Kirjahaku

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Born in Russia, Arthur Adamov was educated in Geneva and Paris and wrote in French. His avant-garde and often political plays were grouped with the Theatre of the Absurd, but he felt that they were about life, and that life, while often difficult, was never absurd. This volume brings together his two major works in stunning translations by Peter Meyer, originally commissioned by BBC Radio. Dead Souls is Adamov's dramatisation of Gogol's blackly comic novel. Mysterious entrepreneur Tchitchikov approaches the landowners and bureaucrats of a provincial town with the proposal that he will buy the 'dead souls' of deceased peasants, and in the process exposes a society filled with paranoia and corruption. Motivated in part by his own communist sympathies, Spring '71 reflects Adamov's view of the Paris Commune in 1871. A rich and complex depiction of a city in the throes of major upheaval, it interweaves satire, history and tragedy to show how the stories of normal people influence - and are influenced by - the onward march of history."