Kirjahaku

A survey for a long-term champion of abstraction Acclaimed American painter Rebecca Morris (born 1969) has long been celebrated for her juxtapositions of thin, matte washes of color with shimmering, metallic impasto. Her first major monograph coincides with a new survey exhibition traveling from the Institute of Contemporary Art, Los Angeles to the Museum of Contemporary Art, Chicago. Teeming with opulently illustrated plates, the volume provides insight into Morris’ practice through various vantage points, including texts from longtime collaborators of the artist and new voices alike. Topics include the historiography of color in Morris’ paintings as well as art historical contexts for her work. An additional section of the book traces Morris' own photo documentation of her studios over the 21-year period. Today, Morris remains steadfast to an ethos of constant evolution and a rigorous commitment to experimentation in painting. As she wrote in a widely circulated manifesto from 2005: “Abstraction never left, motherfuckers.”

A debut monograph that showcases Smith's bold experimentation, from her cutting-edge performance art to her earliest paintings, Xerox prints, drawings and sculpture A pioneer of the performance art movement of the late 1960s, Southern California–based Barbara T. Smith (born 1931) has long produced work that explores the self, sexuality, gender roles and spiritual sustenance. While her performances have received critical attention, the objects Smith has made over nearly 60 years—many for, or as a result of, performances—are less known. These include her radical Xerox works, assemblages, sculptures, artist’s books, drawings, paintings, photographs and videos. Smith’s first ever comprehensive catalog is designed by Content Object (C/O). Featuring an illustrated chronology of Smith’s life and artwork compiled by curator Jenelle Porter, the catalog also includes essays by scholars Gloria Sutton, Catherine Taft and Pietro Rigolo, who elaborate upon Smith’s work as it relates to new technologies, ecofeminism and the archive, respectively.