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3 kirjaa tekijältä Angel Gonzalez

Harsh World and Other Poems

Harsh World and Other Poems

Angel Gonzalez

Princeton University Press
2015
pokkari
Although seven volumes of his poetry are available in Spanish, the work of Angel Gonzalez has not been widely translated into English. This bilingual edition, introduced by the poet, presents selections from Palabra sobre palabra (Word upon Word), his definitive collection. Included are poems from Grado elemental (Elementary Grade), which won the Antonio Machado Prize for Poetry. Born in Oviedo, Spain in 1925, Angel Gonzalez published his first book in 1956 to immediate acclaim. His poetry is characterized by striking imagery and deeply personal statement that is often sad and sardonic. Of his work Gonzalez writes, "'Experience,' 'reality', and 'preciseness of expression' are probably...the boundaries that limit the space, on a horizontal plane, in which my poetic intentions move. Upon this plane, trying to add another dimension, I attempt to erect my creative and imaginative possibilities...In some of these poems, written and published in Spain, the result of a determined desire to bear witness will have to be sought not in what the words say but in what they imply, in the spaces of shadow, of silence of anger, or of helplessness that they discover or uncover." Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Harsh World and Other Poems

Harsh World and Other Poems

Angel Gonzalez

Princeton University Press
2016
sidottu
Although seven volumes of his poetry are available in Spanish, the work of Angel Gonzalez has not been widely translated into English. This bilingual edition, introduced by the poet, presents selections from Palabra sobre palabra (Word upon Word), his definitive collection. Included are poems from Grado elemental (Elementary Grade), which won the Antonio Machado Prize for Poetry. Born in Oviedo, Spain in 1925, Angel Gonzalez published his first book in 1956 to immediate acclaim. His poetry is characterized by striking imagery and deeply personal statement that is often sad and sardonic. Of his work Gonzalez writes, "'Experience,' 'reality', and 'preciseness of expression' are probably...the boundaries that limit the space, on a horizontal plane, in which my poetic intentions move. Upon this plane, trying to add another dimension, I attempt to erect my creative and imaginative possibilities...In some of these poems, written and published in Spain, the result of a determined desire to bear witness will have to be sought not in what the words say but in what they imply, in the spaces of shadow, of silence of anger, or of helplessness that they discover or uncover." Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Alberto Giacometti

Alberto Giacometti

Angel Gonzalez

Ediciones Poligrafa
2006
sidottu
This book explains Giacometti's purpose: to exorcise an existential void through his artistic return to the human figure. The question that dominated his work was how to restore in art the sense of the presence of the being in space. Giacometti sought tirelessly to establish the contingent volume of his figures, which became increasingly slender and threadlike, and to place the finiteness of the humanoid frame in reality. He began to develop heads and nudes modelled in the void. During that experience of nothingness, which opposed his quest for the absolute, he discovered a metaphor for the human condition.