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dark // thing

dark // thing

Ashley M. Jones

Louisiana State University Press
2019
nidottu
dark // thing is a multifaceted work that explores the darkness/otherness by which the world sees Black people. Ashley M. Jones stares directly into the face of the racism that allows people to be seen as dark things, as objects that can be killed/enslaved/oppressed/devalued. This work, full as it is of slashes of all kinds, ultimately separates darkness from thingness, affirming and celebrating humanity.
Magic City Gospel

Magic City Gospel

Ashley M. Jones

Hub City Press
2017
pokkari
Magic City Gospel is a love song to Birmingham, the Magic City of the South. In traditional forms and free verse poems, 2015 Rona Jaffe Writer’s Award-winner Ashley M. Jones takes readers on an historical, geographical, cultural, and personal journey through her life and the life of her home state. From De Soto’s “discovery” of Alabama to George Wallace’s infamous stance in the schoolhouse door, to the murders of black men like Trayvon Martin and Eric Garner in modern America, Jones weaves personal history with the troubled, triumphant, and complicated history of Birmingham, and of Alabama at large. In this assured debut, you’ll find why “gold is laced in Alabama’s teeth.” In the ghosts and the grits, this collection speaks to Jones' generation and beyond: “Let me wash you in Alabama heat / and tell you who you are.” Magic City Gospel is a book of personal, political, and cultural history, whose red dirt stained pages offer a fresh and unvarnished gaze on Birmingham, Alabama, and America.
Reparations Now!

Reparations Now!

Ashley M. Jones

Hub City Press
2021
pokkari
Reparations Now! asks for what’s owed.In formal and non-traditional poems, award-winning poet Ashley M. Jones calls for long-overdue reparations to the Black descendants of enslaved people in the United States of America. In this, her third collection, Jones deftly takes on the worst of today—state-sanctioned violence, pandemic-induced crises, and white silence—all while uplifting Black joy. These poems explore trauma past and present, cultural and personal: the lynching of young, pregnant Mary Turner in 1918; the current white nationalist political movement; a case of infidelity. These poems, too, are a celebration of Black life and art: a beloved grandmother in rural Alabama, the music of James Brown and Al Green, and the soil where okra, pole beans, and collards thrive thanks to her father’s hands. By exploring the history of a nation where “Black oppression’s not happenstance; it’s the law,” Jones links past harm to modern heartache and prays for a peaceful world where one finds paradise in the garden in the afternoon with her family, together, safe, and worry-free. While exploring the ways we navigate our relationships with ourselves and others, Jones holds us all accountable, asking us to see the truth, to make amends, to honor one another.