Kirjahaku

Jean Renoir is widely considered as one of the most important technical innovators and politically engaged filmmakers in cinema history. Reassessing the unique qualities of Renoir's influential visual style by interpreting his films through Gilles Deleuze's film philosophy, and through previously unpublished production files, Barry Nevin provides a fresh and accessible interdisciplinary perspective that illuminates both the consistency and diversity of Renoir's oeuvre. Exploring canonised landmarks in Renoir's career, including La Grande Illusion (1937) and La Regle du jeu (1939), the book also considers neglected films such as Le Bled (1929) and Diary of a Chambermaid (1946) to present a rounded analysis of this quintessential French auteur's oeuvre.

Jean Renoir is widely considered as one of the most important technical innovators and politically engaged filmmakers in cinema history. Reassessing the unique qualities of Renoir's influential visual style by interpreting his films through Gilles Deleuze's film philosophy, and through previously unpublished production files, Barry Nevin provides a fresh and accessible interdisciplinary perspective that illuminates both the consistency and diversity of Renoir's oeuvre. Exploring canonised landmarks in Renoir's career, including La Grande Illusion (1937) and La Regle du jeu (1939), the book also considers neglected films such as Le Bled (1929) and Diary of a Chambermaid (1946) to present a rounded analysis of this quintessential French auteur's oeuvre.

This is the first English-language book on Jacques Feyder, one of the Golden Age of French cinema’s most prolific directors. Although once hailed as a major filmmaker, Feyder’s reputation waned in the decades following his death, and scholars tend to underestimate his contributions to cinema. This study argues that a fuller understanding of Feyder’s style involves exploring his provocative portrayals of gender, class and colonialism across his body of work, including films he directed in France, Hollywood, Germany, England and elsewhere. In doing so, the book reveals an ambitious director who took cinema in new aesthetic directions and often crafted provocative reflections on social inequalities in French society.