Kirjahaku

This brilliantly original study uncovers a side to Napoleon Bonaparte which has hitherto been ignored by biographers - that of the aspiring novelist and man of letters. In this illuminating, witty and elegantly written book, Andy Martin reveals how this neglected aspect of Napoleon's remarkable life actually provides the key to understanding it. The French Revolution, Austerlitz and Waterloo all came second in Napoleon's life to a Discourse on Happiness, a Dialogue on Love and repeated attempts at a novel. Napoleon began as a would-be Rousseau and ended up on Saint Helena dictating his own confessions. The colossal rise and catastrophic fall of his empire are, Martin argues, anticipated in the obsessive and tragicomic pages of his voluminous writings. Napoleon emerges as an idealist, romantic, visionary, critic, a thinker with an epic imagination and an underdeveloped sense of reality, pushing his 'portable library' across Europe, Asia and the Orient, and always wrestling with the intricacies of language and literature. And, although Napoleon was denounced as a failure in an essay competition, Martin shows that he did indeed succeed in imposing himself as the archetype and inspiration of modern European culture. This provocative book will appeal to a wide general readership. It will also be of interest to students of literature, modern languages and European history.

In the winter of mid-eighties, two surfers are battling for supremacy at Waimea Bay, home to the biggest waves in the world. Old-school, and some say too old, Ken Bradshaw commands respect with his fearlessness and fearsome temper. Mark Foo is the new kid on the block. Icon of the younger generation, this photogenic Chinese-American wows the crowds with his lightning repertoire of cool moves. One perfect day at Sunset Beach, Foo audaciously steals a wave from under Bradshaw's nose, sparking a bitter feud that is to last for over ten years and end in tragedy.

It had never been attempted before, and might never be done again. One man watching another man write a novel from beginning to end. On September 1, 2014, in an 11th floor apartment in New York, Lee Child embarked on the twentieth book in his globally successful Jack Reacher series. Andy Martin was there to see him do it, sitting a couple of yards behind him, peering over his shoulder as the writer took another drag of a Camel cigarette and tapped out the first sentence: “Moving a guy as big as Keever wasn’t easy.” Miraculously, Child and Martin stuck with it, in tandem, for the next 8 months, right through to the bitter-sweet end and the last word, “needle”. Reacher Said Nothing is a one-of-a-kind meta-book, an uncompromising account in real time of the genesis, evolution and completion of a single work, Make Me. While unveiling the art of writing a thriller Martin also gives us a unique insight into the everyday life of an exemplary writer. From beginning to end, Martin captures all the sublime confidence, stumbling uncertainty, omniscience, cluelessness, ecstasy, despair, and heart-thumping suspense that go into writing a number-one bestseller.

It had never been attempted before, and might never be done again. One man watching another man write a novel from beginning to end. On September 1, 2014, in an 11th floor apartment in New York, Lee Child embarked on the twentieth book in his globally successful Jack Reacher series. Andy Martin was there to see him do it, sitting a couple of yards behind him, peering over his shoulder as the writer took another drag of a Camel cigarette and tapped out the first sentence: “Moving a guy as big as Keever wasn’t easy.” Miraculously, Child and Martin stuck with it, in tandem, for the next 8 months, right through to the bitter-sweet end and the last word, “needle”. Reacher Said Nothing is a one-of-a-kind meta-book, an uncompromising account in real time of the genesis, evolution and completion of a single work, Make Me. While unveiling the art of writing a thriller Martin also gives us a unique insight into the everyday life of an exemplary writer. From beginning to end, Martin captures all the sublime confidence, stumbling uncertainty, omniscience, cluelessness, ecstasy, despair, and heart-thumping suspense that go into writing a number-one bestseller.

This is the true story of Ted, Viscount Deerhurst, the son of the Earl of Coventry and an American ballerina who dedicated his life to becoming a professional surfer. Surfing was a means of escape, from England, from the fraught charges of nobility, from family, and, often, from his own demons. Ted was good on the board, but never made it to the very highest ranks of a sport that, like most, treats second-best as nowhere at all. He kept on surfing, ending up where all surfers go to live or die, the paradise of Hawaii. There, in search of the “perfect woman,” he fell in love with a dancer called Lola, who worked in a Honolulu nightclub. The problem with paradise, as he was soon to discover, is that gangsters always get there first. Lola already had a serious boyfriend, a man who went by the name of Pit Bull. Ted was given fair warning to stay away. But he had a besetting sin, for which he paid the heaviest price: He never knew when to give up. Surf, Sweat and Tears takes us into the world of global surfing, revealing a dark side beneath the dazzling sun and cream-crested waves. Here is surf noir at its most compelling, a dystopian tale of one man’s obsessions, wiped out in a grisly true crime.

Jean-Paul Sartre is the author of possibly the most notorious one-liner of twentieth-century philosophy: 'Hell is other people'. Albert Camus was The Outsider. The two men first came together in Occupied Paris in the middle of the Second World War, and quickly became friends, comrades, and mutual admirers. But the intellectual honeymoon was short-lived. In 1943, with Nazis patrolling the streets, Sartre and Camus sat in a café on the boulevard Saint-Germain with Simone de Beauvoir and began a discussion about life and love and literature that would finally tear them apart. They ended up on opposite sides in a war of words over just about everything: women,philosophy, politics.Their friendship culminated in a bitter & very public feud that was described as 'the end of a love-affair' but which never really finished. Sartre was a boxer and a drug-addict; Camus was a goalkeeper who subscribed to a degree-zero approach to style and ecstasy. Sartre, obsessed with his own ugliness, took up the challenge of accumulating women; Camus, part-Bogart, part-Samurai, was also a self-confessed Don Juan who aspired to chastity. Sartre and Camus play out an epic struggle between the symbolic and the savage. But what if the friction between these two unique individuals is also the source of our own inevitable conflicts? Martin reconstructs the intense and antagonistic relationship that was (in Sartre's terms) 'doomed to failure'. Weaving together the lives and ideas and writings of Albert Camus and Jean-Paul Sartre, he relives the existential drama that binds them together and remixes a philosophical dialogue that speaks to us now.