Alan Bennett's classic play, staff room rivalry and the anarchy of adolescence provoke insistent questions about history and how you teach it; about education and its purpose. The History Boys premiered at the National in May 2004.
Here, at last, is the astonishing sequel to Alan Bennett's classic Writing Home, updated for paperback. Untold Stories contains significant previously unpublished work, including a poignant memoir of his family and of growing up in Leeds, together with his much celebrated diary for the years 1996-2004, and numerous other exceptional essays, reviews and comic pieces. Bennett, as always, is both amusing and poignant, whether he's discussing his modest childhood or his work with figures such as Maggie Smith, Thora Hird and John Gielgud. Since the success of Beyond the Fringe in the 1960s Alan Bennett has delighted audiences worldwide with his gentle humour and wry observations about life. His many works include Forty Years On, The Lady in the Van, Talking Heads, A Question of Attribution and The Madness of King George. The History Boys opened to great acclaim at the National in 2004, and is winner of the Evening Standard Award, the South Bank Award and the Critics' Circle Award for Best New Play.Untold Stories is published jointly with Profile Books.
Alan Bennett's A Life Like Other People's is a poignant family memoir offering a portrait of his parents' marriage and recalling his Leeds childhood, Christmases with Grandma Peel, and the lives, loves and deaths of his unforgettable aunties Kathleen and Myra. Bennett's powerful account of his mother's descent into depression and later dementia comes hand in hand with the uncovering of a long-held tragic secret. A heartrending and at times irresistibly funny work of autobiography by one of the best-loved English writers alive today.
Auden often said that metre and rhyme led him down unexpected paths to thoughts he wouldn't otherwise have had, and in this respect versification and fornication are not so different. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by amongst others their future biographer and a young man from the local bus station.You are a rent boy. I am a poet. Over the wall lives the Dean of Christ Church. We all have our parts to play.Alan Bennett's new play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion's spent: ultimately, on the habit of art. 'In the end,' said Auden, 'art is small beer. The really serious things in life are earning one's living and loving one's neighbour.'
A sale? Why not? Release all your wonderful treasures onto the open market and they are there for everyone to enjoy. It's a kind of emancipation, a setting them free to range the world... a sale room here, an exhibition there; art, Lady Stacpoole, is a rover.People spoil things; there are so many of them and the last thing one wants is them traipsing through one's house. But with the park a jungle and a bath on the billiard table, what is one to do? Dorothy wonders if an attic sale could be a solution.
Already a bestseller, this is a wonderfully entertaining collection of Alan Bennett's prose writings. Writing Home brings together diaries, reminiscences and reviews to give us a unique and unforgettable portrait of one of England's leading playwrights. As a memoir it covers the production of his very first play, Forty Years On, which starred John Gieldgud, as well as many other important productions. His television series 'Talking Heads' has become a modern-day classic; as part of the 1960s revue 'Beyond the Fringe' Bennett helped to kick-start the English satire revolution, and has since remained one of our leading dramatists, most recently with The History Boys at the National Theatre. At the heart of the book is The Lady in The Van, since adapted into a radio play featuring Dame Maggie Smith. It is the true account of Miss Mary Shepherd, a homeless tramp who took up residence in Bennett's garden and stayed for fifteen years. This new edition also includes Bennett's introduction to his Oscar-nominated screenplay for The Madness of King George and his more recent diaries.
After two elegiac comedies about the decline of old England, Mr Bennett has now written a gorgeously vulgar but densely plotted farce that is a downright celebration of sex and the human body... a combination of hurtling action with verbal brilliance.Guardian
'We have, in the nick of time, a Play of the Year: Alan Bennett's The Lady in the Van is a wonderfully bittersweet comic diary of the years in which a lethally dotty and very smelly old bat parked her unroadworthy vehicle in Bennett's Camden garden, thereby providing him with a roughly equal amount of journalistic copy and guilty landlordly irritation.Sheridan Morley, Spectator
Writers like to elude their public, lead them a bit of a dance. They take them down untrodden paths, land them in unknown country where they have to ask for directions.In this personal anthology, Alan Bennett has chosen over seventy poems by six well-loved poets, discussing the writers and their verse in his customary conversational style through anecdote, shrewd appraisal and spare but telling biographical detail. Ranging from hidden treasures to famous poems, this is a collection for the beginner and the expert alike. Speaking with candour about his own reactions to the work, Alan Bennett creates profound and witty portraits of Thomas Hardy, A. E. Housman, John Betjeman, W. H. Auden, Louis MacNeice and Philip Larkin, all the more enjoyable for being in his own particular voice.Anybody writing poetry in the thirties had somehow to come to terms with Auden. Auden, you see, had got a head start on the other poets. He'd got into the thirties first, like someone taking over the digs.
Adapted for the screen by the author from his celebrated memoir, Alan Bennett's The Lady in the Van, is directed by long-standing collaborator Nicholas Hytner.The film tells the true story of the relationship between Alan Bennett and the singular Miss Shepherd, a woman of uncertain origins who 'temporarily' parked her van in Bennett's London driveway and proceeded to live there for 15 years. Their unique story is funny, poignant and life-affirming.The Complete Lady in the Van contains a Foreword by Nicholas Hytner, a substantial Introduction with diary entries by Alan Bennett, the original memoir and the screenplay. The book includes numerous illustrations by David Gentleman, who sketched on set throughout filming, and a colour plate-section including behind-the-scenes photographs and stills from the film