Kirjahaku

ââ?¬Ë?The next voice of a generationââ?¬â?¢ Elle LONGLISTED FOR THE GORDON BURN PRIZE

'Magnificent and stunning' Jeff VanderMeer'An immense achievement. Masterful and merciless' Olivia Sudjic'Expertly conjures California noir filtered through the ambient and not-so-ambient apocalypse' Emma Cline

ââ?¬Ë?Magnificent and stunningââ?¬â?¢ Jeff VanderMeer, author of Hummingbird Salamander ââ?¬Ë?An immense achievement. Masterful and mercilessââ?¬â?¢ Olivia Sudjic, author of Asylum Road ââ?¬Ë?Expertly conjures California noir filtered through the ambient and not-so-ambient apocalypseââ?¬â?¢ Emma Cline, author of The Girls

‘An urgent novel about our very near future, and a deeply addictive pleasure’ Katie Kitamura, author of Intimacies ‘Magnificent and stunning’ Jeff VanderMeer, author of Hummingbird Salamander ‘An immense achievement. Masterful and merciless’ Olivia Sudjic, author of Asylum Road A bold, addictive and urgent new novel about capitalism, environmental collapse and our near future. What is really going on? Patrick Hamlin has come to Hollywood to see his novel be adapted for the screen, but why does he get the feeling that the film project is a smokescreen for something else? Does Cassidy Carter, the troubled starlet due to play the lead, know something he doesn’t? And what is the truth about WAT-R, the synthetic water everyone drinks in LA? Sharply funny, alluring and devastating, Something New Under the Sun is an unmissable novel for our present moment. ‘Sun-drenched, sharply observed and swift-moving… strange and new’ Guardian ‘Profoundly affecting – somehow both funny and deeply unsettling’ Rumaan Alam, author of Leave the World Behind ‘Expertly conjures California noir filtered through the ambient and not-so-ambient apocalypse’ Emma Cline, author of The Girls A WHITE REVIEW BOOK OF THE YEAR • A LIT HUB BEST BOOK OF 2021

An intelligent and madly entertaining debut novel reminiscent of The Crying of Lot 49, White Noise, and City of Glass that is at once a missing-person mystery, an exorcism of modern culture, and a wholly singular vision of contemporary womanhood from a terrifying and often funny voice of a new generation.A woman known only by the letter A lives in an unnamed American city with her roommate, B, and boyfriend, C, who wants her to join him on a reality show called That's My Partner A eats (or doesn't) the right things, watches endless amounts of television, often just for the commercials--particularly the recurring cartoon escapades of Kandy Kat, the mascot for an entirely chemical dessert--and models herself on a standard of beauty that only exists in such advertising. She fixates on the fifteen minutes of fame a news-celebrity named Michael has earned after buying up his local Wally Supermarket's entire, and increasingly ample, supply of veal.Meanwhile B is attempting to make herself a twin of A, who hungers for something to give meaning to her life, something aside from C's pornography addiction, and becomes indoctrinated by a new religion spread throughout a web of corporate franchises, which moves her closer to the decoys that populate her television world, but no closer to her true nature.

An intelligent and madly entertaining debut novel reminiscent of The Crying of Lot 49, White Noise, and City of Glass that is at once a missing-person mystery, an exorcism of modern culture, and a wholly singular vision of contemporary womanhood from a terrifying and often funny voice of a new generation.A woman known only by the letter A lives in an unnamed American city with her roommate, B, and boyfriend, C, who wants her to join him on a reality show called That's My Partner A eats (or doesn't) the right things, watches endless amounts of television, often just for the commercials--particularly the recurring cartoon escapades of Kandy Kat, the mascot for an entirely chemical dessert--and models herself on a standard of beauty that only exists in such advertising. She fixates on the fifteen minutes of fame a news-celebrity named Michael has earned after buying up his local Wally Supermarket's entire, and increasingly ample, supply of veal.Meanwhile B is attempting to make herself a twin of A, who hungers for something to give meaning to her life, something aside from C's pornography addiction, and becomes indoctrinated by a new religion spread throughout a web of corporate franchises, which moves her closer to the decoys that populate her television world, but no closer to her true nature.

"Haunting. . . . Wonderfully strange and eerie, Intimations outlines the confusion, loss, and anxieties that underlie the different stages of mortality, forcing us to re-examine the often unsettling realities of our existence." -- Buzzfeed"Brilliantly alive. . . . the world is parsed with a charming exactitude that magnifies all its latent marvels and especially horrors--the blacker and more peculiar these stories get, the funnier they are." -- New York Times Book ReviewFrom the celebrated author of You Too Can Have a Body Like Mine, a thought-provoking, often unsettling story collection that consists, broadly, of narrative diagrams of the three main stages in a human life: birth, life, and death.Alexandra Kleeman's debut novel You Too Can Have a Body Like Mine earned her comparisons to Thomas Pynchon, Don DeLillo, Ben Marcus, and Tom Perrotta. It was praised by the New York Times as "a powerful allegory of our civilization's many maladies, artfully and elegantly articulated, by one of the young wise women of our generation."In her second book, a collection of twelve stories irresistibly seductive in their strangeness, she explores human life from beginning to end: the distress of birth into a world already formed; the brief and confusing period of "living" where we understand what is expected of us and struggle to do it; and the death-y period toward the end where we sense it is ending and will end only partially understood, at best.The title is taken from one of the stories ("Intimation"), but is also a play on Wordsworth's "Intimations of Immortality"--only in this case it's not clear exactly what is being intimated, but it's nothing so gleaming and good as Immortality. The middle, "Living" section of the book, is fleshed out with a set of stories that borrow more from traditional realist fiction to illustrate the inner lives of the characters.At once familiar and mysterious, these stories have an eerie resonance as its characters find themselves in new and surprising situations. An unnamed woman enters a room with no exit and a ready-made life; the disappearance of people, objects, and memory creates an apocalypse; the art of dance is used to try to tame a feral child; the key to surviving a house-party lies in knowing the difference between fake and real blood.Elegant, surprising, wondrous, and haunting, Intimations is an utterly transporting collection from one of our most ingenious and brilliant young writers.

"Haunting. . . . Wonderfully strange and eerie, Intimations outlines the confusion, loss, and anxieties that underlie the different stages of mortality, forcing us to re-examine the often unsettling realities of our existence." -- Buzzfeed"Brilliantly alive. . . . the world is parsed with a charming exactitude that magnifies all its latent marvels and especially horrors--the blacker and more peculiar these stories get, the funnier they are." -- New York Times Book ReviewFrom the celebrated author of You Too Can Have a Body Like Mine, a thought-provoking, often unsettling story collection that consists, broadly, of narrative diagrams of the three main stages in a human life: birth, life, and death.Alexandra Kleeman's debut novel You Too Can Have a Body Like Mine earned her comparisons to Thomas Pynchon, Don DeLillo, Ben Marcus, and Tom Perrotta. It was praised by the New York Times as "a powerful allegory of our civilization's many maladies, artfully and elegantly articulated, by one of the young wise women of our generation."In her second book, a collection of twelve stories irresistibly seductive in their strangeness, she explores human life from beginning to end: the distress of birth into a world already formed; the brief and confusing period of "living" where we understand what is expected of us and struggle to do it; and the death-y period toward the end where we sense it is ending and will end only partially understood, at best.The title is taken from one of the stories ("Intimation"), but is also a play on Wordsworth's "Intimations of Immortality"--only in this case it's not clear exactly what is being intimated, but it's nothing so gleaming and good as Immortality. The middle, "Living" section of the book, is fleshed out with a set of stories that borrow more from traditional realist fiction to illustrate the inner lives of the characters.At once familiar and mysterious, these stories have an eerie resonance as its characters find themselves in new and surprising situations. An unnamed woman enters a room with no exit and a ready-made life; the disappearance of people, objects, and memory creates an apocalypse; the art of dance is used to try to tame a feral child; the key to surviving a house-party lies in knowing the difference between fake and real blood.Elegant, surprising, wondrous, and haunting, Intimations is an utterly transporting collection from one of our most ingenious and brilliant young writers.

NEW YORK TIMES EDITORS' CHOICE - A novelist discovers the dark side of Hollywood and reckons with ambition, corruption, and environmental collapse in "a darkly satirical reflection of ecological reality" (Time) LONGLISTED FOR THE JOYCE CAROL OATES PRIZE - ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, Time, Los Angeles Times, The Philadelphia Inquirer, Vulture, Thrillist, Literary Hub "An urgent novel about our very near future, and a deeply addictive pleasure."--Katie Kitamura, author of Intimacies Novelist Patrick Hamlin has come to Los Angeles to oversee the film adaptation of one of his books and try to impress his wife and daughter back home with this last-ditch attempt at professional success. But California is not as he imagined. Drought, wildfire, and corporate corruption are everywhere, and the company behind a mysterious new brand of synthetic water seems to be at the root of it all. Patrick finds an unlikely partner in Cassidy Carter--the cynical starlet of his film--and the two investigate the sun-scorched city, where they discover the darker side of all that glitters in Hollywood. Something New Under the Sun is an unmissable novel for our present moment--a bold exploration of environmental catastrophe in the age of alternative facts, and "a ghost story not of the past but of the near future" (The New York Times).

Utanför fönstret har jag sett barn leka i snön, till synes omedvetna om att den består av kristaller och att varje flinga är ömtålig och omöjlig att återskapa. Jag har sett snön smälta i deras händer, men aldrig känt den smälta i mina egna. Hur beskriver man världen instängd bakom femton centimeter tjockt plexiglas? Vad gör man när man vaknar ensam om natten i ett hus som känns mindre och mindre bebott? Och hur kan en pappa kontrollera vädret när han inte ens kan kontrollera sig själv? I långnovellen Väderlekar utforskar Alexandra Kleeman inre och yttre väder med ett språk lika uppfinningsrikt som familjen hon skildrar. Alexandra Kleeman, född 1986 i Kalifornien, är en prisbelönt författare och docent vid Cornell University i New York. Hon har skrivit romanerna You Too Can Have a Body Like Mine och Something New Under the Sun och novellsamlingen Intimations, samt publicerat texter i tidskrifter som New York Times, The New Yorker och The Paris Review.