Kirjahaku

For decades, Classical Myth has been one of the most popular and best-selling texts for the study of classical myth. Oxford University Press is proud to publish this essential book in a vibrant new ninth edition, complemented by digital learning resources that further enhance the reader's engagement with the classical past. Visit www.oup.com/us/he/powell9e for a wealth of new digital teaching and learning resources. Package this text at a discount with one or more of the author's translations of the Iliad, the Odyssey, and the Aeneid--all pubished by Oxford University Press--or with any title in the Oxford World's Classics series. Please contact your OUP sales representative to set up a package.

The Odyssey is one of the world's greatest and best-loved poems. It has survived for twenty-eight centuries, through upheavals that have wiped out most of what was written in the ancient world. Now Barry B. Powell, one of the twenty-first century's leading Homeric scholars, has given us a powerful new translation. Powell's translation renders the Homeric Greek with a simplicity and dignity reminiscent of the original. The text immediately engrosses students with its tight and balanced rhythms, while the incantatory repetitions evoke a continuous "stream of sound" that offers as good an impression of Homer's Greek as one could hope to attain without learning the language. Accessible, poetic, and accurate, this translation is an excellent fit for today's students. Powell exposes them to all of the adventure, cunning, pathos, and humor that are Homer's Odyssey.

Myths are not just the stories from the ancient Greeks and Romans—they represent deep truths from the essential concerns people face in their lives. Readers may already have heard of the Trojan Horse or how Oedipus married his own mother, but why have these stories lingered? In Classical Myth: An Introduction, Barry B. Powell provides the historical and theoretical background necessary for us to understand not only the concept of what a myth is, but the cultural context of how it emerged, and the different approaches to interpreting myth that were put forward by ancient theorists and their more recent successors. Then he helps readers to understand classical myth as it is found in its primary sources: the works of Homer and Hesiod, and the Greek tragedians and historians, Ovid and Vergil. By examining a number of prominent themes in classical myth, this textbook explores the relationship between myth and art, politics, society, and history of the ancient world. This completely revised second edition features new illustrations and will help readers who want to understand myths or study their original sources.

The ancient Greek hymnic tradition translated beautifully and accessibly. The hymn—as poetry, as craft, as a tool for worship and philosophy—was a vital art form throughout antiquity. Although the Homeric Hymns have long been popular, other equally important collections have not been readily accessible to students eager to learn about ancient poetry. In reading hymns, we also gain valuable insight into life in the classical world. In this collection, early Homeric Hymns of uncertain authorship appear along with the carefully wrought hymns of the great Hellenistic poet and courtier Callimachus; the mystical writings attributed to the legendary poet Orpheus, written as Christianity was taking over the ancient world; and finally, the hymns of Proclus, the last great pagan philosopher of antiquity, from the fifth century AD, whose intellectual influence throughout western culture has been profound.Greek Poems to the Gods distills over a thousand years of the ancient Greek hymnic tradition into a single volume. Acclaimed translator Barry B. Powell brings these fabulous texts to life in English, hewing closely to the poetic beauty of the original Greek. His superb introductions and notes give readers essential context, making the hymns as accessible to a beginner approaching them for the first time as to an advanced student continuing to explore their secrets. Brilliant illustrations from ancient art enliven and enrichen the experience of reading these poems.

The ancient Greek hymnic tradition translated beautifully and accessibly. The hymn—as poetry, as craft, as a tool for worship and philosophy—was a vital art form throughout antiquity. Although the Homeric Hymns have long been popular, other equally important collections have not been readily accessible to students eager to learn about ancient poetry. In reading hymns, we also gain valuable insight into life in the classical world. In this collection, early Homeric Hymns of uncertain authorship appear along with the carefully wrought hymns of the great Hellenistic poet and courtier Callimachus; the mystical writings attributed to the legendary poet Orpheus, written as Christianity was taking over the ancient world; and finally, the hymns of Proclus, the last great pagan philosopher of antiquity, from the fifth century AD, whose intellectual influence throughout western culture has been profound.Greek Poems to the Gods distills over a thousand years of the ancient Greek hymnic tradition into a single volume. Acclaimed translator Barry B. Powell brings these fabulous texts to life in English, hewing closely to the poetic beauty of the original Greek. His superb introductions and notes give readers essential context, making the hymns as accessible to a beginner approaching them for the first time as to an advanced student continuing to explore their secrets. Brilliant illustrations from ancient art enliven and enrichen the experience of reading these poems.

Professor Powell ties the origin and nature of archaic Greek literature to the special technology of Greek alphabetic writing. In building his model he presents chapters on specialized topics - text, orality, myth, literacy, tradition and memorization - and then shows how such special topics relate to larger issues of cultural transmission from East to West. Several chapters are devoted to the theory and history of writing, its definition and general nature as well as such individual developments as semasiography and logosyllabography, Chinese writing and the West Semitic family of syllabaries. He shows how the Greek alphabet put an end to the multiliteralism of Eastern traditions of writing, and how the recording of Homer and other early epic poetry cannot be separated from the alphabetic revolution. Finally, he explains how the creation of Greek alphabetic texts demoticized Greek myth and encouraged many free creations of new myths based on Eastern images.

Who invented the Greek alphabet and why? The purpose of this challenging book is to inquire systematically into the historical causes that underlay the radical shift from earlier and less efficient writing systems to the use of alphabetic writing. The author reaches the conclusion that a single man, perhaps from the island of Euboea, invented the Greek alphabet specifically in order to record the Iliad and the Odyssey of Homer.

Professor Powell ties the origin and nature of archaic Greek literature to the special technology of Greek alphabetic writing. In building his model he presents chapters on specialized topics - text, orality, myth, literacy, tradition and memorization - and then shows how such special topics relate to larger issues of cultural transmission from East to West. Several chapters are devoted to the theory and history of writing, its definition and general nature as well as such individual developments as semasiography and logosyllabography, Chinese writing and the West Semitic family of syllabaries. He shows how the Greek alphabet put an end to the multiliteralism of Eastern traditions of writing, and how the recording of Homer and other early epic poetry cannot be separated from the alphabetic revolution. Finally, he explains how the creation of Greek alphabetic texts demoticized Greek myth and encouraged many free creations of new myths based on Eastern images.

This concise book is an ideal introduction to Homer – the poet and his two great epics, the Iliad and the Odyssey. Student-friendly introduction to Homer. Provides historical background and literary readings of the Iliad and the Odyssey. Makes use of the author’s own original research. Assumes no prior knowledge of Greek.

Writing: Theory and History of the Technology of Civilization offers a coherent system of terms and categories for the study of the complex phenomena in the world’s writing systems. Tracing the origins of writing tied to speech from ancient Sumer through the Greek alphabet and beyond, the book examines the earliest evidence for writing in Mesopotamia in the fourth millennium BC, the relations of these systems to Egyptian and Chinese writing, the origins of purely phonographic systems, and the mystery of alphabetic writing. With examples from contemporary and historical writing systems, and many illustrations, Writing shows how the structures of writing served and do serve certain social needs and in turn create deep patterns of social behavior.

This concise book is a complete and contemporary introduction to Homer and his two master-works, the Iliad and the Odyssey. It explains the “Homeric Question,” illuminating its current status, and critiques the literary qualities of the Iliad and the Odyssey, analyzing and contrasting their plotting, narrative technique, and characterization. Provides historical background and literary readings of The Iliad and The Odyssey New to the second edition: a section on Homer’s reception in ancient Greece; a chapter on Homer and archaeology; additional maps; an updated bibliography; a glossary of key terms; and information on the oral composition of the poems Text is updated throughout Assumes no prior knowledge of Greek

This concise book is a complete and contemporary introduction to Homer and his two master-works, the Iliad and the Odyssey. It explains the “Homeric Question,” illuminating its current status, and critiques the literary qualities of the Iliad and the Odyssey, analyzing and contrasting their plotting, narrative technique, and characterization. Provides historical background and literary readings of The Iliad and The Odyssey New to the second edition: a section on Homer’s reception in ancient Greece; a chapter on Homer and archaeology; additional maps; an updated bibliography; a glossary of key terms; and information on the oral composition of the poems Text is updated throughout Assumes no prior knowledge of Greek

Writing: Theory and History of the Technology of Civilization traces the origins of writing tied to speech from ancient Sumer through the Greek alphabet and beyond. Examines the earliest evidence for writing in Mesopotamia in the fourth millennium BC, the origins of purely phonographic systems, and the mystery of alphabetic writingIncludes discussions of Ancient Egyptian,Chinese, and Mayan writingShows how the structures of writing served and do serve social needs and in turn create patterns of social behaviorClarifies the argument with many illustrations

Droll and ribald retellings of all the stories attached to the Trojan cycle, based on ancient sources, with abundant color illustrations of Trojan events from European and ancient art.

Antike Mythen verstehen. Die griechischen und römischen Mythen von Homer, Ovid, Vergil u. a. gehören zum Kernbestand der europäischen Kultur. Die fundierte Einführung liefert den historischen und theoretischen Hintergrund, beschreibt die zentralen Themen und Figuren der klassischen Mythologie und beleuchtet den kulturellen Kontext ihrer Entstehung im antiken Griechenland. Ausführlich werden die Mythentheorien und -interpretationen von der Antike bis zur Moderne behandelt.

Homer’s Odyssey is one of the world’s oldest and most famous works of literature. It has enthralled readers for almost three thousand years with its tales of gods and monsters, warriors and kings, but also of family, faith, and the universal longing for home. This stunning new edition of Homer’s epic features a brand new retelling by celebrated classicist Barry Powell, who has studied, written about, and lectured on Homer for over three decades. Barry’s retelling is accompanied by sixty newly commissioned artworks, bringing the iconic scenes and characters to life, from the brutish Polyphemus, to the monstrous Scylla and Charybdis, mysterious Circe, faithful Penelope, and Odysseus himself.