Kirjahaku

As Andrew C. Isenberg shows in Wyatt Earp: A Vigilante Life, the Hollywood Earp is largely a fiction created by Earp himself, whose life was characterized not by an unflinching devotion to law and order but by inconstancy, defiance of authority, and repeated self-invention. The Earp played on - screen by Henry Fonda and Burt Lancaster is stubbornly duty bound; in actuality, Earp led a life of impulsive law-breaking and shifting identities. When he wasn't wearing a badge, he was variously a thief, a brothel bouncer, a gambler, and a confidence man. He spent his last decades in Los Angeles, where his plastic identity and his penchant for reinvention freely lent themselves to Hollywood mythmaking. Befriending Western silent-film actors and directors, he presented himself to them as a lawman singularly committed to justice. Having tried and failed over the course of his life to invent a better future for himself, in the end Earp invented a better past. Though Earp, who died in 1929, did not live to see it, Hollywood's embrace of him as a paragon of law and order was his last and undoubtedly greatest confidence game.

For the last twenty years, The Destruction of the Bison has been an essential work in environmental history. Andrew C. Isenberg offers a concise analysis of the near-extinction of the North American bison population from an estimated 30 million in 1800 to fewer than 1000 a century later. His wide-ranging, interdisciplinary study carefully considers the multiple causes, cultural and ecological, of the destruction of the species. The twentieth-anniversary edition includes a new foreword connecting this seminal work to developments in the field – notably new perspectives in Native American history and the rise of transnational history – and placing the story of the bison in global context. A new afterword extends the study to the twenty-first century, underlining the continued importance of this ground-breaking text for current, and future, students and scholars.

In The Age of the Borderlands, acclaimed historian Andrew C. Isenberg offers a new history of manifest destiny that breaks from triumphalist narratives of US territorial expansion. Isenberg takes readers to the contested borders of Spanish Florida, Missouri, New Mexico, California, Texas, and Minnesota at critical moments in the early to mid-nineteenth century, demonstrating that the architects of American expansion faced significant challenges from the diverse groups of people inhabiting each region. In other words, while the manifest destiny paradigm begins with an assumption of US strength, the government and the agents it dispatched to settle and control the frontier had only a weak presence.Tracing the interconnected histories of Indians, slaves, antislavery reformers, missionaries, federal agents, and physicians, Isenberg shows that the United States was repeatedly forced to accommodate the presence of other colonial empires and powerful Indigenous societies. Anti-expansionists in the borderlands welcomed the precarity of the government's power: The land on which they dwelled was a grand laboratory where they could experiment with their alternative visions for American society. Examining the borderlands offers an understanding not just about frontier spaces but about the nature of the early American state— ambitiously expansionist but challenged by its native and imperial competitors.