Kirjahaku

‘A twisty and engrossing thriller that will keep you guessing until the very end.’ Karin Slaughter, International Bestselling Author Humiliated by a man who held her career in his hands, Dana Diaz’s life and reputation are in tatters. Drowning her sorrows one night in a bar, she gets talking to a stranger, Amanda – and finds that she, too, has a story to tell. Over a drink, Amanda proposes a plan: The women should take revenge on each other’s behalf. Stalking and tormenting the people that wronged them carries a thrill – and one act of revenge soon leads to another. But while this may be an addictive game for two, only one can survive. WHO WILL BE THE LAST WOMAN STANDING? Readers love Last Woman Standing: ‘This book blew me away’ Cosy Cat Reviews ‘A fantastic read’ Rachel ‘What a page turner!’ Jane ‘I highly recommend Last Woman Standing … This novel does not disappoint … FIVE-STAR’ D.B. Moone ‘Timely and suspenseful’ Ray J. ‘A unique story … This one will stick with me’ Courtney ‘A riveting page turner you’ll stay up way too late to finish’ SW

From the author of Good as Gone ("So gripping you might want to start to question your own family's past"--Entertainment Weekly) comes a brilliant and timely thriller: Strangers on a Train by way of Thelma and Louise. Dana Diaz is an aspiring stand-up comedian--a woman in a man's world. When she meets a tough computer programmer named Amanda Dorn, the two bond over their struggles in boys' club professions. Dana confides that she's recently been harassed and assaulted while in L.A., and Amanda comes up with a plan: they should go after each other's assailants, Strangers on a Train-style. But Dana finds that revenge, however sweet, draws her into a more complicated series of betrayals. Soon her distrust turns to paranoia, encompassing strangers, friends--and even herself. At what cost will she get her vengeance? Who will end up getting hurt? And when it's all over, will there be anyone left to trust?

AN APPLE BEST BOOK OF FEBRUARY "It is almost impossible to find the words for a truly original novel such as Bad Habits, a primal scream of a book that could be written only by this author at this time. Amy Gentry is in utter control of this anaconda of a story as it twists, squeezes and lashes out at the reader. And all the reader can do is stare helplessly back, mesmerized. In case it's not clear, I loved it." --Laura Lippman, New York Times bestselling author of The Sunburn and Lady of the Lake A whip-smart psychological thriller from the author of Good as Gone (a New York Times Notable Book), in which a grad student becomes embroiled in a deadly rivalry that changes her into someone unrecognizable to her struggling family, her ambitious academic friends, and even herself Claire "Mac" Woods--a professor enjoying her newfound hotshot status at an academic conference--finally has the acceptance and admiration she has long craved. But at the conference's hotel bar, Mac is surprised to run into a face from a past she'd rather forget: the moneyed, effortlessly perfect Gwendolyn Whitney, Mac's foil, rival, and former best friend. When Gwen moved to town in high school, Claire--then known as Mac, a poor kid from a troubled family who had too much on her plate--saw what it meant to have. Money, sophistication, culture, the very blueprints to success. Mac had almost nothing, except the will to change. Change she did, habitually grinding herself to work as hard as straight-A Gwen, even eventually getting admitted into the same elite graduate program as Gwen. But then Mac and Gwen become entangled with the department's power-couple professors and compete head-to-head for a life changing fellowship. The more twisted the track toward success becomes, the more Mac has to contort herself to stay one step ahead--which deception signals the point of no return? Jack-knifing between Mac's world-expanding graduate days and the crucible of the hotel and its unexpected guests, Bad Habits follows Mac's reckoning between her hardscrabble past and tenuous present. What, exactly, did Mac do to get what she has today? And what will she do to keep it? With taut, powerful prose, Amy Gentry asks how far we'll go to get what we want--and whether we can ever truly leave the past behind.

AN APPLE BEST BOOK OF FEBRUARY "It is almost impossible to find the words for a truly original novel such as Bad Habits, a primal scream of a book that could be written only by this author at this time. Amy Gentry is in utter control of this anaconda of a story as it twists, squeezes and lashes out at the reader. And all the reader can do is stare helplessly back, mesmerized. In case it's not clear, I loved it." --Laura Lippman, New York Times bestselling author of The Sunburn and Lady of the Lake A whip-smart psychological thriller from the author of Good as Gone (a New York Times Notable Book), in which a grad student becomes embroiled in a deadly rivalry that changes her into someone unrecognizable to her struggling family, her ambitious academic friends, and even herself Claire "Mac" Woods--a professor enjoying her newfound hotshot status at an academic conference--finally has the acceptance and admiration she has long craved. But at the conference's hotel bar, Mac is surprised to run into a face from a past she'd rather forget: the moneyed, effortlessly perfect Gwendolyn Whitney, Mac's foil, rival, and former best friend. When Gwen moved to town in high school, Claire--then known as Mac, a poor kid from a troubled family who had too much on her plate--saw what it meant to have. Money, sophistication, culture, the very blueprints to success. Mac had almost nothing, except the will to change. Change she did, habitually grinding herself to work as hard as straight-A Gwen, even eventually getting admitted into the same elite graduate program as Gwen. But then Mac and Gwen become entangled with the department's power-couple professors and compete head-to-head for a life changing fellowship. The more twisted the track toward success becomes, the more Mac has to contort herself to stay one step ahead--which deception signals the point of no return? Jack-knifing between Mac's world-expanding graduate days and the crucible of the hotel and its unexpected guests, Bad Habits follows Mac's reckoning between her hardscrabble past and tenuous present. What, exactly, did Mac do to get what she has today? And what will she do to keep it? With taut, powerful prose, Amy Gentry asks how far we'll go to get what we want--and whether we can ever truly leave the past behind.

A New York Times Book Review Editors' Choice, Amy Gentry's propulsive and suspenseful Good as Gone is a "smart, crisply written thriller" (Minneapolis Star Tribune)."So gripping you might start to question your own family's past."--Entertainment WeeklyAnna's daughter Julie was kidnapped from her own bedroom when she was thirteen years old, while Anna slept just downstairs, unaware that her daughter was being ripped away from her. For eight years, she has lived with the guilt and the void in her family, hoping against hope that Julie is still alive. And then one night, the doorbell rings. A young woman who appears to be Julie is finally, miraculously, home safe. Anna and the rest of the family are thrilled, but soon Anna begins to see holes in Julie's story. When she is contacted by a former detective turned private eye, she is forced to wonder if this young woman is even her daughter at all. And if she isn't Julie, what is it that she wants?"A bracing, scarily honest look at what it means to be female--and to be a daughter, sister, wife, mother--wrapped up in a vicious thriller. Gentry's ambitious debut will satisfy fans of Gone Girl, The Girl With the Dragon Tattoo, and The Killing."--Merritt Tierce, author of Love Me Back

It’s hard to think of a solo female recording artist who has been as revered or as reviled over the course of her career as Tori Amos. Amy Gentry argues that these violent aesthetic responses to Amos’s performance, both positive and negative, are organized around disgust—the disgust that women are taught to feel, not only for their own bodies, but for their taste in music. Released in 1996, Amos’s third album, Boys for Pele, represents the height of Amos’s willingness to explore the ugly qualities that make all of her music, even her more conventionally beautiful albums, so uncomfortably, and so wonderfully, strange. Using a blend of memoir, criticism, and aesthetic theory, Gentry argues that the aesthetics of disgust are useful for thinking in a broader way about women’s experience of all art forms.

AN APPLE BEST BOOK OF FEBRUARY "It is almost impossible to find the words for a truly original novel such as Bad Habits, a primal scream of a book that could be written only by this author at this time. Amy Gentry is in utter control of this anaconda of a story as it twists, squeezes and lashes out at the reader. And all the reader can do is stare helplessly back, mesmerized. In case it's not clear, I loved it." --Laura Lippman, New York Times bestselling author of The Sunburn and Lady of the Lake A whip-smart psychological thriller from the author of Good as Gone (a New York Times Notable Book), in which a grad student becomes embroiled in a deadly rivalry that changes her into someone unrecognizable to her struggling family, her ambitious academic friends, and even herself Claire "Mac" Woods--a professor enjoying her newfound hotshot status at an academic conference--finally has the acceptance and admiration she has long craved. But at the conference's hotel bar, Mac is surprised to run into a face from a past she'd rather forget: the moneyed, effortlessly perfect Gwendolyn Whitney, Mac's foil, rival, and former best friend. When Gwen moved to town in high school, Claire--then known as Mac, a poor kid from a troubled family who had too much on her plate--saw what it meant to have. Money, sophistication, culture, the very blueprints to success. Mac had almost nothing, except the will to change. Change she did, habitually grinding herself to work as hard as straight-A Gwen, even eventually getting admitted into the same elite graduate program as Gwen. But then Mac and Gwen become entangled with the department's power-couple professors and compete head-to-head for a life changing fellowship. The more twisted the track toward success becomes, the more Mac has to contort herself to stay one step ahead--which deception signals the point of no return? Jack-knifing between Mac's world-expanding graduate days and the crucible of the hotel and its unexpected guests, Bad Habits follows Mac's reckoning between her hardscrabble past and tenuous present. What, exactly, did Mac do to get what she has today? And what will she do to keep it? With taut, powerful prose, Amy Gentry asks how far we'll go to get what we want--and whether we can ever truly leave the past behind.

AN APPLE BEST BOOK OF FEBRUARY "It is almost impossible to find the words for a truly original novel such as Bad Habits, a primal scream of a book that could be written only by this author at this time. Amy Gentry is in utter control of this anaconda of a story as it twists, squeezes and lashes out at the reader. And all the reader can do is stare helplessly back, mesmerized. In case it's not clear, I loved it." --Laura Lippman, New York Times bestselling author of The Sunburn and Lady of the Lake A whip-smart psychological thriller from the author of Good as Gone (a New York Times Notable Book), in which a grad student becomes embroiled in a deadly rivalry that changes her into someone unrecognizable to her struggling family, her ambitious academic friends, and even herself Claire "Mac" Woods--a professor enjoying her newfound hotshot status at an academic conference--finally has the acceptance and admiration she has long craved. But at the conference's hotel bar, Mac is surprised to run into a face from a past she'd rather forget: the moneyed, effortlessly perfect Gwendolyn Whitney, Mac's foil, rival, and former best friend. When Gwen moved to town in high school, Claire--then known as Mac, a poor kid from a troubled family who had too much on her plate--saw what it meant to have. Money, sophistication, culture, the very blueprints to success. Mac had almost nothing, except the will to change. Change she did, habitually grinding herself to work as hard as straight-A Gwen, even eventually getting admitted into the same elite graduate program as Gwen. But then Mac and Gwen become entangled with the department's power-couple professors and compete head-to-head for a life changing fellowship. The more twisted the track toward success becomes, the more Mac has to contort herself to stay one step ahead--which deception signals the point of no return? Jack-knifing between Mac's world-expanding graduate days and the crucible of the hotel and its unexpected guests, Bad Habits follows Mac's reckoning between her hardscrabble past and tenuous present. What, exactly, did Mac do to get what she has today? And what will she do to keep it? With taut, powerful prose, Amy Gentry asks how far we'll go to get what we want--and whether we can ever truly leave the past behind.

Da Julie er tretten år gammel, blir hun kidnappet og bortført. Familien er dypt rystet, men klarer likevel å beholde håpet om at Julie vil en dag komme tilbake. Plutselig en kveld mange år senere, ringer det på døra. Utenfor står en ung kvinne som introduserer seg selv som Julie. Den savnede jenta er mirakuløst tilbake igjen, og familiens lykke kjenner ingen grenser. Men snart begynner Julies mor, Anna, mot sin vilje å tvile på om jenta virkelig er deres savnede datter. Hun prøver å undertrykke følelsene sine, men det går ikke, og da hun oppsøkes av en privat etterforsker som interesser seg for saken, starter en smertefull søken etter sannheten.«En av sommerens mest etterlengtede thrillere …»The New York Times Book Review (Editors choice)« … den er så engasjerende at du muligens vil bli i tvil om din egen families historie når du leser den.»Entertainment Weekly«Andre folks døtre må betraktes som en lysende debut.»The Dallas Morning News

När Julie är tretton år blir hon bortförd och kidnappad från sitt hem. Familjen blir djupt skakad men lyckas ändå behålla hoppet om att Julie en dag ska komma tillbaka. Plötsligt en kväll många år senare ringer det på dörren och en ung kvinna som presenterar sig som Julie stiger på. Den försvunna flickan är mirakulöst nog tillbaka igen och familjens lycka vet inga gränser, men snart börjar Julies mamma Anna mot sin vilja att tvivla på om flickan verkligen är deras försvunna dotter. Hon försöker att förtränga sina känslor men det går inte och när hon blir kontaktad av en privatdetektiv som intresserat sig för ärendet börjar ett smärtsamt sökande efter sanningen om den flicka hon hoppas är hennes försvunna dotter.Med högt tempo, karaktärer som stannar kvar, ovisshet in i det sista och ett starkt engagemang för samhällets utsatta är Andras döttrar en bok för alla som läst och älskat titlar som Kvinnan på tåget och Gone Girl. Författaren Amy Gentry har inspirerats av fallet med den kidnappade flickan Elizabeth Smart i Utah 2002.