Kirjahaku

Randall Swingler (1909–67) was arguably the most significant and the best-known radical English poet of his generation. A widely published poet, playwright, novelist, editor and critic, his work was set to music by almost all the major British composers of his time. This new biography draws on extensive sources, including the security services files, to present the most detailed account yet of this influential poet, lyricist and activist.A literary entrepreneur, Swingler was founder of radical paperback publishing company Fore Publications, editor of Left Review and Our Time and literary editor of the Daily Worker; later becoming a staff reporter, until the paper was banned in 1941. In the 1930s, he contributed several plays for Unity Theatre, including the Mass Declamation Spain, the Munich play Crisis and the revues Sandbag Follies and Get Cracking. In 1936, MI5 opened a 20-year-long file on him prompted by a song he co-wrote with Alan Bush for a concert organised to mark the arrival of the 1934 Hunger March into London. During the Second World War, Swingler served in North Africa and Italy and was awarded the Military Medal for his part in the battle of Lake Comacchio. His collections The Years of Anger (1946) and The God in the Cave (1950) contain arguably some of the greatest poems of the Italian campaign. After the war, Swingler was blacklisted by the BBC. Orwell attacked him in Polemic and included him in the list of names he offered the security services in 1949. Stephen Spender vilified him in The God That Failed.The book will challenge the Cold War assumptions that have excluded Swingler’s life and work from standard histories of the period and should be of great interest to activists, scholars and those with an interest in the history of the literary and radical left.

Randall Swingler (1909–67) was arguably the most significant and the best-known radical English poet of his generation. A widely published poet, playwright, novelist, editor and critic, his work was set to music by almost all the major British composers of his time. This new biography draws on extensive sources, including the security services files, to present the most detailed account yet of this influential poet, lyricist and activist.A literary entrepreneur, Swingler was founder of radical paperback publishing company Fore Publications, editor of Left Review and Our Time and literary editor of the Daily Worker; later becoming a staff reporter, until the paper was banned in 1941. In the 1930s, he contributed several plays for Unity Theatre, including the Mass Declamation Spain, the Munich play Crisis and the revues Sandbag Follies and Get Cracking. In 1936, MI5 opened a 20-year-long file on him prompted by a song he co-wrote with Alan Bush for a concert organised to mark the arrival of the 1934 Hunger March into London. During the Second World War, Swingler served in North Africa and Italy and was awarded the Military Medal for his part in the battle of Lake Comacchio. His collections The Years of Anger (1946) and The God in the Cave (1950) contain arguably some of the greatest poems of the Italian campaign. After the war, Swingler was blacklisted by the BBC. Orwell attacked him in Polemic and included him in the list of names he offered the security services in 1949. Stephen Spender vilified him in The God That Failed.The book will challenge the Cold War assumptions that have excluded Swingler’s life and work from standard histories of the period and should be of great interest to activists, scholars and those with an interest in the history of the literary and radical left.

A Creative Approach to Teaching Rhythm and Rhyme is a book about using words, sounds, echoes, patterns and rhythm in the primary classroom. It is a book about hearing the poems found in football chants, nursery rhymes, radio jingles, TV adverts, raps and tabloid headlines. Most importantly, it is a book about celebrating the music of everyday speech.This is a practical guide for primary teachers to develop pupils' speaking and listening skills – their use of anticipation and memory and their ability to enjoy language and participate in its common music. It features practical warm-up sessions, games, models, templates and examples to help pupils to become readers, writers and confident speakers through the lively practice of rhythm and rhyme.

This politically and socially engaged poetry is by a poet who is a true descendant of Shelley and Byron.

A unique novel in sonnet form with eye-catching cover by Martin Rowson.

Barry is looking forward to his first weekend out of prison. Free at last! He has nothing to lose but his £46 discharge grant, a bag of dirty washing, and all the promises he has made to himself when he was inside . . . If you enjoy this book, you can find out what happens to Barry next in the sequel, Bare Freedom. SERIES INFORMATION This page-turning story is part of the Diffusion books range, written especially for teenagers and adults who want to improve their reading skills. Easy-to-read, with short chapters, the books in the series enable learners to improve their reading confidence and tackle longer stories. They are also a brilliant choice for anyone learning English as an additional language. The books also include discussion and reflection questions that help readers to understand the story and to reflect on their own lives and relationships. Buying this book will support our project to help people in prison improve both their reading skills and their life chances. To find out more visit https://spckpublishing.co.uk/diffusion-books

Barry is trying to get used to life on the outside. All he wants it to make up with his sister and lead a normal life. But with no money, no job and the local drug dealer after him, will Barry be able to keep out of trouble? Bare Freedom, is the sequel to Forty-six Quid and a Bag of Dirty Washing also by Andy Croft. SERIES INFORMATION This page-turning story is part of the Diffusion books range, written especially for teenagers and adults who want to improve their reading skills. Easy-to-read, with short chapters, the books in the series enable learners to improve their reading confidence and tackle longer stories. They are also a brilliant choice for anyone learning English as an additional language. The books also include discussion and reflection questions that help readers to understand the story and to reflect on their own lives and relationships. Buying this book will support our project to help people in prison improve both their reading skills and their life chances. To find out more visit https://spckpublishing.co.uk/diffusion-books

In the last forty years large sections of British economic life have been moved out of common ownership into private hands, rationed by price or simply closed down. The democratic process is blocked by inequality, authoritarianism, deceit and a narrow ideological consensus. British cultural life is blocked by the values of big business and show business.The poetry scene is an atomised, unwelcoming and unfriendly place whose inaccessibility is hardly disguised by ritual declarations about diversity and inclusion. Conversations about poetry are replaced by conversations about poets, discussions of tradition by accusations of plagiarism, and the language of literary criticism by the language of hyperbolic press-releases promoting corporate prizes and celebrity book-festivals.The Privatisation of Poetry brings together essays and reviews first published in books and magazines including The London Magazine, The Morning Star, The New Statesman, The North, PN Review, Scratch, and Thumbscrew.