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"These are poems which blaze and pulse on the page." Adrienne Rich "The first declaration of a black, lesbian feminist identity took place in these poems, and set the terms beautifully, forcefully for contemporary multicultural and pluralist debate." Publishers Weekly "This is an amazing collection of poetry by . . . one of our best contemporary poets. . . . Her poems are powerful, often political, always lyrical and profoundly moving." Chuckanut Reader Magazine "What a deep pleasure to encounter Audre Lorde's most potent genius . . . you will welcome the sheer accessibility and the force and beauty of this volume." Out Magazine"

Self-described "black, lesbian, mother, warrior, poet" Audre Lorde is an unforgettable voice in twentieth-century literature, and one of the first to center the experiences of black, queer women. This essential reader showcases her indelible contributions to intersectional feminism, queer theory, and critical race studies in twelve landmark essays and more than sixty poems--selected and introduced by one of our most powerful contemporary voices on race and gender, Roxane Gay.Among the essays included here are: "The Transformation of Silence into Language and Action" "The Master's Tools Will Never Dismantle the Master's House" "I Am Your Sister" Excerpts from the American Book Award-winning A Burst of Light The poems are drawn from Lorde's nine volumes, including The Black Unicorn and National Book Award finalist From a Land Where Other People Live. Among them are: "Martha" "A Litany for Survival" "Sister Outsider" "Making Love to Concrete"

"Sister Outsider, a collection of essays and speeches by the pioneering feminist Audre Lorde, is one of my all-time-favorite books. It's always great to have an intersectional tome on hand." --Amanda Gorman "Sister Outsider's teachings, by one of our most revered elder stateswomen, should be read by everyone." --Essence Presenting the essential writings of black lesbian poet and feminist writer Audre Lorde, Sister Outsider celebrates an influential voice in twentieth-century literature, with a foreword by Mahogany L. Browne. A New York Times New & Noteworthy book A Penguin Vitae Edition In this charged collection of fifteen essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope. The groundbreaking feminist's timely collection of nonfiction writings on race, gender, and LGBTQ issues is now for the first time in Penguin Classics as part of the Penguin Vitae series, with a foreword by poet Mahogany L. Browne. Penguin Classics launches a new hardcover series with five American classics that are relevant and timeless in their power, and part of a dynamic and diverse landscape of classic fiction and nonfiction from almost seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.

Moving between journal entry, memoir, and exposition, Audre Lorde fuses the personal and political as she reflects on her experience coping with breast cancer and a radical mastectomy. A Penguin Classic First published over forty years ago, The Cancer Journals is a startling, powerful account of Audre Lorde's experience with breast cancer and mastectomy. Long before narratives explored the silences around illness and women's pain, Lorde questioned the rules of conformity for women's body images and supported the need to confront physical loss not hidden by prosthesis. Living as a "black, lesbian, mother, warrior, poet," Lorde heals and re-envisions herself on her own terms and offers her voice, grief, resistance, and courage to those dealing with their own diagnosis. Poetic and profoundly feminist, Lorde's testament gives visibility and strength to women with cancer to define themselves, and to transform their silence into language and action.

Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

One of the BBC's '100 Novels That Shaped Our World'If I didn't define myself for myself, I would be crunched into other people's fantasies for me and eaten aliveA little black girl opens her eyes in 1930s Harlem, weak and half-blind. On she stumbles - through teenage pain and loneliness, but then to happiness in friendship, work and sex, from Washington Heights to Mexico, always changing, always strong. This is Audre Lorde's story. A rapturous, life-affirming autobiographical novel by the 'Black, lesbian, mother, warrior poet', it changed the literary landscape.'Her work shows us new ways to imagine the world ... so many themes of Audre's work have endured' Renni Eddo Lodge, author of Why I'm No Longer Talking to White People About Race'I came across Audre Lorde's Zami, and I cried to think how lucky I was to have found her. She was an inspiration' Jackie Kay

I have been womanfor a long timebeware my smileI am treacherous with old magicFilled with rage and tenderness, Audre Lorde's most acclaimed poetry collection speaks of mothers and children, female strength and vulnerability, renewal and revenge, goddesses and warriors, ancient magic and contemporary America. These are fearless assertions of identity, told with incantatory power. 'Audre Lorde writes as a black woman, a mother, a daughter, a lesbian, a feminist, a visionary; poems of elemental wildness and healing, nightmare and lucidity ... which blaze and pulse on the page' Adrienne Rich

The woman's place of power within each of us is neither white nor surface; it is dark, it is ancient, and it is deepThe revolutionary writings of Audre Lorde gave voice to those 'outside the circle of this society's definition of acceptable women'. Uncompromising, angry and yet full of hope, this collection of her essential prose - essays, speeches, letters, interviews - explores race, sexuality, poetry, friendship, the erotic and the need for female solidarity, and includes her landmark piece 'The Master's Tools Will Never Dismantle the Master's House'.'The truth of her writing is as necessary today as it's ever been' Guardian

'A brave, beautiful book that could double as a handbook to accompany anyone on their journey through cancer' Jackie Kay, New StatesmanThe Cancer Journals is an intimate, poetic and invigorating account of the experience of breast cancer, from biopsy to mastectomy, told by the great feminist and activist Audre Lorde.Moving between journal entry, memoir, and essay, Lorde fuses the personal and political to reflect on the many questions breast cancer raises: questions of survival, sexuality, prosthesis and self-care. It is a journey of survival, friendship, and self-acceptance. 'Grief, terror, courage, the passion for survival and for more than survival, are here in the searchings of a great poet' Adrienne Rich'This book teaches me that with one breast or none, I am still me' Alice Walker

'Women so empowered are dangerous'Written with a 'black woman's anger' and the precision of a poet, these searing pieces by the groundbreaking writer Audre Lorde are a celebration of female strength and solidarity, and a cry to speak out against those who seek to silence anyone they see as 'other'.One of twenty new books in the bestselling Penguin Great Ideas series. This new selection showcases a diverse list of thinkers who have helped shape our world today, from anarchists to stoics, feminists to prophets, satirists to Zen Buddhists.

90 classic titles celebrating 90 years of Penguin Books‘I am Black because I come from the earth’s insidenow take my word for jewel in the open light.’ Impassioned and profound, the poems in Coal showcase Audre Lorde in all her dazzling elegance and multiplicity. Mournful, celebratory, politically conscious, this early collection is a testament to Lorde’s beloved and hugely influential lyric voice, which faithfully captures the complex interiority of the self. These timeless poems resonate down the years.

‘I am Black because I come from the earth’s inside now take my word for jewel in the open light.’ Impassioned and profound, the poems in Coal showcase Audre Lorde in all her dazzling elegance and multiplicity. Mournful, celebratory, politically conscious, this early collection faithfully captures the complex interiority of the self. With insight and great feeling, these poems explore racial and sexual politics, liberation and love; they are strongly autobiographical (including poems about Lorde’s children, her sister and her parents, as well as an elegy for a dear childhood friend). These timeless poems resonate down the years.

Chosen Poems is also, Lorde says, “a linguistic and emotional tour through the conflicts, fears, and hopes of the worlds I have inhabited.” Among those worlds are such earlier books as The First Cities, Cables to Rage, From a Land Where Other People Live, New York Head Shop and Museum, and Coal. “Only the worlds of Africa scrutinized in The Black Unicorn, too complex for excerpt, have been excluded.” The volume also includes seven new poems. As Adrienne Rich has written, Lorde, “for the complexity of her vision, for her moral courage and the catalytic passion of her language, has already become, for many, an indispensable poet.” Chosen Poems will provide for Lorde’s readers, both old and new, another proof of this continuing truth.

"Undersong is a remarkable poetic document. It comprises a thoroughgoing revision of Lorde's early poems, 1950-1979, along with nine hitherto unpublished poems from that period, and an essay describing the revision process." --Adrienne Rich

This collection, 39 poems written between 1987 and 1992, is the final volume by "a major American poet whose concerns are international, and whose words have left their mark on many lives," in the words of Adrienne Rich. Audre Lorde (1934-1992) was the author of ten volumes of poetry and five works of prose. She was named New York State Poet in 1991; her other honors include the Manhattan Borough President's Award for Excellence in the Arts. The Marvelous Arithmetics of Distance was nominated for a National Book Critics Circle Award in 1994.

Rich continues: "Refusing to be circumscribed by any simple identity, Audre Lorde writes as a Black woman, a mother, a daughter, a Lesbian, a feminist, a visionary; poems of elemental wildness and healing, nightmare and lucidity. Her rhythms and accents have the timelessness of a poetry which extends beyond white Western politics, beyond the anger and wisdom of Black America, beyond the North American earth, to Abomey and the Dahomeyan Amazons. These are poems nourished in an oral tradition, which also blaze and pulse on the page, beneath the reader's eye."

As Marilyn Hacker has written, "Black, lesbian, mother, cancer survivor, urban woman: none of Lorde's selves has ever silenced the others; the counterpoint among them is often the material of her strongest poems."

Coal is one of the earliest collections of poems by a woman who, Adrienne Rich writes, "for the complexity of her vision, for her moral courage and the catalytic passion of her language, has already become, for many, an indispensable poet." Marilyn Hacker captures the essence of Lorde and her poetry: "Black, lesbian, mother, urban woman: none of Lorde's selves has ever silenced the others; the counterpoint among them is often the material of her strongest poems."

"The self-described black feminist lesbian mother poet used a mixture of prose, theory, poetry, and experience to interrogate oppressions and uplift marginalized communities. She was one of the first black feminists to target heteronormativity, and to encourage black feminists to expand their understanding of erotic pleasure. She amplified anti-oppression, even as breast cancer ravaged her ailing body." ? Evette Dionne, Bustle Magazine A great American theorist of race, gender, living, and dying, poet and activist Audre Lorde created a body of work that was ahead of its time in its embrace of intersectionality. Lorde's writings have become increasingly influential since her death in 1992, contributing to the timeliness of her 1988 American Book Award-winning collection, A Burst of Light. From reflections on her struggle with cancer to thoughts on lesbian sexuality and African-American identity in a straight white man's world, Lorde's voice remains enduringly relevant. Those who practice and encourage social justice activism frequently quote her exhortation, "Caring for myself is not self-indulgence, it is self-preservation, and that is an act of political warfare." In addition to the journal entries of "A Burst of Light: Living with Cancer," this edition includes an interview, "Sadomasochism: Not About Condemnation," and three essays, "I Am Your Sister: Black Women Organizing Across Sexualities," "Apartheid U.S.A.," and "Turning the Beat Around: Lesbian Parenting 1986," as well as a new Foreword by Sonia Sanchez. "When I don't know what to do, I turn to the Lorde." ? Alexis Pauline Gumbs, Bitch Media