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82 kirjaa tekijältä Alexander Stewart
Originally published in 1948, this book is of a remarkable gentleman, Alexander Stewart, who was born in Kirkaldy, Fifeshire, in 1790, and died in 1874. In middle life he wrote for his children an account of his adventurous youth, when he ran away to sea, was captured by the French, and spent some ten years as a prisoner. On returning home, he took to teaching, but then came a compelling inner call to the Christian ministry, and for the remainder of his life he preached the gospel with characteristic vigour and courage.Sir P. Malcolm Stewart, his grandson, in his Preface speaks of his “sense of pride in Alexander Stewart’s patience, endurance, and determination, in his great physical and moral courage, and his fight for freedom whether in prison or in the ministry.”“The style of writing,” says Alexander Stewart, “which I have adopted is that of unadorned narrative,” and such a story needed no external embellishments. His early narrative is given in extenso; the later portion is taken and abridged from his diary. Altogether it is a remarkable addition to the corpus of memoirs of the Napoleonic era.This book is a re-issue originally published in 1948. The language used and views portrayed are a reflection of its era and no offence is meant by the Publishers to any reader by this re-publication.
Originally published in 1948, this book is of a remarkable gentleman, Alexander Stewart, who was born in Kirkaldy, Fifeshire, in 1790, and died in 1874. In middle life he wrote for his children an account of his adventurous youth, when he ran away to sea, was captured by the French, and spent some ten years as a prisoner. On returning home, he took to teaching, but then came a compelling inner call to the Christian ministry, and for the remainder of his life he preached the gospel with characteristic vigour and courage. Sir P. Malcolm Stewart, his grandson, in his Preface speaks of his “sense of pride in Alexander Stewart’s patience, endurance, and determination, in his great physical and moral courage, and his fight for freedom whether in prison or in the ministry.” “The style of writing,” says Alexander Stewart, “which I have adopted is that of unadorned narrative,” and such a story needed no external embellishments. His early narrative is given in extenso; the later portion is taken and abridged from his diary. Altogether it is a remarkable addition to the corpus of memoirs of the Napoleonic era. This book is a re-issue originally published in 1948. The language used and views portrayed are a reflection of its era and no offence is meant by the Publishers to any reader by this re-publication.
The Art of Hair Dressing, Or, the Ladies Director; Being a Concise Set of Rules for Dressing Ladies Hair, ... by Alexander Stewart, Hair-Dresser.
Alexander Stewart
Gale Ecco, Print Editions
2010
pokkari
The art of hair dressing, or, the gentleman's director; being a concise set of rules for dressing gentlemen's hair, ... By Alexander Stewart, hair-dresser,
Alexander Stewart
Gale Ecco, Print Editions
2010
pokkari
The art of Hair Dressing, or, the Ladies Director; Being a Concise set of Rules for Dressing Ladies Hair, ... By Alexander Stewart, Hair-dresser
Alexander Stewart
Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.This collection reveals the history of English common law and Empire law in a vastly changing world of British expansion. Dominating the legal field is the Commentaries of the Law of England by Sir William Blackstone, which first appeared in 1765. Reference works such as almanacs and catalogues continue to educate us by revealing the day-to-day workings of society.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT022455Final leaf contains errata and the statement 'The author assures the publick that all his copies, in case of imposition, are signed by his own hand writing'. London]: Printed for and sold by the author, at his hair-dressing academy, No.12, Davies-Street, Berkeley-Square, 1788. 18, 2]p.; 8
The Works of William Robertson ... to Which Is Prefixed, an Account of His Life and Writings by Dugald Stewart. ... a New Edition.
William Robertson; Alexander Stewart
British Library, Historical Print Editions
2011
pokkari
The Works of William Robertson ... to Which Is Prefixed, an Account of His Life and Writings by Dugald Stewart. ... a New Edition.
William Robertson; Alexander Stewart
British Library, Historical Print Editions
2011
pokkari
The Works of William Robertson ... to Which Is Prefixed, an Account of His Life and Writings by Dugald Stewart. ... a New Edition.
William Robertson; Alexander Stewart
British Library, Historical Print Editions
2011
pokkari
The Works of William Robertson ... to Which Is Prefixed, an Account of His Life and Writings by Dugald Stewart. ... a New Edition.
William Robertson; Alexander Stewart
British Library, Historical Print Editions
2011
pokkari
The Works of William Robertson ... to Which Is Prefixed, an Account of His Life and Writings by Dugald Stewart. ... a New Edition.
William Robertson; Alexander Stewart
British Library, Historical Print Editions
2011
pokkari
The Works of William Robertson ... to Which Is Prefixed, an Account of His Life and Writings by Dugald Stewart. ... a New Edition.
William Robertson; Alexander Stewart
British Library, Historical Print Editions
2011
pokkari
The Works of William Robertson ... to Which Is Prefixed, an Account of His Life and Writings by Dugald Stewart. ... a New Edition.
William Robertson; Alexander Stewart
British Library, Historical Print Editions
2011
pokkari
The Works of William Robertson ... to Which Is Prefixed, an Account of His Life and Writings by Dugald Stewart. ... a New Edition.
William Robertson; Alexander Stewart
British Library, Historical Print Editions
2011
pokkari
The Works of William Robertson ... to Which Is Prefixed, an Account of His Life and Writings by Dugald Stewart. ... a New Edition.
William Robertson; Alexander Stewart
British Library, Historical Print Editions
2011
pokkari
The Works of William Robertson ... to Which Is Prefixed, an Account of His Life and Writings by Dugald Stewart. ... a New Edition.
William Robertson; Alexander Stewart
British Library, Historical Print Editions
2011
pokkari
The Works of William Robertson ... to Which Is Prefixed, an Account of His Life and Writings by Dugald Stewart. ... a New Edition.
William Robertson; Alexander Stewart
British Library, Historical Print Editions
2011
pokkari
The Works of William Robertson ... to Which Is Prefixed, an Account of His Life and Writings by Dugald Stewart. ... a New Edition. Vol. VII.
William] Robertson; Alexander Stewart
British Library, Historical Print Editions
2011
pokkari
The received wisdom of popular jazz history is that the era of the big band was the 1930s and '40s, when swing was at its height. But as practicing jazz musicians know, even though big bands lost the spotlight once the bebop era began, they never really disappeared. "Making the Scene" challenges conventional jazz historiography by demonstrating the vital role of big bands in the ongoing development of jazz. Alex Stewart describes how jazz musicians have found big bands valuable. He explores the rich 'rehearsal band' scene in New York and the rise of repertory orchestras. "Making the Scene" combines historical research, ethnography, and participant observation with musical analysis, ethnic studies, and gender theory, dismantling stereotypical views of the big band.