Kirjahaku

'Tender, vivid and achingly sad' GUARDIAN, BOOK OF THE YEAR TWO SISTERS publishes on the 30th anniversary of Blake Morrisonâ??s ground-breaking book And When Did You Last See Your Father? which forged the way for a new genre of confessional memoir.

'A book at once bold, magnanimous, heart-breaking and riveting' HOWARD JACOBSON'Beautiful. Affecting. Erudite.' SUSIE ORBACHTWO SISTERS publishes on the 30th anniversary of Blake Morrison's ground-breaking book And When Did You Last See Your Father? which forged the way for a new genre of confessional memoir.

'Tender, vivid and achingly sad' GUARDIAN, BOOK OF THE YEAR TWO SISTERS publishes on the 30th anniversary of Blake Morrison’s ground-breaking book And When Did You Last See Your Father? which forged the way for a new genre of confessional memoir. ‘She’s gone, that’s all, and though there’s no retrieving her I’d like to make sense of who she was and what she became. It wasn’t just that she changed over time. She could change from day to day. Drink made it worse but the origins went deeper. You never knew which you’d get, the kind and loving Gill or her doppelgänger. Two sisters.’ Blake Morrison has lost a sister and a half-sister in recent years. Both are the subjects of this remarkable and heart-breaking memoir, along with a forensic examination of sibling relationships in history and literature. Blake’s sister Gill struggled with alcoholism for a large part of her life, and her shocking death is the starting point for Two Sisters. Blake returns to their childhood to search for the origins of her later difficulties, and in doing so unearths the story behind his half-sister, Josie. As he unravels these narratives, Blake deals movingly in the guilt and shame that will be familiar to every person who has struggled with addiction in their family. He is unflinching in doing so, and the result is a book which provides testament to that common struggle, as well as acknowledging the complex, hidden forces on which all our lives are based. Two Sisters is the extraordinary new memoir from the chronicler of human frailty, Blake Morrison.

Blake Morrison has woven a stunning novel around the few facts known about the life and work of Johann Gensfleisch (aka Gutenberg), master printer, charmer, con man, and visionary -- the man who invented "artificial writing" and printed the Gutenberg Bible, putting thousands of monks out of work.In this dazzling debut novel, Morrison gives Gutenberg's final testament: a justification and apologia he dictated, ironically, to one of the young scribes made obsolete by his invention of movable metal type. Through the eyes of the aging narrator, we see the Middle Ages in a strange new light and witness a moment of cultural transition as dramatic as the communications revolution of today.

In this title, Blake Morrison tells of his search to discover the truth about his mother - the remarkable Kerry girl who qualified as a doctor in Dublin in 1942, worked in British hospitals throughout the war and then reinvented herself again to adapt to a quieter post-war family life.

and Jack, Nat's unexpectedly poignant uncle, who lives for fox-hunting. Intimate and disconcerting, compelling and comic, an anatomy of the way things are, South of the River is the big British novel for our times - and a tour de force.

Set over a long weekend in East Anglia, this is the chilling story of a rivalrous friendship - as told with deceptive casualness by the narrator, Ian. But dangerous tensions quickly emerge, and in the stifling atmosphere of a remote cottage in the hottest days of summer, Ollie and Ian resurrect a bet made twenty years before.

The critically-acclaimed memoir and the basis for the 2007 motion picture, directed by Anand Tucker and starring Colin Firth and Jim Broadbent And when did you last see your father? Was it last weekend or last Christmas? Was it before or after he exhaled his last breath? And was it him really, or was it a version of him, shaped by your own expectations and disappointments? Blake Morrison's subject is universal: the life and death of a parent, a father at once beloved and exasperating, charming and infuriating, domineering and terribly vulnerable. In reading about Dr. Arthur Morrison, we come to ask ourselves the same searching questions that Blake Morrison poses: Can we ever see our parents as themselves, or are they forever defined through a child's eyes? What are the secrets of their lives, and why do they spare us that knowledge? And when they die, what do they take with them that cannot be recovered or inherited? When Did You Last See Your Father?: A Son's Memoir of Love and Loss has also been published as And When Did You Last See Your Father?

This text is more than a translation of von Kliest's "Der Zerbrochene Krug", as the action now takes place in Skipton, in 1810 and is transformed by a tough Yorkshire dialect. The play concerns Judge Adam, Skipton's sole agent of justice, who is far from happy to be visited by the magistrate Walter Clegg, seeking out signs of malpractics. The trial that Walter overseas seems uncomplicated at first - the formidable Martha is suing her daughter's fiance, Leslie, for breaking her jug. However, many family grievances are unearthed and discovering the identity of a mysterious man seen with the daughter becomes crucial to the case.

Set along the Suffolk coast, this book includes opening poems that address a receding world - an eroding landscape, 'abashed by the ocean's passion'.

In recent years Seamus Heaney has earned the reputation of being ‘the most important Irish poet since Yeats’. In this book, originally published in 1982, Blake Morrison identifies the central characteristics of his achievement, uncovering the sources of Heaney’s poems, placing his work within both Irish and Anglo-American traditions and explaining his poetry’s complex relation to the political troubles in Northern Ireland. A lively, personal and carefully researched account by a writer who is himself a poet and critic, this book forcefully challenges some of the myths surrounding Heaney’s work and places it in proper perspective.

ADAPTED INTO A MAJOR MOTION PICTURE, STARRING JIM BROADBENT "A painful, funny, frightening, moving, marvellous book ... everybody should read it" - Nick Hornby And when did you last see your father? Was it when they burnt the coffin? Put the lid on it? When he exhaled his last breath? When he last sat up and said something? When he last recognized me? When he last smiled? Blake Morrison's memoir is a candid, profoundly moving reflection on his relationship with his father, Arthur. Following Arthur's cancer diagnosis, Blake witnesses the slow erosion of the man he once knew. As his father's battle with the disease unfurls, Blake reflects on growing up with Arthur in Yorkshire and their relationship in the years since he left home. From Arthur's penchant for saving money - and the lengths he'd go to do so - to his wayward behavior on family holidays, Blake's fearless account resists an unwavering celebration of his father, showing him to be outlandish and recalcitrant, as well as capturing his humorous and caring qualities. The result is a rich, nuanced portrait of their relationship, capturing the accommodations and resentments that lie cloistered within familial love. And When Did You Last See Your Father? is a classic of the confessional memoir genre; a raw and shimmering interrogation of father-son relationships, masculinity, selfhood and pride. "This luminous tribute to a beloved dad made me laugh until I cried and cry till my nostrils were raw. A masterpiece - one of those books that you treasure forever" - Val Hennessy

'Exquisitely metered, intimate and yet profound, glimmeringly intelligent…A worthwhile, interesting and impressive achievement’ Edward Docx, GuardianWhat matters most: fidelity or art? Marriage or friendship? The wishes of the living or the talents of the dead?Literary executor Matt Holmes finds himself considering these questions sooner than he thinks when his friend, the poet Robert Pope, dies unexpectedly. A trail of clues Rob has left within his archives leads Matt to a series of shocking discoveries that begins to unsettle everything he thought he knew about his friend. Should Matt conceal what he has found or share it? After all, it’s not just Rob’s reputation that could be transformed forever…

The use of creative writing as a route to personal development is a powerful therapeutic tool - a fact that is recognized in the growing numbers of workshops and writing groups within professional contexts, including clinical, health and criminal justice settings.Writing Works is a guide for writers or therapists working with groups or individuals and is full of practical advice on everything from the equipment needed to run a session to ideas for themes, all backed up by the theory that underpins the methods explained. Experienced practitioners in the field contribute detailed illuminating accounts of organizing writing workshops for a wide range of different clients, together with examples of their outcomes.This book will be an invaluable start-up reference for arts therapists and professionals working across the health, social care and caring professions, and one that will be referred to again and again.

"A remarkable, indispensable book" - Sunday Telegraph In 1993 toddler James Bulger was beaten to death by two ten-year-old-boys. In the wake of this brutal crime, came one of the most public and shocking trials in living memory. Written in Morrison's supple, beautiful prose As If is a passionate, first-hand testimony of the Bulger case. It is a book about the nature of children, the meaning of childhood innocence and the state of the world we live in today.

Poet, playwright and novelist Blake Morrison evokes the lives of the Brontë sisters, with a nod to Chekhov's Three Sisters. Against the backdrop of a windswept northern village, three remarkable young women live their lives brightly. In Haworth in the 1840s, in a gloomy parsonage, where there are neither curtains nor comforts, Charlotte, Anne and Emily Brontë light up their world with outspoken wit, aspirations, dreams and ideas. And throughout their confined lives intensely lived… they write. With a touch of poetic licence, Morrison shows us the overwhelming humanity, charged emotions and brooding unease which characterise the Brontë household - and that of Chekhov's Three Sisters. Blake Morrison's play We Are Three Sisters was first performed at the Viaduct Theatre, Halifax, in 2011.

A delightful compendium of musings from the master of life writing, the much-loved Blake Morrison, for those who practice the art of memoir, and those who read it.

In recent years Seamus Heaney has earned the reputation of being ‘the most important Irish poet since Yeats’. In this book, originally published in 1982, Blake Morrison identifies the central characteristics of his achievement, uncovering the sources of Heaney’s poems, placing his work within both Irish and Anglo-American traditions and explaining his poetry’s complex relation to the political troubles in Northern Ireland. A lively, personal and carefully researched account by a writer who is himself a poet and critic, this book forcefully challenges some of the myths surrounding Heaney’s work and places it in proper perspective.

'Lucid, tender and humane . . . One of the most formally agile and compassionate poets of our age’ Fiona Benson Here you are, on the balcony, the sea serenading you, the sun with its armful of light. In Afterburn, Blake Morrison returns to poetry, his first calling, to offers scenes from his own life and the lives of others. In psychology, 'afterburn' refers to the time before a past event is assimilated – an idea that resonates through these poems (which themselves linger after reading) about memory and our attempts to articulate, shape or contain it. Throughout the collection, not least in two extraordinary sequences – one about his sister, the other about Elizabeth Bishop – the poet sees with new eyes the turning points in a life's accidental course. What holds his wise, touching, melancholy yet joyful poems together are the small intimacies that bind us to others, under time’s lengthening shadow: ‘you moved too fast for me to catch you / and so did the years.’ Playful and charming, sometimes rakishly so, Afterburn nevertheless reveals an open, and vulnerable, heart. *** 'Distils the insights of a seasoned memoirist into images that linger long after the final page' Julia Copus 'A master of the sonnet . . . I’m taking Afterburn to my desert island' Hugo Williams