Kirjahaku

For several years now, the Roman Catholic Church and the institution of the priesthood itself have been at the center of a firestorm of controversy. While many of the criticisms lodged against the actions of the Church - and a small number of its priests - are justified, the conventional wisdom that has gained currency as an explanation for these actions is, according to Andrew M. Greeley in Priests, often flat-out wrong. Neither liberal nor conservative, Priests offers nothing less than a portrait of the priesthood today. No stranger to controversy himself, Greeley challenges those analysts and the media who parrot them in placing the blame for recent Church scandals on the mandate of celibacy or a clerical culture that supports homosexuality. Drawing upon reliable national survey samples of priests, Greeley demolishes current stereotypes about the percentage of homosexual priests, the level of personal and professional happiness among priests, the role of celibacy in their lives, and many other issues. With Greeley's statistical evidence and provocative recommendations for change, Priests offers a new vision for American Catholics.

For several years now, the Roman Catholic Church and the institution of the priesthood itself have been at the center of a firestorm of controversy. While many of the criticisms lodged against the actions of the Church - and a small number of its priests - are justified, the conventional wisdom that has gained currency as an explanation for these actions is, according to Andrew M. Greeley in Priests, often flat-out wrong. Neither liberal nor conservative, Priests offers nothing less than a portrait of the priesthood today. No stranger to controversy himself, Greeley challenges those analysts and the media who parrot them in placing the blame for recent Church scandals on the mandate of celibacy or a clerical culture that supports homosexuality. Drawing upon reliable national survey samples of priests, Greeley demolishes current stereotypes about the percentage of homosexual priests, the level of personal and professional happiness among priests, the role of celibacy in their lives, and many other issues. With Greeley's statistical evidence and provocative recommendations for change, Priests offers a new vision for American Catholics.

Father Andrew Greeley recounts the dramatic unfolding of the centuries-old conclave of cardinals in this firstshand account of the papal election of 2005. 16-page insert.

Essays based on the Scriptures offer comfort, advice, and encouragement in coping with life's problems

Always provocative on the subject of sex and human sexuality, Father Andrew Greeley gives his candid thoughts on how everyone can use his or her sexuality as a positive, delightful force in everyday life.

Andrew Greeley looks back at Irish history and at the famous Irish of today to show how the Irish in America really live, think, act--and what makes them statistically the richest and best educated gentile group in American society.

Discusses how Mary enlarges the Christian concept of God, how Christ's teaching can help us renew ourselves, and which are the most important of the Ten Commandments

Many observers assume that America is a much less religious nation than it was forty years ago. According to Andrew Greeley, however, this is simply not true. Carefully analyzing surveys conducted over the past half-century, Greeley concludes that rates of church attendance, prayer, church membership, activity in church organizations, belief in life after death, and other measures of religious involvement have remained surprisingly constant.

In a heartwarming Christmas love story, Jack Flanigan, a young Irish-American everyman, falls head over heels in love with a beautiful young Russian woman studying at Harvard and invites her home to Chicago for Christmas, sending his family into a tizzy. Reprint. 100,000 first printing.

he cardinals of the Roman Catholic Church have gathered in Rome for the papal election following the death of the incumbent pope. Torn by internal conflict and with many of its members alienated, the Church faces one of the most serious crises in its history. A coalition of cardinals favors a more moderate and pluralistic style of papal governance, but must contend with shadowy Vatican forces that oppose change and loss of their own power. These forces are determined to destory the coalition's candidate, a gentle and brilliant Spanish scholar. The leader of the coalition is Chicago's wily Sean Cardinal Cronin, aided by his patently indispensable sidekick, Bishop John Blackwood "Blackie" Ryan.A lone assassin stalks the Vatican, his crazed mission: to destroy the next pope as soon as the traditional white smoke issues from the cardinals' meeting room--the Sistine Chapel--followed by the ancient words "Habemus papam."Can politics--Chicago style--turn the Catholic Church around? What will happen when the next pope must be chosen? Only Andrew M. Greeley, priest, bestselling novelist, and respected sociologist could have written this blockbuster tale of the forces actually ripping the Church apart, and of the next papal election, when the fate of the entire Catholic Church itself may well hang in the balance.

The religious imagination is alive and well in the movies. Contrary to those who criticize Hollywood, popular movies very often have metaphorically represented God on the screen. From Clint Eastwood as an avenging angel in Pale Rider and Nicolas Cage as a love-sick angel in City of Angels, to Jessica Lange as an angel of death in All That Jazz, and from George Burns as God in Oh God! to Audrey Hepburn in Alwaysto pure white light in Fearless and Flatliners, God is very much present in the movies. Images of angels and God used by movie makers are explored here.This intelligent, insightful volume is an exercise in urban anthropology. Religious imagination is the subject and the movie house is its location. The authors show that the religious imagination is irrepressible, and shows up in our best-known example of popular cultures, movies. Contrary to conservative opinion that suggests that Hollywood is anti-religious, Greeley and Bergesen find just the opposite. Ordinary movies, not explicitly about religion and not made by particularly religious individuals often demonstrate some basic religious theme, point, or message. God in the Movies does not judge or approve, recommend or criticize; the authors simply alert the reader to the great variety of metaphors for God, angels, heaven, and hell, from beautiful women to white light at the end of the tunnel to Groundhog Day. They are not concerned with explicitly religious movies. This is not a study of Ben Huror The Last Temptations of Christ, but rather of ordinary mass-release movies, including Field of Dreams, Always, All That Jazz, Commandments, Babette's Feast, Fearless, Breaking the Waves, Jacob's Ladder, Flatliners, Ghost, Pale Rider, Star Wars, 2001, Dogma, and even Japanimation, like Ghost in the Shell.The authors' vivid explication of various cinematic metaphors for God is accompanied by an analysis of what these movies tell about our sociological attitudes toward life and death. They also discuss the social conditions that give rise to various kinds of imagery and forms of movies. In a real sense, this book is for both the professional concerned with religion, sociology, cultural studies, anthropology, media and cinema studies, and the layperson interested in how popular movies also contain religious imagery.

The religious imagination is alive and well in the movies. Contrary to those who criticize Hollywood, popular movies very often have metaphorically represented God on the screen. From Clint Eastwood as an avenging angel in Pale Rider and Nicolas Cage as a love-sick angel in City of Angels, to Jessica Lange as an angel of death in All That Jazz, and from George Burns as God in Oh God! to Audrey Hepburn in Alwaysto pure white light in Fearless and Flatliners, God is very much present in the movies. Images of angels and God used by movie makers are explored here.This intelligent, insightful volume is an exercise in urban anthropology. Religious imagination is the subject and the movie house is its location. The authors show that the religious imagination is irrepressible, and shows up in our best-known example of popular cultures, movies. Contrary to conservative opinion that suggests that Hollywood is anti-religious, Greeley and Bergesen find just the opposite. Ordinary movies, not explicitly about religion and not made by particularly religious individuals often demonstrate some basic religious theme, point, or message. God in the Movies does not judge or approve, recommend or criticize; the authors simply alert the reader to the great variety of metaphors for God, angels, heaven, and hell, from beautiful women to white light at the end of the tunnel to Groundhog Day. They are not concerned with explicitly religious movies. This is not a study of Ben Huror The Last Temptations of Christ, but rather of ordinary mass-release movies, including Field of Dreams, Always, All That Jazz, Commandments, Babette's Feast, Fearless, Breaking the Waves, Jacob's Ladder, Flatliners, Ghost, Pale Rider, Star Wars, 2001, Dogma, and even Japanimation, like Ghost in the Shell.The authors' vivid explication of various cinematic metaphors for God is accompanied by an analysis of what these movies tell about our sociological attitudes toward life and death. They also discuss the social conditions that give rise to various kinds of imagery and forms of movies. In a real sense, this book is for both the professional concerned with religion, sociology, cultural studies, anthropology, media and cinema studies, and the layperson interested in how popular movies also contain religious imagery.

Almost all of America's private colleges and universities started out as denominational schools, but connections with sponsoring churches gradually attenuated over the last century. Only fundamentalist Protestant denominations and the Roman Catholic Church still maintain colleges and universities closely tied to the spirit of their denominations. Catholic higher education is the largest of these systems, producing a significant proportion of America's college graduates, trained professionals, and doctorates.Andrew M. Greeley argues that Catholic schools are no better and no worse than the vast majority of American higher educational institutions. He chooses a sample of schools varying in the degree to which changes are evident, without revealing this key to his investigator team. Greeley and his field team then visit the schools, interviewing significant segments of each, and characterize each in terms of recent growth and elements which are critical in fostering and supporting such changes.Greeley briefly summarizes information on the history of Catholic higher education. He then furnishes descriptions of three rapid-improvement, three medium-improvement, and three low-improvement schools. In a summary, he provides evidence that the quality of administrative leadership predicts academic improvement in a Catholic college or university. In the final sections, Greeley reviews the administrations, faculties, and student bodies at Catholic colleges and universities, and offers general observations about the outlook for Catholic higher education in the United States.

What might one expect to learn from a probability sample study of the Archdiocese of Chicago? Can one form a national portrait of Catholics in the United States from data about Chicago? Certainly, Chicago is unique in its judgments about its clergy. As the eminent Catholic sociologist Andrew M. Greeley argues, it is this very difference that makes rigorous comparisons between Chicago Catholics and other Catholic subpopulations possible. He suggests that history and geography provide a basis for understanding the development of the Catholic Church not just in this specific area, but also in the entire United States.The Catholic Archdiocese of Chicago it composed of two counties, Lake and Cook. At the same time the Catholic population has been pushed up against the boundary of DuPage County by racial change in the city, so that much of the west and south side Catholic population of the city has moved into the southern and western suburbs. In this research area, half of the Catholics have attended college and half of those have attended graduate school. Thus, the conventional image of Chicago as a mix of ethnic immigrant neighborhoods has to be modified—although there are still many new immigrants attending special immigrant parishes.Greeley argues that the official church in Chicago, and by inference elsewhere, has not recognized the community structures that permeate the neighborhoods, that it does not grasp the religious stories that shape its peoples' identity, and it does not understand the intense, if selective, loyalty of the archdiocese to its leadership. As part of this argument, Greeley includes transcriptions of in-depth interviews with former Catholics. This study provides a fascinating window into the world of Catholicism in twenty-first century urban America.

Almost all of America's private colleges and universities started out as denominational schools, but connections with sponsoring churches gradually attenuated over the last century. Only fundamentalist Protestant denominations and the Roman Catholic Church still maintain colleges and universities closely tied to the spirit of their denominations. Catholic higher education is the largest of these systems, producing a significant proportion of America's college graduates, trained professionals, and doctorates.Andrew M. Greeley argues that Catholic schools are no better and no worse than the vast majority of American higher educational institutions. He chooses a sample of schools varying in the degree to which changes are evident, without revealing this key to his investigator team. Greeley and his field team then visit the schools, interviewing significant segments of each, and characterize each in terms of recent growth and elements which are critical in fostering and supporting such changes.Greeley briefly summarizes information on the history of Catholic higher education. He then furnishes descriptions of three rapid-improvement, three medium-improvement, and three low-improvement schools. In a summary, he provides evidence that the quality of administrative leadership predicts academic improvement in a Catholic college or university. In the final sections, Greeley reviews the administrations, faculties, and student bodies at Catholic colleges and universities, and offers general observations about the outlook for Catholic higher education in the United States.

In My Love: A Prayer Journal, Father Greeley continues his quest to reveal the God of Love, Understanding, and Forgiveness. Picking up where the last of his popular journals left off, he shares his most intimate joys, fears, challenges, and hopes with God and with us all. In the process, he offers us a remarkable experience of praying as it happens and helps us find our own prayerful voices. Inspiring and encouraging, My Love points beyond the fascinating life of Andrew Greeley to the life of faith itself.