Kirjahaku

In this cutting-edge study of Tolkien’s most critically neglected maps, Anahit Behrooz examines how cartography has traditionally been bound up in facilitating power. Far more than just illustrations to aid understanding of the story, Tolkien’s corpus of maps are crucial to understanding the broader narratives between humans and their political and environmental landscapes within his legendarium. Undertaking a diegetic literary analysis of the maps as examples of Middle-earth’s own cultural output, Behrooz reveals a sub-created tradition of cartography that articulates specific power dynamics between mapmaker, map reader, and what is being mapped, as well as the human/nonhuman binary that represents human’s control over the natural world.Mapping Middle-earth surveys how Tolkien frames cartography as an inherently political act that embodies a desire for control of that which it maps. In turn, it analyses harmful contemporary engagements with land that intersect with, but also move beyond, cartography such as environmental damage; human-induced geological change; and the natural and bodily costs of political violence and imperialism. Using historical, eco-critical, and postcolonial frameworks, and such theorists as Michel Foucault, Donna Haraway and Edward Said, this book explores Tolkien’s employment of particular generic tropes including medievalism, fantasy, and the interplay between image and text to highlight, and at times correct, his contemporary socio-political epoch and its destructive relationship with the wider world.

In this cutting-edge study of Tolkien’s most critically neglected maps, Anahit Behrooz examines how cartography has traditionally been bound up in facilitating power. Far more than just illustrations to aid understanding of the story, Tolkien’s corpus of maps are crucial to understanding the broader narratives between humans and their political and environmental landscapes within his legendarium. Undertaking a diegetic literary analysis of the maps as examples of Middle-earth’s own cultural output, Behrooz reveals a sub-created tradition of cartography that articulates specific power dynamics between mapmaker, map reader, and what is being mapped, as well as the human/nonhuman binary that represents human’s control over the natural world.Mapping Middle-earth surveys how Tolkien frames cartography as an inherently political act that embodies a desire for control of that which it maps. In turn, it analyses harmful contemporary engagements with land that intersect with, but also move beyond, cartography such as environmental damage; human-induced geological change; and the natural and bodily costs of political violence and imperialism. Using historical, eco-critical, and postcolonial frameworks, and such theorists as Michel Foucault, Donna Haraway and Edward Said, this book explores Tolkien’s employment of particular generic tropes including medievalism, fantasy, and the interplay between image and text to highlight, and at times correct, his contemporary socio-political epoch and its destructive relationship with the wider world.

BFFs examines female friendship as a site of radical intimacy, as told through the cultural touchstones around us. From Elena Ferrante to Booksmart, Little Women to Insecure, and beyond, the book considers how female friendships can offer a more expansive and emancipatory understanding of female intimacy.

BFFs shows us that friendships can be the most important, loving, expansive, and emancipatory relationships in our lives--all with the help of our favorite TV, movie, and book besties.Friendship can be the foundation of our earliest memories and the source of our most formative moments. So why is it often seen as secondary to romantic or familial connection, something we age out of and sacrifice to other relationships? In BFFs, Anahit Behrooz considers female friendship not as something lesser, but as a site of radical intimacy.From the joys of shared coming-of-age stories and sisterhood, through the pain of break-ups and parting of ways, the vast significance and intensity of feeling within our friendships is explored through depictions in the work of Toni Morrison and Elena Ferrante, Booksmart and Grey's Anatomy, Insecure, The Virgin Suicides and beyond.