Kirjahaku

Adam’s Bridge offers the first comprehensive transdisciplinary study of the famous eponymous tombolo (also known as Ram Setu) combining its sacral, historical, geological, political, performative, and heritage aspects into one framework, viewed under the critical lenses of island studies and cultural theory.The book elucidates the entanglement of Adam’s Bridge’s discursive history with India’s colonial history, contemporary geology, domestic politics, and the nation’s emerging position in a complex geopolitical order in and around the Indian Ocean region, vis-à-vis increasing Sino-American involvement in Indo-Sri Lankan relations. Without foregrounding any absolute scientific claims on the location of the sandbars that inspired sage Valmiki’s Ram Setu and the Ramayan legacy or hindering narratives of religious faiths and folklore revolving around the structure, this intellectual historiography traces the parallel evolution of traditions of compassionate questioning and devotion for Indic sacred beliefs among commentators across the millennia from both Indian and non-Indian spectra, seen in juxtaposition with the biotic and abiotic diversity of the Gulf of Mannar and Palk Bay. Looking beyond secular-versus-religious debates, this book will be of interest to scholars of ocean and island studies, coastal economies, archipelagic geographies, environmental history, heritage studies, colonial studies, and cultural theory.Adam’s Bridge unifies a consortium of themes, ranging across ecological and livelihood sustainability, environmentalism, soteriology, economic and geostrategic history, and the United Nations Convention on the Law of the Sea, in conceptualizing a compellingly nuanced chronicle for India’s enchanted ‘bridge.’

Adam’s Bridge offers the first comprehensive transdisciplinary study of the famous eponymous tombolo (also known as Ram Setu) combining its sacral, historical, geological, political, performative, and heritage aspects into one framework, viewed under the critical lenses of island studies and cultural theory.The book elucidates the entanglement of Adam’s Bridge’s discursive history with India’s colonial history, contemporary geology, domestic politics, and the nation’s emerging position in a complex geopolitical order in and around the Indian Ocean region, vis-à-vis increasing Sino-American involvement in Indo-Sri Lankan relations. Without foregrounding any absolute scientific claims on the location of the sandbars that inspired sage Valmiki’s Ram Setu and the Ramayan legacy or hindering narratives of religious faiths and folklore revolving around the structure, this intellectual historiography traces the parallel evolution of traditions of compassionate questioning and devotion for Indic sacred beliefs among commentators across the millennia from both Indian and non-Indian spectra, seen in juxtaposition with the biotic and abiotic diversity of the Gulf of Mannar and Palk Bay. Looking beyond secular-versus-religious debates, this book will be of interest to scholars of ocean and island studies, coastal economies, archipelagic geographies, environmental history, heritage studies, colonial studies, and cultural theory.Adam’s Bridge unifies a consortium of themes, ranging across ecological and livelihood sustainability, environmentalism, soteriology, economic and geostrategic history, and the United Nations Convention on the Law of the Sea, in conceptualizing a compellingly nuanced chronicle for India’s enchanted ‘bridge.’

In 1853 Karl Marx predicted the Indian Railways would foster the growth of parallel industries 'not immediately connected with the railways.' But the most successful industry-which Marx could not possibly have dreamed of-was that of cultural representations of the railways, which began even before the railways, themselves. From Rudyard Kipling to Mark Twain to R.K. Narayan to Ruskin Bond-the aura of Indian trains and railway stations have enchanted many.What imperialism made opulent, nationalism embraced a swadeshi tool, Partition turned into theaters of the macabre, and the nation's destiny marked for its favorite foster child, came to embody the portable architecture of India's modernity. And, what with iconic railway cinematography from Aradhana (1969), Sonar Kella (1974), Gandhi (1982), Dil Se (1997), or Parineeta (2005), Indian cinema has forged mythical railroads in the national psyche. The Purveyors of Destiny brings together all these elements together, for the first time, in a book replete with anecdotes from colonial and Indian accounts, the battlefronts of the Indian nationalist movement, Indian cinema, advertisements, and much more, in an ever expanding cultural biography of the Great Indian Railways.`In this fascinating cultural history, Arup K Chatterjee charts the extraordinary journey of the Indian Railways, from the laying of the very first sleeper to the first post-Independence bogey. It evokes our collective accumulation of those innumerable memories of platform chai and rail-gaadi stories, bringing alive through myriad voices and tales the biography of one of India's defining public institutions.'- Shashi Tharoor, Author, M.P., Lok Sabha`The Purveyors of Destiny is a fascinating and well-researched cultural biography of the Indian Railways-those intricate arteries of the soul of India, as have been experienced, written, filmed, and dreamed. We cannot all travel by rail to know India, as Gandhiji did, but we can and should read this book!'- Tabish Khair, Author, Professor`Drawing on an impressive repertoire of literature and film, this elegantly crafted biography of the railways takes us on a riveting journey through the cultural history of the Indian nation, from the 1850s to the present. Written with wit and verve, it is a delight to read.'- Sugata Bose, Author, Professor, M.P., Lok Sabha`A deeply engaging work that comfortably straddles, and masters, the worlds of academic research and modern nonfiction, offering countless delightful gems of India's railway legends and narratives for the curious reader. Crafted with great skill and a keen understanding of modern culture from the region and beyond...a remarkable achievement!'- Kaushik Barua, Author`...a wonderfully eclectic account of the Indian Railways and the vital place they occupy in our cultural history, with memorable moments and motifs from literature, cinema and other elements of our collective imagination. A great train journey, replete with all of the essentials from garam chai and A.H. Wheeler to historic arrivals and departures...'- Stephen Alter, Author

In September 1600, Queen Elizabeth and London are made to believe that the East India Company will change England's fortunes forever. With William Shakespeare's death, the heart of Albion starts throbbing with four centuries of an extraordinary Indian settlement that Arup K. Chatterjee christens as Typogravia. In five acts that follow, we are taken past the churches destroyed by the fire of Pudding Lane; the late eighteenth-century curry houses in Mayfair and Marylebone; and the coming of Indian lascars, ayahs, delegates, students and lawyers in London. From the baptism of Peter Pope (in the year Shakespeare died) to the death of Catherine of Bengal; the chronicles of Joseph Emin, Abu Taleb and Mirza Ihtishamuddin to Sake Dean Mahomet's Hindoostane Coffee House; Gandhi's experiments in Holborn to the recovery of the lost manuscript of Tagore's Gitanjali in Baker Street; Jinnah's trysts with Shakespeare to Nehru's duels with destiny; Princess Sophia's defiance of the royalty to Anand establishing the Progressive Writers' Association in Soho; Aurobindo Ghose's Victorian idylls to Subhas Chandra Bose's interwar days; the four Indian politicians who sat at Westminster to the blood pacts for Pakistan; India in the shockwaves at Whitehall to India in the radiowaves at the BBC; the intrigues of India House and India League to hundreds of East Bengali restaurateurs seasoning curries and kebabs around Brick Lane... Indians in London is a scintillating adventure across the Thames, the Embankment, the Southwarks, Bloomsburys, Kensingtons, Piccadillys, Wembleys and Brick Lanes that saw a nation-a cultural, historical and literary revolution that redefined London over half a millennium of Indian migrations-reborn as independent India.