Kirjahaku

A "brilliant, innovative, beautiful" (The Guardian) book from the acclaimed author of Chilean Poet "Dazzling . . . a work of parody, but also of poetry." --The New York Times Book Review NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR, THE GUARDIAN, AND THE IRISH TIMES "Latin America's new literary star" (The New Yorker), Alejandro Zambra is celebrated around the world for his strikingly original, slyly funny, daringly unconventional fiction. Now, at the height of his powers, Zambra returns with his most audaciously brilliant book yet. Written in the form of a standardized test, Multiple Choice invites the reader to respond to virtuoso language exercises and short narrative passages through multiple-choice questions that are thought-provoking, usually unanswerable, and often absurd. It offers a new kind of reading experience, one in which the reader participates directly in the creation of meaning, and the nature of storytelling itself is called into question. At once funny, poignant, and political, Multiple Choice is about love and family, authoritarianism and its legacies, and the conviction that, rather than learning to think for ourselves, we are trained to obey and repeat. Serious in its literary ambition and playful in its execution, it confirms Alejandro Zambra as one of the most important writers working in any language. NAMED A BEST BOOK OF THE SUMMER BY THE WALL STREET JOURNAL, ELLE, THE HUFFINGTON POST, THE MILLIONS, VOX, LIT HUB, THE BBC, THE GUARDIAN AND PUREWOW

A NEW YORKER BEST BOOK OF THE YEAR A WALL STREET JOURNAL TOP 10 BOOK OF THE YEAR ONE OF NPR'S "BOOKS WE LOVE" "A tender and funny story about love, family and the peculiar position of being a stepparent... Chilean Poet] broadens the author's scope and quite likely his international reputation." --Los Angeles Times "Zambra is] one of the most brilliant Latin American writers of his generation." --The New York Review of Books "Zambra's books have long shown him to be a writer who, at the sentence level, is in a world all his own." --Juan Vidal, NPR.org A writer of "startling talent" (The New York Times Book Review), Alejandro Zambra returns with his most substantial work yet: a story of fathers and sons, ambition and failure, and what it means to make a family After a chance encounter at a Santiago nightclub, aspiring poet Gonzalo reunites with his first love, Carla. Though their desire for each other is still intact, much has changed: among other things, Carla now has a six-year-old son, Vicente. Soon the three form a happy sort-of family--a stepfamily, though no such word exists in their language. Eventually, their ambitions pull the lovers in different directions--in Gonzalo's case, all the way to New York. Though Gonzalo takes his books when he goes, still, Vicente inherits his ex-stepfather's love of poetry. When, at eighteen, Vicente meets Pru, an American journalist literally and figuratively lost in Santiago, he encourages her to write about Chilean poets--not the famous, dead kind, your Nerudas or Mistrals or Bola os, but rather the living, striving, everyday ones. Pru's research leads her into this eccentric community--another kind of family, dysfunctional but ultimately loving. Will it also lead Vicente and Gonzalo back to each other? In Chilean Poet, Alejandro Zambra chronicles with enormous tenderness and insight the small moments--sexy, absurd, painful, sweet, profound--that make up our personal histories. Exploring how we choose our families and how we betray them, and what it means to be a man in relationships--a partner, father, stepfather, teacher, lover, writer, and friend--it is a bold and brilliant new work by one of the most important writers of our time.

"Sublime . . . true and beautiful and moving." --The New York Times Book Review The landmark first novel of one of the greatest living Latin American writers--now in a sparkling new translation by his longtime collaborator When it was first published in 2006, then-literary critic and poet Alejandro Zambra's first novel, Bonsai, caused a sensation. "It was said," according to Chile's newspaper of record, El Mercurio, "that it represented the end of an era, or the beginning of another, in the nation's letters." Zambra would go on to become a writer of international renown, winning prizes in Chile and around the world for his funny, tender, sly fictions. Here, in a brilliant new translation from four-time International Booker Prize nominee Megan McDowell, is the little book that started it all: The story of Julio and Emilia, two Chilean university students who, seeking truth in great literature, find one another instead. As they fall together and drift apart over the course of young adulthood, Zambra spins an emotionally engrossing, expertly distilled, formally inventive tale of love, art, and memory.

The second novel by the internationally celebrated writer Alejandro Zambra, a "short and strikingly original" (The New Yorker) book about the stories we spin for ourselves and our loved ones--now reissued by Penguin Veronica is late, and Juli n is increasingly convinced she won't ever come home. To pass the time, he improvises a story about trees to coax his stepdaughter, Daniela, to sleep. He has made a life as a literature professor, developing a novel about a man tending to a bonsai tree on the weekends. He is a narrator, an architect, a chronicler of other people's stories. But as the night stretches on before him, and the hours pass with no sign of Veronica, Juli n finds himself caught up in the slipstream of the story of his life--of their lives together. What combination of desire and coincidence led them here, to this very night? What will the future--and possibly motherless--Daniela think of him and his stories? Why tell stories at all? The second novel by acclaimed Chilean writer Alejandro Zambra, The Private Lives of Trees overflows with his signature wit and his gift for crafting short novels that manage to contain whole worlds.

The landmark first story collection from internationally acclaimed author Alejandro Zambra, now featuring five additional stories and an introduction by his longtime collaborator, Megan McDowell An early desktop computer becomes the third partner in a doomed relationship; an older brother figure whose father lives in exile imparts hilarious life lessons to his young prot g . A man attempts to quit smoking despite the fact that he's very good at it; another masquerades as the family man he'll never be. Throughout, Pinochet's dictatorship casts a long shadow, and men in relationships exhibit their profound capacity for both love and harm. In these unforgettable stories--which span religion, romance, technology, soccer, solitude, and more--Alejandro Zambra unfolds a radical literary reflection on life, relationships, and the tender and brutal dimensions of masculinity in Chile from the 1980s to the present. Intimate and playful, provocative and profound, and brilliantly rendered by National Book Award winning translator Megan McDowell, My Documents a testament to the necessity of literature even--and especially--in times of political and personal crisis.

"Hopeful, funny, and full of wisdom. A meditation on fatherhood by one of our most perceptive writers." --Tara Westover, author of Educated From the author of My Documents and Chilean Poet, a wise, humorous, and captivating literary exploration of the delights and absurdities of childhood, fatherhood, and family life Childish Literature is a charming and wide-ranging collection of short stories, essays, and even a couple of poems produced under the influence of fatherhood, a transformative experience that reshapes and enlivens the author's relationship to aging, intimacy, and time. Written in Alejandro Zambra's brilliantly warm, playful, and philosophical voice, these pieces explore the lives of families and their stories through a wide variety of topics--from screen time and "soccer sadness" to personal libraries, fishing, and psychedelics. Throughout, Zambra captures the texture of daily life and deep truths about how we feel and live, with particular insight into the ways parents and children challenge, enrich, and entertain each other. Simultaneously lighthearted and profound, and brilliantly rendered by National Book Award-winning translator Megan McDowell, Childish Literature is an intimate and unclassifiable new work by an internationally celebrated writer.

A brilliant novel from "the herald of a new wave of Chilean fiction" (Marcela Valdes, The Nation) Alejandro Zambra's Ways of Going Home begins with an earthquake, seen through the eyes of an unnamed nine-year-old boy who lives in an undistinguished middle-class housing development in a suburb of Santiago, Chile. When the neighbors camp out overnight, the protagonist gets his first glimpse of Claudia, an older girl who asks him to spy on her uncle Ra l. In the second section, the protagonist is the writer of the story begun in the first section. His father is a man of few words who claims to be apolitical but who quietly sympathized--to what degree, the author isn't sure--with the Pinochet regime. His reflections on the progress of the novel and on his own life--which is strikingly similar to the life of his novel's protagonist--expose the raw suture of fiction and reality. Ways of Going Home switches between author and character, past and present, reflecting with melancholy and rage on the history of a nation and on a generation born too late--the generation which, as the author-narrator puts it, learned to read and write while their parents became accomplices or victims. It is the most personal novel to date from Zambra, the most important Chilean author since Roberto Bola o.

A NEW YORKER BEST BOOK OF THE YEAR A WALL STREET JOURNAL TOP 10 BOOK OF THE YEAR ONE OF NPR'S "BOOKS WE LOVE" "A tender and funny story about love, family and the peculiar position of being a stepparent... Chilean Poet] broadens the author's scope and quite likely his international reputation." --Los Angeles Times "Zambra is] one of the most brilliant Latin American writers of his generation." --The New York Review of Books "Zambra's books have long shown him to be a writer who, at the sentence level, is in a world all his own." --Juan Vidal, NPR.org A writer of "startling talent" (The New York Times Book Review), Alejandro Zambra returns with his most substantial work yet: a story of fathers and sons, ambition and failure, and what it means to make a family After a chance encounter at a Santiago nightclub, aspiring poet Gonzalo reunites with his first love, Carla. Though their desire for each other is still intact, much has changed: among other things, Carla now has a six-year-old son, Vicente. Soon the three form a happy sort-of family--a stepfamily, though no such word exists in their language. Eventually, their ambitions pull the lovers in different directions--in Gonzalo's case, all the way to New York. Though Gonzalo takes his books when he goes, still, Vicente inherits his ex-stepfather's love of poetry. When, at eighteen, Vicente meets Pru, an American journalist literally and figuratively lost in Santiago, he encourages her to write about Chilean poets--not the famous, dead kind, your Nerudas or Mistrals or Bola os, but rather the living, striving, everyday ones. Pru's research leads her into this eccentric community--another kind of family, dysfunctional but ultimately loving. Will it also lead Vicente and Gonzalo back to each other? In Chilean Poet, Alejandro Zambra chronicles with enormous tenderness and insight the small moments--sexy, absurd, painful, sweet, profound--that make up our personal histories. Exploring how we choose our families and how we betray them, and what it means to be a man in relationships--a partner, father, stepfather, teacher, lover, writer, and friend--it is a bold and brilliant new work by one of the most important writers of our time.

My Documents is the latest work from Alejandro Zambra, the award-winning Chilean writer whose first novel was heralded as the dawn of a new era in Chilean literature. Whether chronicling the attempts of a migraine-afflicted writer to quit smoking or the loneliness of the call-centre worker, the life of a personal computer or the return of a mercurial godson, this collection of stories evokes the disenchantments of youth and the disillusions of maturity in a Chilean society still troubled by its recent past. Written with the author's trademark irony and precision, humour and melancholy, My Documents is unflinchingly human and essential evidence of a sublimely talented writer working at the height of his powers.

Reader, your life is full of choices. Some will bring you joy and others will bring you heartache. Will you choose to cheat (in life, the examination that follows) or will you choose to copy? Will you fall in love? If so, will you remember her name and the number of freckles on her back? Will you marry, divorce, annul? Will you leave your run-down neighbourhood, your long-suffering country and your family? Will you honour your dead, those you loved and those you didn't? Will you have a child, will you regret it? Will you tell them you regret it? Will you, when all's said and done, deserve a kick in the balls? Will you find, here, in this slender book, fictions that entertain and puzzle you? Fictions that reflect yourself back to you? Will you find yourself? Relax, concentrate, dispel any anxious thoughts. Let the world around you settle and fade. Are you ready? Now turn over your papers, and begin.

Gonzalo is a frustrated would-be poet in a city full of poets; poets lurk in every bookshop, prop up every bar, ready to debate the merits of Teillier and Millan (but never Neruda - beyond the pale). Then, nine years after their bewildering breakup, Gonzalo reunites with his teen sweetheart, Carla, who is now, to his surprise, the mother of a young son, Vicente. Soon they form a happy sort-of family - a stepfamily, though no such word exists in their language. In time, fate and ambition pull the lovers apart, but when it comes to love and poetry, what will be Gonzalo's legacy to his not-quite-stepson Vicente? Zambra chronicles with tenderness and insight the everyday moments - absurd, painful, sexy, sweet, profound - that constitute family life in this bold and brilliant new novel.

Verónica is late, and Julián is increasingly convinced she won't ever come home. To pass the time, he improvises a story about trees to coax his stepdaughter, Daniela, to sleep. He has made a life as a literature professor, developing a novel about a man tending to a bonsai tree on the weekends. He is a narrator, an architect, a chronicler of other people's stories. But as the night stretches on before him, and the hours pass with no sign of Verónica, Julián finds himself caught up in the slipstream of the story of his life – of their lives together. What combination of desire and coincidence led them here, to this very night? What will the future – and possibly motherless – Daniela think of him and his stories? Why tell stories at all? The Private Lives of Trees, Alejandro Zambra’s second novel, now published in the UK for the first time in a revised translation by Megan McDowell, overflows with his signature wit and his gift for crafting short novels that manage to contain whole worlds.

How do we write about the singular experience of parenthood? Written in a ‘state of attachment’, or ‘under the influence’ of fatherhood, Childish Literature is an eclectic guide for novice parents, showing how the birth and growth of a child changes not only the present and the future, but also reshapes our perceptions of the past. Shifting from moving dispatches from his son’s first year of existence, to a treatise on ‘football sadness’, to a psychedelic narrative where a man tries, mid-magic mushroom trip, to re-learn the subtle art of crawling, this latest work from Alejandro Zambra shows how children shield adults from despondency, self-absorption and the tyrannies of chronological time. At once a chronicle of fatherhood, a letter to a child and a work of fiction, Childish Literature is the latest, virtuosic addition to the oeuvre of one of the most exciting Latin American writers in recent decades.

A young boy plays hide and seek in the suburbs of Santiago, unaware that his neighbours are becoming entangled in the brutality of Pinochet's regime. Then one night a mysterious girl appears in his neighbourhood and makes a life-changing request.

In Not to Read, Alejandro Zambra outlines his own particular theory of reading that also offers a kind of blurry self-portrait, or literary autobiography. Whether writing about Natalia Ginzburg, typewriters and computers, Paul Léautaud, or how to be silent in German, his essays function as a laboratory for his novels, a testing ground for ideas, readings and style. Not to Read also presents an alternative pantheon of Latin American literature – Zambra would rather talk about Nicanor Parra than Pablo Neruda, Mario Levrero than Gabriel García Márquez. His voice is that of a trusted friend telling you about a book or an author he’s excited about, how he reads, and why he writes. A standard-bearer of his generation in Chile, with Not to Read Alejandro Zambra confirms he is one of the most engaging writers of our time.

Bonsai is the story of Julio and Emilia, two young Chilean students who, seeking truth in great literature, find each other instead. Like all young couples, they lie to each other, revise themselves, and try new identities on for size, observing and analyzing their love story as if it’s one of the great novels they both pretend to have read. As they shadow each other throughout their young adulthoods, falling together and drifting apart, Zambra spins a formally innovative, metafictional tale that brilliantly explores the relationship among love, art, and memory.

Komplekt iz dvukh knig sovremennogo chilijskogo pisatelja Akhekhandro Sambra daet vozmozhnost chitateljam pogruzitsja v kolorit chilijskoj sovremennoj literatury i uznat, kak i o chem sejchas pishut v Latinskoj Amerike. Eti knigi pro vzaimosvjaz mezhdu ljubovju, iskusstvom i pamjatju mogut stat otlichnym podarkom blizkim ljudjam.Istorija ob ottsakh i detjakh, ambitsijakh i neudachakh, a takzhe o tom, chto znachit sozdat semju. Eto otvet na vopros, chto znachit byt muzhchinoj v otnoshenijakh - partnerom, ottsom, otchimom, uchitelem, ljubovnikom, pisatelem i drugom. Sambra polnotsenno raskryvaet temu otnoshenij na vsekh etapakh.Posle sluchajnoj vstrechi v nochnom klube nachinajuschij poet Gonsalo vossoedinjaetsja so svoej pervoj ljubovju Karloj. I khotja ikh vlechenie drug k drugu ne ostylo, izmenilos mnogoe drugoe: sredi prochego, u Karly teper est shestiletnij syn Visente. Vskore vse troe obrazujut schastlivuju semju - svodnuju semju, khotja v ikh jazyke net takogo slova.V kontse kontsov ambitsii tjanut vljublennykh v raznye storony, no vse zhe malenkij Visente nasleduet ljubov svoego byvshego otchima k poezii. Kogda v vosemnadtsat let Visente vstrechaet Pru, amerikanskuju zhurnalistku, on pobuzhdaet ee pisat o chilijskikh poetakh - ne o znamenitykh, mertvykh, a o zhivykh. Privedet li eto rassledovanie Visente i Gonsalo obratno drug k drugu?"Chilijskij poet" - roman o tom, kak my vybiraem nashi semi i kak my inogda predaem ikh. Eto otvet na vopros, chto znachit byt muzhchinoj v otnoshenijakh - partnerom, ottsom, otchimom, uchitelem, ljubovnikom, pisatelem i drugom."Bonsaj" - eto istorija Khulio i Emilii, dvukh molodykh chilijskikh studentov, kotorye ischut istinu v velikoj literature, no vmesto etogo nakhodjat drug druga. Kak i vse molodye pary oni primerjajut na sebja novye lichnosti, nabljudajut i analizirujut svoju istoriju ljubvi, kak budto eto odin iz velichajshikh romanov, kotoryj oni oba pritvorjajutsja, chto prochitali. I poka oni sledjat drug za drugom na protjazhenii vsej svoej junosti, to skhodjas, to raskhodjas, Alekhandro Sambra sozdaet novatorskuju metafizicheskuju istoriju, blestjasche issledujuschuju vzaimosvjaz mezhdu ljubovju, iskusstvom i pamjatju.Perevodchik: Petrov Gennadij