Kirjahaku

This book offers insightful analysis of cultural representation in Japanese cinema of the early 21st century. The impact of transnational production practices on films such as Dolls (2002), Sukiyaki Western Django (2007), Tetsuo: The Bullet Man (2009), and 13 Assassins (2010) is considered through textual and empirical analysis. The author discusses contradictory forms of cultural representation – cultural concealment and cultural performance – and their relationship to both changing practices in the Japanese film industry and the global film market. Case studies take into account popular genres such as J Horror and jidaigeki period films, as well as the work of renowned filmmakers Takeshi Kitano, Takashi Miike, Shinya Tsukamoto and Kiyoshi Kurosawa.

Andrew Dorman introduces Sierra Leone as Blair's second great military adventure after Kosovo and the first he undertook on his own. It is tied to Blair's 1999 Chicago speech on the 'Doctrine of the International Community', his move towards humanitarianism and the impact of the Kosovo experience. The book links this move with the rise of cosmopolitan militaries and the increasing involvement of Western forces in humanitarian operations and their impact on the international system. Furthermore, it places it within the context of defence transformation and the emerging Western expeditionary capabilities, in particular the European Union's new battle group concept and developments in concepts such as Network Centric Warfare and Networked Enabled Capability. Examining the whole campaign and considering the impact on the Blair Government, this book will prove to be a key reader on the topic.