Kirjahaku

Clues lead Emma from posh Bellevue Avenue across the bustling seaport to the modest Point neighbourhood where she grew up, and to suspects who hail from America's most powerful families. While being the granddaughter several generations removed from Cornelius "The Commodore" Vanderbilt gives her the connections she needs to investigate high society, it's her Newport roots that will provide her with the stubbornness and fortitude to confront a murderer.

With the dawn of the twentieth century on the horizon, the fortunes of the venerable Vanderbilt family still shine brightly in the glittering high society of Newport, Rhode Island. But when a potential scandal strikes, the Vanderbilts turn to cousin and society page reporter Emma Cross to solve a murder and a disappearance. . . Responding to a frantic call on her newfangled telephone from her eighteen-year-old cousin, Consuelo Vanderbilt, Emma Cross arrives at the Marble House mansion and learns the cause of her distress--Consuelo's mother, Alva, is forcing her into marriage with the Duke of Marlborough. Her mother has even called in a fortune teller to assure Consuelo of a happy future. But the future is short-lived for the fortune teller, who is found dead by her crystal ball, strangled with a silk scarf. Standing above her is one of the Vanderbilts' maids, who is promptly taken into police custody. After the frenzy has died down, Consuelo is nowhere to be found. At Alva's request, Emma must employ her sleuthing skills to determine if the vanishing Vanderbilt has eloped with the beau of her choice--or if her disappearance may be directly connected to the murder. . .

Late nineteenth-century Newport, Rhode Island, is home to some of America's wealthiest citizens. For society reporter Emma Cross, a less well-heeled cousin to the illustrious Vanderbilts, trailing gossip and glamour will lead her straight into murder . . . Covering a polo match for the Observer, Emma's job is to take note of the real players off the field--Newport's well-bred elite. But the fashionable fa ade is breached when a woman in gaudy clothing creates a scene demanding to speak to the wife of Senator George Wetmore--until she is escorted off the grounds by the police. The next morning, police detective Jesse Whyte asks Emma to meet him at the Wetmores' Bellevue Avenue home, Chateau sur Mer, where the senator's wife, Edith, has mysteriously asked to see her. Upon entering the mansion, Emma is confronted with a crime scene--the intruder from the polo match lies dead at the foot of a grand staircase. To avoid scandal, Edith Wetmore implores Emma to use her reporter skills and her discretion to investigate. When Emma learns the victim was a prostitute--and pregnant--she wonders if the senator was being blackmailed. As Emma peels back layers of deception and family secrets, she may have met her match in a desperate killer who will trample anyone who gets in the way . . .

Lady Phoebe Renshaw and her lady's maid, Eva Huntford, are preparing for a wedding, but it may not be the happy occasion everyone hopes for . . . Since the Great War, the Renshaw family fortune has suffered. Now Julia Renshaw is under pressure to marry for money--and has settled for Gilbert Townsend, a viscount and wealthy industrialist. He is decades older than Julia, and it's clear to her sister, Phoebe--and to Eva, who has been like a surrogate mother--that this is no love match. Nevertheless, the wedding takes place--and in a hurry. At the reception aboard the groom's yacht, there appears to be tension between Gil and several guests. The bride is also less than pleased to discover her honeymoon will be more crowded than expected--with Gil's pretty secretary, among others, coming along. Worse, that very night, Julia is injured during a hot-tempered outburst on her new husband's part . . . The next morning, Gil's body is found in the water--and Phoebe and Eva must discover who pushed him over--before the Renshaws' social standing is irreparably stained by Julia's arrest for his murder . . . "Maxwell, who always puts an interesting spin on her country-house mysteries set between the great wars, delivers once again in this tale of love, hate, revenge, and country houses in peril." --Kirkus Reviews

At the dawn of the twentieth century, the fortunes of the Vanderbilts still shine brightly in glittering Newport, Rhode Island. But when a potential scandal strikes, the Vanderbilts turn to cousin and society page reporter Emma Cross to solve a murder and a disappearance . . . Responding to a frantic call on her newfangled telephone from her cousin, Consuelo Vanderbilt, Emma Cross arrives at the Marble House mansion and learns the cause of her distress--Consuelo's mother, Alva, is forcing her into marriage with the Duke of Marlborough. Her mother has even called in a fortune teller to assure Consuelo of a happy future. But the future is short-lived for the fortune teller, who is found strangled with a silk scarf near her crystal ball. Standing above her is one of the Vanderbilts' maids, who is promptly taken into police custody. After the frenzy has died down, Consuelo is nowhere to be found. At Alva's request, Emma must employ her sleuthing skills to determine if the vanishing Vanderbilt has eloped with the beau of her choice--or if her disappearance may be directly connected to the murder . . . "Maxwell again deftly weaves fictional and real-life characters into her story." --Publishers Weekly

In late August 1898, reporter Emma Cross attends the final f te of the Newport social season and discovers the party's over for a visiting prince . . . The days are getting shorter as summer's end approaches, which means it's time for the Harvest Festival, the last big event of the season, held by Mamie Fish, wife of millionaire railroad tycoon Stuyvesant Fish, at their grand "cottage," Crossways. The neocolonial mansion is decked out in artificial autumn splendor, and an extravagant scavenger hunt will be held. But the crowning jewel of the evening will be the guest of honor, Prince Otto of Austria. As acting editor-in-chief of the Newport Messenger, Emma had hoped to leave her days as a society reporter behind her. But at the last moment, she must fill in and attend the Harvest Festival. With nearly every eligible daughter of Newport high society in attendance, Emma can almost hear romantic dreams shattering like glass slippers when the prince fails to appear. The next morning, he is found dead in the side garden at Crossways, making it clear a murderer crashed the party. The prince has been stabbed in the same manner as another man, recently found on nearby Bailey's Beach--who strongly resembles Emma's half-brother Brady's father, presumed dead for nearly thirty years after a yachting mishap. As Emma investigates a connection between the two victims, she is joined on the hunt by Mamie Fish herself. But they must hurry--before the killer slips away like the fading summer . . .

In late nineteenth-century Newport, Rhode Island, journalist Emma Cross discovers the newest form of transportation has become the newest type of murder weapon . . . On a clear July day in 1899, the salty ocean breeze along Bellevue Avenue carries new smells of gasoline and exhaust as Emma, now editor-in-chief of the Newport Messenger, covers Newport's first-ever automobile parade. But the festive atmosphere soon turns to shock as young Philip King drunkenly swerves his motorcar into a wooden figure of a nanny pushing a pram on the obstacle course. That evening, at a dinner party hosted by Ella King at her magnificent Gothic-inspired "cottage," Kingscote, Emma and her beau Derrick Andrews are enjoying the food and the company when Ella's son staggers in, obviously still inebriated. But the disruption is nothing compared to the urgent shouts of the coachman. Rushing out, they find the family's butler pinned against a tree beneath the front wheels of Philip's motorcar, close to death. At first, the tragic tableau appears to be a reckless accident--one which could ruin Philip's reputation. But when Emma later receives a message informing her that the butler bullied his staff and took advantage of young maids, she begins to suspect the scene may have been staged and steers the police toward a murder investigation. But while Emma investigates the connections between a competing heir for the King fortune, a mysterious child, an inmate of an insane asylum, and the brutal boxing rings of Providence, a killer remains at large--with unfinished business to attend to . . .

In late August 1898, reporter Emma Cross attends the final f te of the Newport social season and discovers the party's over for a visiting prince . . . The approaching end of summer means it's time for the Harvest Festival, the last big event of the season, held by Mamie Fish, wife of millionaire tycoon Stuyvesant Fish, at their grand "cottage," Crossways. The mansion is decked out in artificial autumn splendor and an extravagant scavenger hunt will be held. But the crowning jewel of the evening will be the guest of honor, Prince Otto of Austria. As acting editor-in-chief of the Newport Messenger, Emma had hoped to leave her days as a society reporter behind her. But at the last moment, she must fill in at the Harvest Festival. With nearly every eligible daughter of Newport high society in attendance, Emma can almost hear romantic dreams shattering like glass slippers when the prince finally appears--as a corpse in the garden. The prince was stabbed in the same manner as another man recently found on nearby Bailey's Beach, who strongly resembles a relation of Emma's presumed dead for nearly thirty years. It's up to Emma to find a connection between the two victims--before a killer slips away like the fading summer . . . "Another tricky mystery set against the backdrop of some great real-life mansions." --Kirkus Reviews

In the ninth installment of the glittering Gilded Newport Mystery series from Alyssa Maxwell, during the autumnal chill of Newport, Rhode Island at the close of the nineteenth century, journalist Emma Cross discovers an instance of cold-blooded murder on the grounds of Wakehurst Mansion... Following the death of her uncle, Cornelius Vanderbilt, in September 1899, a somber Emma is in no mood for one of Newport's extravagant parties. But to keep Vanderbilt's reckless son Neily out of trouble, she agrees to accompany him to an Elizabethan f te on the lavish grounds of Wakehurst, the Ochre Point "cottage" modeled after an English palace, owned by Anglophile James Van Alen. The festivities include a swordplay demonstration, an archery competition, scenes from Shakespeare's plays, and even a joust. As Emma wanders the grounds, she overhears a fierce argument between a man and a woman behind a tall hedge. As the joust begins, she's drawn by the barking of Van Alen's dogs and finds a man on the ground, an arrow through his chest. The victim is one of the 400's most influential members, Judge Clayton Schuyler. With the help of her beau Derrick Andrews and Detective Jesse Whyte, Emma begins to learn the judge was not the straight arrow he appeared to be. As their investigation leads them in ever-widening circles, Emma will have to stop the killer from taking another life . . .

Set among the landed gentry of post-WWI England and perfect for fans of Downton Abbey, Alyssa Maxwell's latest historical mystery finds sleuthing duo Lady Phoebe Renshaw and her lady's maid, Eva Huntford, hunting a killer after the decision to open Foxwood Hall for guided tours turns deadly... To make ends meet, Lady Phoebe Renshaw and her lady's maid, Eva Huntford, have decided to open up Foxwood Hall to guided public tours. Not everyone is pleased about it--even to the point of committing murder... The lean times following the Great War continue to require creative solutions for England's noble class. But Lady Phoebe's proposal to open up the Renshaw estate to guided tours for additional income strikes many in the family as a "vulgar enterprise." Phoebe's grandfather, the Earl of Wroxly, however, reluctantly concedes the necessity. Their first tour group consists of members of the Historical Society, a magazine writer, and a flock of students. It's a large group for Phoebe, her sister Amelia, and Eva to manage, and when the widow Arvina Bell goes missing, Eva goes in search of her--only to find her in the library, strangled with a silken drapery cord. The schoolchildren are promptly sent home, but the members of the Historical Society--many of whom also wandered off at times--remain for interrogation. There is also, curiously, a framed photo missing from the library. As the police hastily zero in on a suspect, Phoebe and Eva weigh the clues. Does the crime have to do with rumors of hidden treasure at Foxwood Hall? But they must make haste to solve the widow's murder--before someone else becomes history...

Set in the Downton Abbey era of post-WW1 England, Alyssa Maxwell's latest historical mystery finds sleuthing duo Lady Phoebe Renshaw and her lady's maid, Eva Huntford, investigating a murder at a house party attended by fashion royalty. This evocative, well-crafted historical series appeals to fans of Rhys Bowen, Deanna Raybourn and Victoria Thompson. Amid the aftermath of the Great War and its hardships, it's no wonder that many wish to rediscover life's pleasures--parties, fashion, dancing. Still, Lady Phoebe and Eva are disconcerted when a small gathering at the home of Phoebe's sister, Julia, becomes a far larger and more glamorous affair . . . Julia has invited her favorite French fashion designer, Gabrielle "Coco" Chanel, and Coco's current beau, the Earl of Chesterhaven. Coco has brought an entourage of her own, including two models, and intends to use the gardens as a photographic setting for her latest creations. Madame Chanel is as outspoken as she is talented, offering a scathing critique of Phoebe's fashion sense. There is tense competition between the models as well. When one of the guests is found dead of smoke inhalation, it appears to be a tragic accident. But was a footman really to blame for mistakenly closing the fireplace flue, or is there a more sinister explanation? Phoebe is determined to find out, despite the protestations of her sweetheart, Owen Seabright. Both above and below stairs, Phoebe and Eva uncover myriad motives--career ambition, romantic rivalries, and even deeper betrayals. For despite the surface beauty, there are ugly secrets in the world of Maison Chanel, ones that a killer will risk anything to protect. "Agatha Christie meets Downton Abbey...exemplary." --Publishers Weekly on A Deadly Endowment

As Lady Phoebe and her betrothed say their vows of holy matrimony, a killer has vowed unholy vengeance on the town's chief inspector . . . June 1922: The blessed day has finally arrived. Phoebe Renshaw and Owen Seabright are to be wed, and lady's maid Eva Huntford could not be more delighted for her lady's happiness. But she is disturbed by one notable absence from the ceremony--her beau, Police Constable Miles Brannock. When Miles finally does appear, breathlessly running into the reception at Foxwood Hall, he brings grim news: he's found Chief Inspector Isaac Perkins murdered, shot in his home in his favorite parlor chair with his own gun. A policeman naturally makes enemies, especially those of questionable character. In charge of finding his former boss's killer, Miles reviews the details of the crime scene. The murder weapon has been wiped clean and left on the table next to the remnants of the chief inspector's breakfast: sausage pasty and coffee reeking of a bit of whiskey. No sign of forced entry. A seemingly peaceful scene--other than the bullet hole in the victim. Before Miles can make much progress in his investigation, a Scotland Yard detective arrives in Little Barlow to take over the case--and promptly focuses his suspicions on the constable himself, who he reasons had motive and opportunity. Coming to their maid's defense, Phoebe and Owen postpone their honeymoon to join Eva in clearing her beau's good name and unmasking the identity of the true killer . . .

The New York Yacht Club's exclusive gathering at Newport, Rhode Island's Beacon Rock mansion hits stormy seas in the summer of 1900 when reporter Emma Cross, a lesser Vanderbilt, discovers a drowned corpse in Alyssa Maxwell's tenth Gilded Newport Mystery... As a reporter, Emma is used to covering Newport's social events. But this time she is appearing on the arm of her fianc , Derrick Andrews, at a small but exclusive gathering of the New York Yacht Club at Beacon Rock, the Grecian-inspired summer "cottage" of Edwin and Elizabeth Morgan. The members--which include cousin and Yacht Club Commodore John Pierpoint Morgan and widow Lucy Carnegie, the first woman to be admitted to the Club--are there to discuss their strategy for the next America's Cup Challenge, to be held in New York Harbor the following summer. But it's Emma who must come up with a strategy when she discovers a woman's body bobbing against one of the hulls of the boats moored at the base of Beacon Rock. Is it possible she fell from the Newport ferry and was carried by the tide? Or could she have drowned herself or fallen victim to foul play? After the woman is identified as the missing daughter of a yacht designer, the police--with the exception of Emma's friend Detective Jesse Whyte--hastily conclude she is a suicide, perhaps to quiet any scandal for the Morgans, since her body was found floating near their property. But Emma suspects the woman was murdered and begins to sort through a who's who of sportsmen, boat crews, and the Newport elite in search of a stone-cold killer . . .

For fans of HBO's The Gilded Age, the glorious mansions of Newport house many mysteries--murder, theft, scandal--and no one is more adept at solving them than reporter Emma Andrews . . . 1901: Back from their honeymoon in Italy, Emma and Derrick are adapting to married life as they return to their duties at their jointly owned newspaper, the Newport Messenger. The Elms, coal baron Edward Berwind's newly completed Bellevue Avenue estate, is newsworthy for two reasons: A modern mansion for the new century, it is one of the first homes in America to be wired for electricity with no backup power system, generated by coal from Berwind's own mines. And their servants--with a single exception--have all gone on strike to protest their working conditions. Summarily dismissing and replacing his staff with cool and callous efficiency, Berwind throws a grand party to showcase the marvels of his new "cottage." Emma and Derrick are invited to the fete, which culminates not only in a fabulous musicale but an unforeseen tragedy--a chambermaid is found dead in the coal tunnel. In short order, it is also discovered that a guest's diamond necklace is missing and a laborer has disappeared. Detective Jesse Whyte entreats Emma and Derrick to help with the investigation and determine whether the murdered maid and stolen necklace are connected. As the dark deeds cast a shadow over the blazing mansion, it's up to Emma to shine a light on the culprit . . .

Reporter and sleuth Emma Cross Andrews must stop a bold poisoner who is targeting the society wives of the Four Hundred in Gilded Age Newport, Rhode Island . . . August 1901: A fundraiser for a new Rhode Island Audubon Society brings Emma to Vinland, the Viking-themed seaside home of her relative, Florence Vanderbilt Twombly, where the guest of honor is Edith Roosevelt, wife of Vice President Theodore Roosevelt. Listening to the speakers and observing the ladies in attendance, Emma is struck by the contrast of the Viking warrior-inspired elements in the house and the admirable but admittedly genteel cause of bird protection. Vinland bears the name of the Vikings' first landfall in North America, but in this room today there is most assuredly no one to fear. Emma's observation of harmless philanthropy is proven wrong the following morning when one of Mrs. Twombly's houseguests from the luncheon becomes mysteriously and dangerously ill. Accompanying police detective Jesse Whyte, Emma discovers a box of petit fours supposedly sent by Mrs. Roosevelt. They promptly rule out the Second Lady as a suspect, but someone has poisoned the cakes. Soon another box of desserts as well as letters tainted with ink containing caustic toxins show up at other grand Newport cottages. Are the ladies from the luncheon being targeted? Emma and Jesse must sort through possible motives and means because now more than the birds need protection . . .