Kirjahaku

Barry Taylor's book mounts an argument against one of the fundamental tenets of much contemporary philosophy, the idea that we can make sense of reality as existing objectively, independently of our capacities to come to know it. Part One sets the scene by arguings that traditional realism can be explicated as a doctrine about truth - that truth is objective, that is, public, bivalent, and epistemically independent. Part Two, the centrepiece of the book, shows how a form of Hilary Putnam's model-theoretic argument demonstrates that no such notion of truth can be founded on the idea of correspondence, as explained in model-theoretic terms (more traditional accounts of correspondence having been already disposed of in Part One). Part Three argues that non-correspondence accounts of truth - truth as superassertibility or idealized rational acceptability, formal conceptions of truth, Tarskian truth - also fail to meet the criteria for objectivity; along the way, it also dismisses the claims of the latterday views of Putnam, and of similar views articulated by John McDowell, to constitute a new, less traditional form of realism. In the Coda, Taylor bolsters some of the considerations advanced in Part Three in evaluating formal conceptions of truth, by assessing and rejecting the claims of Robert Brandom to have combined such an account of truth with a satisfactory account of semantic structure. He concludes that there is no defensible notion of truth which preserves the theses of traditional realism, nor any extant position sufficiently true to the ideals of that doctrine to inherit its title. So the only question remaining is which form of antirealism to adopt.

Each of us experiences moments that shift the axis of our lives, nudging us into new perspectives and sometimes altering our course completely. These are threads--threads that seem mundane, silly, or even trite but, woven together over the course of a life, bring us to places we never imagined.Sex, God, and Rock 'n' Roll is a story of such threads in one extraordinary life. Barry Taylor began adulthood on the road with a world-famous rock band, and there he found religion. He then became a theologian, priest, teacher, and a theist-non-theist-post-theist. Some of his stories will shock and others will provoke laughter and tears. Taken together, they show just how poignantly the sacred moves in all of our lives.

Barry Taylor spent the early years of his working life as a director of companies and charities in the City of London, including time as treasurer of the then London Marriage Guidance Council.Since1985 he has worked with charities in Glastonbury, including Chalice Well Trust as treasurer, and the Glastonbury Trust as co-founder and chair.His experience with conventional and less conventional companies and charities gives him a useful base from which to compare their differences.In this book he looks at the management of successful spiritually influenced projects. Starting with an outline of contemporary spirituality and Glastonbury, it looks at the subtle differences found in the successful running of spiritually inspired projects and the problems experienced. This is based upon experience in Glastonbury, UK but is applicable wherever similar influences are to be found.This book contains useful ideas for anyone working with this type of project.

This is a guide to rails, a relatively homogenous family of birds spread throughout the world. Most species are solitary and somewhat secretive, and therefore high on the wanted lists of many birders, but the moorhens and coots are generally common and familiar birds of wetlands. A number of species are flightless and confined to small islands, and several are extinct as a result of man and introduced predators.

Vagrant Writing addresses the semiotic dimension of social change in Renaissance England. From tracta against cosmetics to the Jonsonian masque, from coney-catching pamphlets to the theology of Hooker, Barry Taylor explores what happens to Tudor and Jacobean practices of writing when the ideology of the Word which underpins them -- an ideology of fixed, metaphysically anchored meaning -- must interpret, regulate and contain a social order undergoing radical transformation. The semiotic power of social disorder, the social power of a disorderly semiotics: it is at that intersection of disruptive forces that Vagrant Writing establishes its enquiry. Embracing such topics as the relationship of writing, usury and Narcissism, the links between literary translation and the regulation of female sexuality, the fragmentation of writerly authority and subjectivity in the literary marketplace, and the politics of allegorical interpretation, the book offers a series of connected readings which is at once closely detailed and ambitiously extensive in scope. In its own trespassings beyond the confines of the literary canon and across disciplinary boundaries, Vagrant Writing opens up new directions within the field of English Renaissance writing. In doing so, it makes available fresh perspectives on the relationship between social and discursive domains, and on the paradoxical, self-disputing energies of the Renaissance text.