Kirjahaku

This text is primarily aimed at UK Activity Coordinators. Do you ever feel that you've got the dream job in activities then find out there's no structure in how to do it?That's certainly what I found when I became an Activity Coordinator. Thankfully, with a business background I was able to put a system in place that made my life a lot easier.It's easy to use the internet to find actual activities. But how do we find activities that are person-centred to suit our residents rather than something random? How do we file all the paperwork efficiently? This book is a guide to helping you build the foundations for a smoother working life giving you the time in your day to do the job you love.Activity Handbook is aimed at both experienced practitioners wishing to introduce procedures that comply with today's protocol, and those new to the profession. This is not a book of activities but a book to help you build great foundations to make your role easier so you can concentrate on the important thing; your residents.

Lewis Sullivan lives less than a mile from his childhood home. His grown-up daughter visits every day, bringing soup, and he spends his evenings at his second favorite pub for half a shandy and sausage. But when an old friend appears, Lewis finds his comfortable life shaken up, and he longs for more excitement. A modern-day Death in Venice by the author of Booker-shortlisted The Lighthouse, He Wants is charged and unpredictable.Alison Moore is the author of one previous novel, The Lighthouse, and a short story collection The Pre-War House. She lives in Nottingham, England.

With an abandoned degree behind her and a thirtieth birthday approaching, amateur writer Bonnie Falls moves out of her parents’ home into a nearby flat. Her landlady, Sylvia Slythe, takes an interest in Bonnie, encouraging her to finish one of her stories, in which a young woman moves to the seaside, where she comes under strange influences. As summer approaches, Sylvia suggests to Bonnie that, as neither of them has anyone else to go on holiday with, they should go away together – to the seaside, perhaps. The new novel from the author of the Man Booker-shortlisted The Lighthouse is a tense and moreish confection of semiotics, suggestibility and creative writing with real psychological depth and, in Bonnie Falls and Sylvia Slythe, two unforgettable characters.

Shortlisted for the East Midland’s Book Award 2014 The Pre-War House and Other Stories is the debut collection from Alison Moore, whose first novel, The Lighthouse, was shortlisted for the Man Booker Prize and Specsavers National Book Awards 2012. The stories collected here range from her first prize-winning short story (which appeared in a small journal in 2000) to new and recently published work. In between, Moore’s stories have been shortlisted for more than a dozen different awards including the Bridport Prize, the Fish Prize, the Lightship Flash Fiction Prize, the Manchester Fiction Prize and the Nottingham Short Story Competition. The title story won first prize in the novella category of The New Writer Prose and Poetry Prizes.

Sometimes, when you open a door or lift a lid, you find exactly what you expected to find: coats in the coat cupboard, bread in the bread bin, toys in the toy box. And sometimes you don’t. When Sunny’s parents buy an antique shop, they get more than they bargained for: in some of the old furniture, Sunny finds ghosts. Each of the ghosts has an unfulfilled desire, something they never did in their lifetime: Walter wants to learn to read, Violet wants to write a novel, Mary and Elsie want to go to the seaside. While Sunny is trying to help them all, it seems someone else is out to cause trouble…

Having moved from the Fens to the Midlands to the Scottish Borders, Jessie Noon finds herself struggling to leave the past behind. Following a family tragedy, Jessie Noon moved from the Fens to the Midlands and now lives in the Scottish Borders with a cat, a dog and – she is convinced – a ghost in the spare room. Her husband walked out almost a year ago, leaving a note written in steam on the bathroom mirror, and Jessie hasn’t seen her son for years. When Jessie meets Robert, a local outreach worker, they are drawn to one another and begin a relationship; meanwhile, Jessie has begun receiving messages telling her I’m on my way home. As a translator, Jessie worries over what seems like the terrible responsibility of choosing the right words. It isn’t exactly a matter of life and death, said her husband, but Jessie knows otherwise. This is a novel about communication and miscommunication and lives hanging in the balance (a child going missing, a boy in a coma, an unborn baby), occupying the fine line between life and death, between existing and not existing.

On the hottest day of the year, Ana Sharma and her mum check in to the Hotel Splendid, a place where bells seem to ring all by themselves, jam pots and milk jugs appear on the breakfast table as if by magic, and things go bump in the night. The Hotel Splendid has a problem. When Ana and Sunny meet, they come up with a solution, but one problem leads to another. Meanwhile, the hotel is harbouring an unexpected guest …

Since childhood, Sandra Peters has been fascinated by the small, private island of Lieloh, home to the reclusive silent-film star Valerie Swanson. Having dreamed of going to art college, Sandra is now in her forties and working as a receptionist, but she still harbours artistic ambitions.

A notoriously scary ghost is supposed to haunt the ruined medieval castle where Sunny and his friends are spending the day. But when a troubling visitor arrives at the antique shop, it turns out the danger is closer to home than they thought . . .

Alison Moore’s debut collection, The Pre-War House and Other Stories, gathered together stories written prior to the publication of her first novel. ‘The tales collected in The Pre-War House… pick at psychological scabs in a register both wistful and brutal.’ —Anthony Cummins, The Times Literary Supplement ‘Moore’s writing is surprising and exact and culminates in the title story, the novella which brings the collection to a powerful crescendo’ —The Arkansas International ‘just as uncompromising and unsettling as The Lighthouse… Moore’s distinctive voice commands exceptional power’ —Dinah Birch, The Guardian Eastmouth and Other Stories is her second collection, featuring stories published in the subsequent decade, including stories that have appeared in Best British Short Stories, Best British Horror and Best New Horror, as well as new, unpublished work.

Winner of the 2013 McKitterick Prize Shortlisted for the 2013 East Midlands Book Award Shortlisted for the Man Booker Prize 2012 Shortlisted for New Writer of the Year in the 2012 Specsavers National Book Awards Observer Book of the Year 2012 The Lighthouse begins on a North Sea ferry, on whose blustery outer deck stands Futh, a middle-aged, recently separated man heading to Germany for a restorative walking holiday. Spending his first night in Hellhaus at a small, family-run hotel, he finds the landlady hospitable but is troubled by an encounter with an inexplicably hostile barman. In the morning, Futh puts the episode behind him and sets out on his week-long circular walk along the Rhine. As he travels, he contemplates his childhood; a complicated friendship with the son of a lonely neighbour; his parents’ broken marriage and his own. But the story he keeps coming back to, the person and the event affecting all others, is his mother and her abandonment of him as a boy, which left him with a void to fill, a substitute to find. He recalls his first trip to Germany with his newly single father. He is mindful of something he neglected to do there, an omission which threatens to have devastating repercussions for him this time around. At the end of the week, Futh, sunburnt and blistered, comes to the end of his circular walk, returning to what he sees as the sanctuary of the Hellhaus hotel, unaware of the events which have been unfolding there in his absence.

Observer Book of the Year 2014 Lewis Sullivan, an RE teacher at a secondary school, was approaching retirement when he wondered for the first time whether he ought to have chosen a more dramatic career. He lives in a village in the Midlands, less than a mile from the house in which he grew up. He always imagined living by the sea. His grown-up daughter visits every day, bringing soup. He does not want soup. He frequents his second-favourite pub, where he can get half a shandy, a speciality sausage and a bit of company. But when a childhood friend appears on the scene, Lewis finds his life and comfortable routine shaken up. In Moore’s inimitable, haunting style, this seemingly simple but in fact multi-layered narrative unfolds with compelling assurance. Moving between Lewis’s current life of cosy habit, his memories of childhood, and his aged father agitating away in a nursing home, plot twists thicken and weave with stealthily increasing tension. Always unexpected, sparely written and beautifully crafted, He Wants deftly dissects the themes of loneliness, anxiety, the weight of recollection and the complex nature of friendship and family ties. A surprising, lingering and intensely moving tale which reflects the prodigious talent of one of our most exciting novelists.

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