Kirjahaku

An account English weather, which is at the very heart of English life and culture, as it is experienced physically, emotionally and spiritually. It catches the distinct voices of compelling individuals: 'Bloody cold', says Jonathan Swift in the 'slobbery' January of 1713; Percy Shelley wants to become a cloud and John Ruskin wants to bottle one.

An accessible introduction to a writer whose work is of timeless significance and whose unconventional life is a continuous source of fascination. In 1907, when she was twenty-five and not yet a published novelist, Virginia Stephen had everything still to prove. She felt herself to be at a crossroads: ‘I shall be miserable, or happy; a wordy sentimental creature, or a writer of such English as shall one day burn the pages.’ Today her prose is still blazing; perhaps it burns brighter than ever. This is the story of how a determined young woman with a notebook became one of the greatest writers of all time. It is a story that sparkles with wit and friendship, language and love, wicked jokes and passionate appreciation of ordinary things. Hers was a life lived with intensity from moment to moment, courageous and defiant of convention, and shaped into the lasting patterns of art. Considering each of Woolf’s novels in context, this gripping account shows why, eighty years after her death, Virginia Woolf continues to haunt and inspire us.

A SPECTATOR AND TLS BOOK OF THE YEAR'Remarkable.' THE TIMES'Wonderful.' GUARDIAN'Fascinating.' DAILY TELEGRAPH'As a portrait of a place, it's hard to better.' COUNTRY LIFE'A thrill akin to discovering buried treasure.' RICHARD MABEY'Humane, humorous and joyful.' RUTH SCURRWhen the celebrated critic and cultural historian Alexandra Harris returned to her childhood home of West Sussex, she realised that she barely knew the place at all. As she probed beneath the surface, excavating layers of archival records and everyday objects - bringing a lifetime's reading to bear on the place where she started - hundreds of unexpected stories and hypnotic voices emerged from the area's past. Who has stood here, she asks; what did they see? From the painter John Constable and the modernist writer Ford Madox Ford to the lost local women who left little trace, these electrifying encounters - spanning the Downs, Poland, Australia, Canada - inspired her to imagine lives that seemed distant, yet were deeply connected through their shared landscape.By focusing on one small patch of England, Harris finds 'a World in a Grain of Sand' and opens vast new horizons.

'Remarkable.' THE TIMES'Wonderful.' GUARDIAN'Fascinating.' DAILY TELEGRAPH'A landscape-keyhole onto the whole world . . . Glorious.' Robert Macfarlane'A thrill akin to discovering buried treasure.' RICHARD MABEYWhen Alexandra Harris returned to her childhood home of West Sussex, she realised that she barely knew the place at all. As she probed beneath the surface, excavating layers of archival records and everyday objects, hundreds of unexpected stories and hypnotic voices emerged from the area's past. These electrifying encounters - ranging from those with the painter John Constable and the modernist writer Ford Madox Ford to the lost local women who left little trace - inspired her to imagine lives that, though seemingly distant, are deeply connected through this shared landscape. By focusing on one small patch of England, Harris opens vast new horizons.

Dive into a short story that encourages, empowers, and motivates young readers to embrace who they are. Young readers will learn that their skin is an amazing asset and that it is a beautiful treasure that they should love and embrace. Teach your little one self-love and self-awareness at an early age through colorful illustrations and meaningful words.

Dates are invented things. Nothing in nature decrees that today is today. But for millennia humans have divided time into portions, and given those portions names which are shared widely across cultures, creating a common agreement on the date. This convention is useful in practical ways: we can make arrangements and can communicate time elapsed or time ahead. But the calendar also makes a certain kind of truth and establishes that today is today. As calendars and almanacs developed, art from their specific time and place was naturally incorporated. In this small book showcasing the finest and most interesting art that has gone into almanacs, from the eight century onwards, Alexandra Harris brings in everything from Benedictine calendars to Old Moore's Almanack.