Kirjahaku

A collection of scary, thrilling, page turning short stories that will make you question what you REALLY fear.

Why does she scare you so, The Lady in the Coat? Isaac is having a night out with some of his work mates and sees The Lady in the Coat kidnap a man from the table next to his. All of his mates tell him that he was drunk and had imagined it. A short while after this incident, Isaac runs into high flying accountant, Axton Thatcher. They both admit they have had near-death/terrifying experiences with The Lady in the Coat. After sharing their terrifying stories, they make the brave but necessary decision to follow The Lady in the Coat. Who will win?

I reported Amelia missing at 4:15pm.I know she needs to get away from that toxic family of hers, and they need to stay away.I'm her protector. She will be safe with me.From No One.

Two dead police officers. One faceless Shadow Watcher, lurking behind the trees, ready to kill again. Will Sly and Hokey be able to catch him before he adds to his body count?

Drawing together philosophical, empirical and academic thinking, this book focuses on generating awareness of the relationship forged between self and surroundings. It details research undertaken at two coastal sites, the South Wall in Dublin city and the Maharees peninsula in Co. Kerry, Ireland. Sixty-two participants were engaged in photography and drawing to enable this exploration of spatial experience. The participants' photographs and drawings present how spatial sensibilities can be revealed by becoming more attentive to the immediacy of bodily knowledge: our more-than-cognitive experience. Their communications resonate with the philosophers and theorists considered, including Merleau-Ponty, Edward Casey, Gilles Deleuze, Dalibor Vesely, and contemporary cultural geographers. From exploring the experienced spatiality of the meeting of land and sea, this book begins to suggest an alternative politics of the coast.

Drawing together philosophical, empirical and academic thinking, this book focuses on generating awareness of the relationship forged between self and surroundings. It details research undertaken at two coastal sites, the South Wall in Dublin city and the Maharees peninsula in Co. Kerry, Ireland. Sixty-two participants were engaged in photography and drawing to enable this exploration of spatial experience. The participants' photographs and drawings present how spatial sensibilities can be revealed by becoming more attentive to the immediacy of bodily knowledge: our more-than-cognitive experience. Their communications resonate with the philosophers and theorists considered, including Merleau-Ponty, Edward Casey, Gilles Deleuze, Dalibor Vesely, and contemporary cultural geographers. From exploring the experienced spatiality of the meeting of land and sea, this book begins to suggest an alternative politics of the coast.

Liar. Bad mother. Murderer? You decide…Ex-journalist Mercer Hennessey can’t think of a good reason to get up in the morning. Since losing her husband and her little girl in a car crash, she’s living in what she secretly calls the darkness. But when her editor asked her to write an instant true crime book on the murder trial of Ashlyn Bryant, Mercer finds a new purpose.On trial for the murder of her baby, Ashlyn is currently the most hated person in America. If Mercer can write the story of her conviction, she might just have a bestseller on her hands, as well as achieving justice for a little girl. And Ashlyn is so obviously the villain of the story: a party girl, man-crazy, ambitious and unrepentant. She’s clearly never been a good mother. But is she a killer…?“Ryan raises the bar sky-high - I knew she was good, but I had no idea she was this good.” Lee Child