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Alison Light Inside History addresses a number of the central preoccupations within feminist cultural criticism over this period: the nature of writing by women and what women writers might or might not share; the place of such writing in any literary history or cultural analysis; the politics of popular culture and the question of pleasure; women's relation to ideas of national identity and other forms of belonging; and finally, their contribution to life-writing in its different genres. The volume offers a lively, wide-ranging way into feminist debates, touching on a number of major authors from Alice Walker to Virginia Woolf, on genre fiction, and on the writing of memoir and biography. Chronologically arranged, the essays and short 'think-pieces' chart Alison Light's own intellectual formation as a critic and writer within a wider collective politics. This is explored and contextualised in an autobiographical introduction.

A collection of thought-provoking essays spanning thirty-five years of Alison Light's work Provides a historicising collection of essays, by a major critic, exemplifying and opening up feminist cultural politics to new readers Offers a way into a variety of texts and genres including popular fiction, drama, film - as well as single authors, united by a lively and readable feminist approach Extends current thinking on national identity and Englishness from a writer who helped open these fields Speaks to the new and growing academic interest in 'life-writing' Includes shorter pieces which also encapsulate complex arguments as well as examples of original life-writing by the author Includes an autobiographical introduction which contextualises and historicises the author's work and reflects on it Alison Light Inside History addresses a number of the central preoccupations within feminist cultural criticism over this period: the nature of writing by women and what women writers might or might not share; the place of such writing in any literary history or cultural analysis; the politics of popular culture and the question of pleasure; women's relation to ideas of national identity and other forms of belonging; and finally, their contribution to life-writing in its different genres. The volume offers a lively, wide-ranging way into feminist debates, touching on a number of major authors from Alice Walker to Virginia Woolf, on genre fiction, and on the writing of memoir and biography. Chronologically arranged, the essays and short 'think-pieces' chart Alison Light's own intellectual formation as a critic and writer within a wider collective politics. This is explored and contextualised in an autobiographical introduction.

Virginia Woolf was a feminist and a bohemian but without her servants – cooking, cleaning and keeping house - she might never have managed to write.Mrs Woolf and The Servants explores the hidden history of service. Through Virginia Woolf’s extensive diaries and letters and brilliant detective work, Alison Light chronicles the lives of those forgotten women who worked behind the scenes in Bloomsbury, and their fraught relations with one of the twentieth century’s greatest writers.

Shortlisted for the 2014 Samuel Johnson Prize'Part detective story, part Dickensian saga, part labour history. A thrilling and unnerving read' Observer 'Mesmeric and deeply moving' Daily Telegraph 'Remarkable, haunting, full of wisdom' The TimesFamily history is a massive phenomenon of our times but what are we after when we go in search of our ancestors? Beginning with her grandparents, Alison Light moves between the present and the past, in an extraordinary series of journeys over two centuries, across Britain and beyond.Epic in scope and deep in feeling, Common People is a family history but also a new kind of public history, following the lives of the migrants who travelled the country looking for work. Original and eloquent, it is a timely rethinking of who the English were - but ultimately it reflects on history itself, and on our constant need to know who went before us and what we owe them.

"Family history begins with missing persons," Alison Light writes in Common People. We wonder about those we've lost, and those we never knew, about the long skein that led to us, and to here, and to now. So we start exploring. Most of us, however, give up a few generations back. We run into a gap, get embarrassed by a ne'er-do-well, or simply find our ancestors are less glamorous than we'd hoped. That didn't stop Alison Light: in the last weeks of her father's life, she embarked on an attempt to trace the history of her family as far back as she could reasonably go. The result is a clear-eyed, fascinating, frequently moving account of the lives of everyday people, of the tough decisions and hard work, the good luck and bad breaks, that chart the course of a life. Light's forebears--servants, sailors, farm workers--were among the poorest, traveling the country looking for work; they left few lasting marks on the world. But through her painstaking work in archives, and her ability to make the people and struggles of the past come alive, Light reminds us that "every life, even glimpsed through the chinks of the census, has its surprises and secrets." What she did for the servants of Bloomsbury in her celebrated Mrs. Woolf and the Servants Light does here for her own ancestors, and, by extension, everyone's: draws their experiences from the shadows of the past and helps us understand their lives, estranged from us by time yet inextricably interwoven with our own. Family history, in her hands, becomes a new kind of public history.

"Family history begins with missing persons," Alison Light writes in Common People. We wonder about those we've lost, and those we never knew, about the long skein that led to us, and to here, and to now. So we start exploring. Most of us, however, give up a few generations back. We run into a gap, get embarrassed by a ne'er-do-well, or simply find our ancestors are less glamorous than we'd hoped. That didn't stop Alison Light: in the last weeks of her father's life, she embarked on an attempt to trace the history of her family as far back as she could reasonably go. The result is a clear-eyed, fascinating, frequently moving account of the lives of everyday people, of the tough decisions and hard work, the good luck and bad breaks, that chart the course of a life. Light's forebears-servants, sailors, farm workers-were among the poorest, traveling the country looking for work; they left few lasting marks on the world. But through her painstaking work in archives, and her ability to make the people and struggles of the past come alive, Light reminds us that "every life, even glimpsed through the chinks of the census, has its surprises and secrets." What she did for the servants of Bloomsbury in her celebrated Mrs. Woolf and the Servants Light does here for her own ancestors, and, by extension, everyone's: draws their experiences from the shadows of the past and helps us understand their lives, estranged from us by time yet inextricably interwoven with our own. Family history, in her hands, becomes a new kind of public history.

WINNER OF THE PEN ACKERLEY PRIZE'The greatest memoirs offer all the complex shades and colours that we expect in fiction. A Radical Romance is more than just some summing-up: it is a work of art' GuardianAlison Light met the charismatic social historian, Raphael Samuel, in London in 1986. Within a year they were married. Within ten, Raphael would be dead.Theirs was an attraction of opposites - he, twenty years her senior, from a Jewish Communist family with its roots in Russia and Eastern Europe, she from the English working class. In this chronicle of a passionate marriage, Alison Light peels back the layers of their time together, its intimacies and its estrangements. A Radical Romance is a luminous account of love and loss, and a celebration of our transformative capacity to share our lives and change our selves. 'Displays her usual sharp but sympathetic appreciation of the finest gradations of culture and class' Margaret Drabble, TLS, Books of the Year'She writes with precision and tenderness about loss. A Radical Romance is an admirable tribute to a man, a period of rapid change in London, and an unusual marriage' Stephanie Merritt, Observer'Extremely interesting, moving, brilliantly written, as one would expect from Alison Light' Claire Tomalin

Most studies of the interwar years have focussed upon literary elites, rendering that past and its literature in almost exclusively male terms. In Forever England Alison Light argues that we cannot make sense of Englishness in the period, or understand the changes within literary culture, unless we recognise the extent to which the female population represented the nation between the wars. From the traumatic aftermath of the First World War, Forever England traces the making of a conservative national temperament which could be defensive and protective, yet modernising in outlook. In a series of literary anaylses, the author suggests some of the tones and accents of this new version of Englishness; in particular she looks at new kinds of readership and fiction, at the historical and emotional significance of the `whodunit', the burgeoning of historical romance, and the creation of a middlebrow culture in the period. Forever England evokes a powerful sense of period and of the pleasures of reading, providing an intimate picture of interwar life from inside the English middle classes. As a feminist inquiry, it argues from a different kind of social and political history; one which makes connections between the interior structures of private life and their more public national forms. Controversially, it also urges that feminism deal with conservative, as well as radical, desires and their place in women's lives.

Most studies of the interwar years have focussed upon literary elites, rendering that past and its literature in almost exclusively male terms. In Forever England Alison Light argues that we cannot make sense of Englishness in the period, or understand the changes within literary culture, unless we recognise the extent to which the female population represented the nation between the wars. From the traumatic aftermath of the First World War, Forever England traces the making of a conservative national temperament which could be defensive and protective, yet modernising in outlook. In a series of literary anaylses, the author suggests some of the tones and accents of this new version of Englishness; in particular she looks at new kinds of readership and fiction, at the historical and emotional significance of the `whodunit', the burgeoning of historical romance, and the creation of a middlebrow culture in the period. Forever England evokes a powerful sense of period and of the pleasures of reading, providing an intimate picture of interwar life from inside the English middle classes. As a feminist inquiry, it argues from a different kind of social and political history; one which makes connections between the interior structures of private life and their more public national forms. Controversially, it also urges that feminism deal with conservative, as well as radical, desires and their place in women's lives.

To many, the idea of Englishness in the twenty-first century feels at best quaint or nostalgic; at worst, reactionary and populist. Englishness is 'Little Englandism' and not much else. But for prize-winning memoirist Alison Light, the experience of growing up in post-war Portsmouth as the country underwent a phenomenal period of reconstruction fostered an inescapable sense of being solely and completely English in identity.In Red, Red Robin, a sequel of sorts to 2014's Samuel Johnson Prize-nominated Common People, Light mixes social history, memoir and reverie as she documents the changing face of England from the 1950s to 1970s, resisting both nostalgia and disavowal. The book asks whether we can ever keep our strong attachments to our places of origin, paying our respects to our histories and beliefs without romanticisation or invention. In this lyrical, analytical and politically engaged family history, one of our most compelling writers explores one of our most deeply contested notions with both rigorous scholarship and a 'child's eye view' evoking wonder and beauty.

A luminous memoir of love and grief from the author of Common People First U.S. EditionAlison Light met the radical social historian, Raphael Samuel, in London in 1986. Twenty years her senior, Raphael was a charismatic figure on the British Left, utterly driven by his work and by a commitment to collective politics. Within a year they were married. Within ten, Raphael would pass away.Theirs was an attraction of opposites- he from a Jewish Communist family with its roots in Russia and Eastern Europe, she from the English working class. In this chronicle of a passionate marriage, Alison Light peels back the layers of their time together, its intimacies and its estrangements."...more than just some summing-up: it is a work of art." -GUARDIAN "Remarkable, moving, illuminating. A memoir of cauterizing honesty. This is a book that deserves to be widely read." -MARK BOSTRIDGE, SPECTATOR "An inspiring account of ... deep love..." -TLS "Beautifully crafted...it casts a light on the lightness of love and the profound depression of loss. A truly gifted writer." -HERALD "The portrait of Spitalfields is superb, and so is the account of Raphael's astonishing mother Minna." -MARGARET DRABBLE, TLS, BOOK OF THE YEAR "Compulsively readable. Light is a shrewd narrator...She reflects with careful psychological and philosophical insight on the reality of loneliness and profound loss following ten years of marriage...Light is also a poet and it shows in certain suppositions and propositions..." -RTE