Kirjahaku

An instant classic, the lies and betrayals of love and party politics are told in gorgeous prose with an ear for our time’s intimate and public language. The Comrade’s Wife follows a turbulent marriage between a rising politician and an academic, told through her life and lens.

Critically examines influential novels in English by eminent black female writers Studying these writers' key engagements with nationalism, race and gender during apartheid and the transition to democracy, Barbara Boswell traces the ways in which black women's fiction criticality interrogates narrow ideas of nationalism. She examines who is included and excluded, while producing alternative visions for a more just South African society. This is an erudite analysis of ten well-known South African writers, spanning the apartheid and post-apartheid era: Miriam Tlali, Lauretta Ngcobo, Farida Karodia, Agnes Sam, Sindiwe Magona, Zoë Wicomb, Rayda Jacobs, Yvette Christiansë, Kagiso Lesego Molope, and Zukiswa Wanner. Boswell argues that black women's fiction could and should be read as a subversive site of knowledge production in a setting, which, for centuries, denied black women's voices and intellects. Reading their fiction as theory, for the first time these writers' works are placed in sustained conversation with each other, producing an arc of feminist criticism that speaks forcefully back to the abuse of a racist, white-dominated, patriarchal power.

Critically examines influential novels in English by eminent black female writers Studying these writers' key engagements with nationalism, race and gender during apartheid and the transition to democracy, Barbara Boswell traces the ways in which black women's fiction criticality interrogates narrow ideas of nationalism. She examines who is included and excluded, while producing alternative visions for a more just South African society. This is an erudite analysis of ten well-known South African writers, spanning the apartheid and post-apartheid era: Miriam Tlali, Lauretta Ngcobo, Farida Karodia, Agnes Sam, Sindiwe Magona, Zoë Wicomb, Rayda Jacobs, Yvette Christiansë, Kagiso Lesego Molope, and Zukiswa Wanner. Boswell argues that black women's fiction could and should be read as a subversive site of knowledge production in a setting, which, for centuries, denied black women's voices and intellects. Reading their fiction as theory, for the first time these writers' works are placed in sustained conversation with each other, producing an arc of feminist criticism that speaks forcefully back to the abuse of a racist, white-dominated, patriarchal power.

Family secrets run deep for Grace, a young girl growing up in Cape Town during the 1980s. Her family secrets spill over into adulthood, and threaten to ruin the respectable life she has built for herself. When an old childhood friend emerges after disappearing a decade earlier during a clash with apartheid riot police in the Cape Flats, where South Africa’s coloured community makes its home, Grace’s memories of her childhood come rushing back, and she is confronted, once again, with the loss that has shaped her. She has to face up to the truth or continue to live a lie—but the choice is not straightforward. Unmaking Grace is an intimate portrayal of violence, both personal and political, and its legacy on one person’s life. It meditates on the long shadow cast by personal trauma, showing the inter-generational imprint of violence and loss on people’s lives.