Kirjahaku

The true story of the intimate relationship that gave birth to the Farnsworth House, a masterpiece of twentieth-century architecture--and disintegrated into a bitter feud over love, money, gender, and the very nature of art. "An intimate portrait . . . alive with architectural intrigue."--Architect Magazine In 1945, Edith Farnsworth asked the German architect Mies van der Rohe, already renowned for his avant-garde buildings, to design a weekend home for her outside of Chicago. Edith was a woman ahead of her time--unmarried, she was a distinguished medical researcher, as well as an accomplished violinist, translator, and poet. The two quickly began spending weekends together, talking philosophy, Catholic mysticism, and, of course, architecture over wine-soaked picnic lunches. Their personal and professional collaboration would produce the Farnsworth House, one of the most important works of architecture of all time, a blindingly original structure made up almost entirely of glass and steel. But the minimalist marvel, built in 1951, was plagued by cost overruns and a sudden chilling of the two friends' mutual affection. Though the building became world famous, Edith found it impossible to live in, because of its constant leaks, flooding, and complete lack of privacy. Alienated and aggrieved, she lent her name to a public campaign against Mies, cheered on by Frank Lloyd Wright. Mies, in turn, sued her for unpaid monies. The ensuing lengthy trial heard evidence of purported incompetence by an acclaimed architect, and allegations of psychological cruelty and emotional trauma. A commercial dispute litigated in a rural Illinois courthouse became a trial of modernist art and architecture itself. Interweaving personal drama and cultural history, Alex Beam presents a stylish, enthralling narrative tapestry, illuminating the fascinating history behind one of the twentieth century's most beautiful and significant architectural projects.

In this brisk and riveting biography, Alex Beam takes readers on a journey through Wallace Stegner's life and complicated legacy as one of the twentieth century's best storytellers and chroniclers of the American West. In a career that spanned half a century, Stegner wrote fourteen novels and seventeen works of nonfiction. Reared on the Canadian-American frontier and educated in Salt Lake City, Utah, this quintessential Man of the West won both the Pulitzer Prize and the National Book Award. He landed a coveted teaching job at Harvard but, eager to get back to the West, left it for a professorship at Stanford. Stegner was a full-throated environmentalist who served on the board of the Sierra Club, worked for the Secretary of the Interior, and wrote the famous Wilderness Letter on the healing power of open spaces. He founded Stanford University's legendary Stegner Writing Fellowship, where his students included Edward Abbey, Wendell Berry, Ken Kesey, Larry McMurtry, Sandra Day O'Connor, Tillie Olsen, and Scott Turow. In his later years Stegner wondered if he had lived too deep into the wrong century. He left Stanford when he felt students no longer accorded professors the respect they deserved, and later became embroiled in a plagiarism scandal that tarred his Pulitzer Prize-winning Angle of Repose. Stegner ended his career with his valedictory masterpiece, Crossing to Safety. It was his rare Eastern novel, set in his adopted home of Greensboro, Vermont, where he chose to be buried.

Presents a history of the Massachusetts mental institution from its beginnings in the early 19th century to today.