Kirjahaku

That morning I woke up to a new message on Insta, from my boyfriend Ben. By this point Ben had been dead for two years. Definitely a new message. Top of my inbox. DMs officially slid into by my dead boyfriend.When Alex receives a private Instagram message from his now deceased ex-boyfriend’s account, he finds himself trailing both old leads and new in a haphazard and dangerous attempt to uncover the truth. Via a queer lens, Smoke confronts today’s obsession with self-documentation, drugs, paranoia, and living and dying in the digital age – when privacy seems an archaic concept, where do we draw the line?Packed with dark humour and suspense, this rollercoaster of a piece presents a comedic thriller that homes in on how today’s modern landscape may impact our grasp on reality, uncovering a hidden world within the everyday. Smoke removes the theatrics to offer audiences an intimate conversation and exploration of queer survival in Alexis Gregory’s most brutally honest and raw piece yet, investigating the blur between reality and fantasy in this post-truth era.This edition was published to coincide with the run at London's King's Head Theatre in November 2024.

A recent study found that 25% of UK homeless and at-risk young people identify as LGBT. Safe is a powerful verbatim theatre piece exploring some of these untold stories via the Albert Kennedy Trust: a charity supporting such youth.Different young people talk about their experiences growing up: of being misunderstood or abused by parents, siblings and carers; of living in shame and fear. These are tales of sexuality, gender, childhood, identity, family, religion, race, addiction, and an exploration of what it means to feel truly safe in today’s world, and a humour-filled celebration of survival.Safe was created out of interviews with service users at the Albert Kennedy Trust, and was first performed at the Soho Theatre in 2015. Despite the difficulties encountered by the play's characters it has an inspiring and hopeful conclusion, and "demonstrates the power and versatility of verbatim theatre". (The Stage)

Riot Act is a powerful brand-new verbatim theatre piece created especially for the King’s Head Theatre Queer Season.‘You know what’s strange, I felt safer on the night of the riots, on the sidewalk in front of Stonewall, than I did in my own hometown.’‘I’m a drag queen. I want to live. I want to survive. As an older person, I’m sixty-five now, I couldn’t give a f cking shit.’‘In London, the idea of ‘safe sex’ was: don’t sleep with Americans. James was older; a mature student. He was twenty-two years old when he died.’Playwright and performer Alexis Gregory interviewed one of the only remaining Stonewall survivors, a radical drag icon from 1970s London and a 1990s London ACT UP AIDS activist. This solo theatre piece channels six decades of queer history. Hard-hitting, provocative, tender, truthful, funny, political and personal, these are stories of queerness, activism, addiction, sex, drag, community, conflict, youth, ageing, fierce queens and a Hollywood diva.

In a fractured and divided city, two men, ‘A’ and ‘B’, meet to recreate the killings of a famous gay serial killer, for their own pleasure…and the right price.“Everything else is tumbling downFalling apartBut not you and me You and me are going to hold tight You and me are just right”Sex/Crime is a darkly comic queer thriller: an exciting, challenging play that explores sex, violence, language, fear and queerness.