Kirjahaku

One of TIME's Best New Books to Read This Summer"Brilliant--a keen, elegantly written, and scorching account of the American family today. Through vivid stories, sharp analysis and wit, Quart anatomizes the middle class's fall while also offering solutions and hope." -- Barbara Ehrenreich, author of Nickel and DimedFamilies today are squeezed on every side--from high childcare costs and harsh employment policies to workplaces without paid family leave or even dependable and regular working hours. Many realize that attaining the standard of living their parents managed has become impossible.Alissa Quart, executive editor of the Economic Hardship Reporting Project, examines the lives of many middle-class Americans who can now barely afford to raise children. Through gripping firsthand storytelling, Quart shows how our country has failed its families. Her subjects--from professors to lawyers to caregivers to nurses--have been wrung out by a system that doesn't support them, and enriches only a tiny elite.Interlacing her own experience with close-up reporting on families that are just getting by, Quart reveals parenthood itself to be financially overwhelming, except for the wealthiest. She offers real solutions to these problems, including outlining necessary policy shifts, as well as detailing the DIY tactics some families are already putting into motion, and argues for the cultural reevaluation of parenthood and caregiving. Written in the spirit of Barbara Ehrenreich and Jennifer Senior, Squeezed is an eye-opening page-turner. Powerfully argued, deeply reported, and ultimately hopeful, it casts a bright, clarifying light on families struggling to thrive in an economy that holds too few options. It will make readers think differently about their lives and those of their neighbors.

One of TIME's Best New Books to Read This Summer"Brilliant--a keen, elegantly written, and scorching account of the American family today. Through vivid stories, sharp analysis and wit, Quart anatomizes the middle class's fall while also offering solutions and hope." -- Barbara Ehrenreich, author of Nickel and DimedFamilies today are squeezed on every side--from high childcare costs and harsh employment policies to workplaces without paid family leave or even dependable and regular working hours. Many realize that attaining the standard of living their parents managed has become impossible.Alissa Quart, executive editor of the Economic Hardship Reporting Project, examines the lives of many middle-class Americans who can now barely afford to raise children. Through gripping firsthand storytelling, Quart shows how our country has failed its families. Her subjects--from professors to lawyers to caregivers to nurses--have been wrung out by a system that doesn't support them, and enriches only a tiny elite.Interlacing her own experience with close-up reporting on families that are just getting by, Quart reveals parenthood itself to be financially overwhelming, except for the wealthiest. She offers real solutions to these problems, including outlining necessary policy shifts, as well as detailing the DIY tactics some families are already putting into motion, and argues for the cultural reevaluation of parenthood and caregiving. Written in the spirit of Barbara Ehrenreich and Jennifer Senior, Squeezed is an eye-opening page-turner. Powerfully argued, deeply reported, and ultimately hopeful, it casts a bright, clarifying light on families struggling to thrive in an economy that holds too few options. It will make readers think differently about their lives and those of their neighbors.

An unsparing, incisive, yet ultimately hopeful look at how we can shed the American obsession with self-reliance that has made us less healthy, less secure, and less fulfilled The promise that you can "pull yourself up by your bootstraps" is central to the story of the American Dream. It's the belief that if you work hard and rely on your own resources, you will eventually succeed. However, time and again we have seen how this foundational myth, with its emphasis on individual determination, brittle self-sufficiency, and personal accomplishment, does not help us. Instead, as income inequality rises around us, we are left with shame and self-blame for our condition. Acclaimed journalist Alissa Quart argues that at the heart of our suffering is a do-it-yourself ethos, the misplaced belief in our own independence and the conviction that we must rely on ourselves alone. Looking at a range of delusions and half solutions--from "grit" to the false Horatio Alger story to the rise of GoFundMe--Quart reveals how we have been steered away from robust social programs that would address the root causes of our problems. Meanwhile, the responsibility for survival has been shifted onto the backs of ordinary people, burdening generations with debt instead of providing the social safety net we so desperately need.Insightful, sharply argued, and characterized by Quart's lively writing and deep reporting, and for fans of Evicted and Nickel and Dimed, Bootstrapped is a powerful examination of what ails us at a societal level and a plan for how we can free ourselves from these self-defeating narratives.

Corporations spend billions of dollars annually to woo teen and pre-teen consumers. Over the last 5-10 years, the research of these groups and their behaviour has become very focused on exactly how best to part them (or their parents) with their money. Alissa Quart takes the reader into the disturbing world of teen marketing, showing how they are taught to market to each other and where adults build careers out of insinuating their way into 'friendships' with teens in order to monitor what they wear, eat, listen to and talk about with each other. This compelling book looks into the way teens succumb to peer pressure and the constant commercial battering and the young people who fight back, who turn the tables on the cock-sure mega-corporations who so cynically strive to crack the codes of teen cool. These kids prove it isn't necessary to give in to branding, but it is a drop in the water when an entire generation is being raised to consume.

Generation Y has grown up in an age of the brand, bombarded by name products. In Branded, Alissa Quart illuminates the unsettling new reality of marketing to teenagers, as well as the quieter but no less worrisome forms of teen branding: the teen consultants who work for corporations in exchange for product the girls obsessed with cosmetic surgery who will do anything to look like women on TV and those teens simply obsessed with admission into a name-brand college. We also meet the pockets of kids attempting to turn the tables on the cocksure corporations that so cynically strive to manipulate them. Chilling, thought-provoking, even darkly amusing, Branded brings one of the most disturbing and least talked about results of contemporary business and culture to the fore-and ensures that we will never look at today's youth the same way again.

Republic of Outsiders is a look at the growing number of American outsiders who disrupt the status quo: the outcasts who seek to redefine a wide variety of fields, from film and mental health to music and gender. These people range from professional and amateur filmmakers crowd-sourcing their work, to transgender and autistic activists, and Occupy Wall Street's 'alternative bankers'. They are the groups that have forged a new cultural practice Quart dubs 'identity innovation'; pushing the boundaries of who are they are and what they can achieve.

“You walk into Thoughts and Prayers like it’s a familiar pop cultural fun house—then you get drawn into one of the mirrors and find you’re actually deep in someplace very real: fleshy, frightening, full of anguished intelligence and bitter fun.” —Mary GaitskillThoughts and Prayers is a beautiful and startling volume of poetry about our political existence. With both humor and luminosity, it gets at the personal and collective emotional experience of American public life, from the 1970s to the 1990s Democrats, through the collapse of the news industry, to the burlesque Trump era.

Poetry. Alissa Quart's first book of poetry sifts brilliantly through our landscape of damaged Americana. From spam ads to tech speak, from self-help to real estate to the lingo of gossip or "mom" sites, these poems insistently limn a country where nearly everything has taken on the character of money. Quart, the acclaimed author of Branded and two other books of reported cultural criticism, cuts into our clamorous culture, summoning its strangeness and humor. MONETIZED also reflects upon a shared longing for the analogue era, as well as our longing for a less commercialized past. This book is a remarkable account of a state of yearning for the passing moment in a period of rapid acceleration, a feeling Quart calls "right-now-nostalgia." "Ninety- nine cent stores, Slimfast, Amtrak, 'Twitter Dead Souls, ' James Caan films and Matt Dillon posters: Alissa Quart's poems form a brilliant "check list of American self- destruction," exploring the absence and dreams of escape that mark the modern landscape." Barbara Ehrenreich "Alissa Quart's smart and sexy poems perform invasion and insurgency with utmost aplomb and analytical edge. I love her intensity, her compact lines, her clever harvesting of commerce's schizoid hysteria, as if media-speak's carnival (Times Square, the Internet) were reorchestrated, with tidy wit and formalist ingenuity, by a Bauhaus purist." Wayne Koestenbaum "The poems in Alissa Quart's MONETIZED are not only smart but ambitious as hell. Sharp, biting, and aphoristic, Quart's exact and exacting lines are extraordinary shots in and at our commodified American landscape. ('Let's hope we're perennial.') With their constant awareness of the dissonance found in this post-millennial tweet-filled, Facebook-ed, facsimile age of late capitalism, these poems convey a powerful sense of lost and found awareness: 'We could forgive ourselves / if only we knew our own story.'" Susan Howe "It's pretty unusual, it's almost unheard of, for poems to feature both the subtlest and most intricate word play and a pure, fierce, tell-it-like-it-is voice, as these poems do. They are stealthily virtuosic." Louis Menand"