Kirjahaku

`This book is a very useful starting point for trainees in DMT, or for those training or practicing in other arts therapies or allied professions who would like an overview of theories and methods in DMT. For more experienced DMT practitioners and researchers, this book provides an introduction to theories of creativity and the notion of the movement metaphor as a basis for DMT theory and practice. There is constant dialogue and contextualizing between Meekum's theory and approach, psychological theories that have influenced the development of DMT, case studies, and the historical development of DMT. What is important in this book is the acknowledgement that DMT is a unique psychotherapy practice with a distinctive theory and methodology based on the intrinsic interaction between movement, the creative process, and psychology' - Body, Movement and Dance in Psychotherapy `Along with the "how" and "why" of psychotherapy, Bonnie Meekums provides realistic examples of people whose lives have benefited from dance movement therapy. It is my honour to recommend this book' - Dianne Dulicai, President of the American Dance Therapy Association `It is a very accessible book - it's an introduction to Dance Movement Therapy, ideal for students who have started DMT training, people who work in related fields (eg other arts therapies) or anyone who is interested in DMT. However, the book goes beyond the introduction in Bonnie's attempt to develop a new framework. It encourages practising DMTs to question their own approach introducing a different terminology to describe the creative process…. It is food for thought and for discussions in supervision' - e-motion `Dr Meekums surpasses her goal of contributing to the development of DMT; her book serves as a catalyzing guide for all health care professionals who seek creative processes in healing…. Meekums provides an innovative framework for DMT, and offers adequate references and recommendations for further study, research and evidence-based practice. I enthusiastically recommend this book to creative arts therapists, allied practitioners and especially to practicing and interning dance movement therapists as a professional resource and guide' - Maria Brignola Lee, The Arts in Psychotherapy Dance Movement Therapy is a concise, practical introduction to a form of therapy, which has the body-mind relationship at its centre. Movement, with both its physical and metaphorical potential, provides a unique medium through which clients can find expression, reach new interpretations and ultimately achieve a greater integration of their emotional and physical experience. In the book, Bonnie Meekums maps the origins of Dance Movement Therapy (DMT) and its relationship to other more traditional forms of therapy. Outlining a new model for DMT, she describes the creative process, which develops in cycles throughout each session and over the course of therapy. The stages in this creative, psychotherapeutic process are described as: - preparation - incubation - illumination - and evaluation Illustrated throughout with vivid case examples, the book defines the role of the therapist in working with clients to bring about change. This is a practical and accessible guide, which will help new trainees become orientated within the field of DMT. It also has much to offer practising psychotherapists who wish to develop more holistic and creative ways of meeting their clients' needs.

`This book is a very useful starting point for trainees in DMT, or for those training or practicing in other arts therapies or allied professions who would like an overview of theories and methods in DMT. For more experienced DMT practitioners and researchers, this book provides an introduction to theories of creativity and the notion of the movement metaphor as a basis for DMT theory and practice. There is constant dialogue and contextualizing between Meekum's theory and approach, psychological theories that have influenced the development of DMT, case studies, and the historical development of DMT. What is important in this book is the acknowledgement that DMT is a unique psychotherapy practice with a distinctive theory and methodology based on the intrinsic interaction between movement, the creative process, and psychology' - Body, Movement and Dance in Psychotherapy `Along with the "how" and "why" of psychotherapy, Bonnie Meekums provides realistic examples of people whose lives have benefited from dance movement therapy. It is my honour to recommend this book' - Dianne Dulicai, President of the American Dance Therapy Association `It is a very accessible book - it's an introduction to Dance Movement Therapy, ideal for students who have started DMT training, people who work in related fields (eg other arts therapies) or anyone who is interested in DMT. However, the book goes beyond the introduction in Bonnie's attempt to develop a new framework. It encourages practising DMTs to question their own approach introducing a different terminology to describe the creative process…. It is food for thought and for discussions in supervision' - e-motion `Dr Meekums surpasses her goal of contributing to the development of DMT; her book serves as a catalyzing guide for all health care professionals who seek creative processes in healing…. Meekums provides an innovative framework for DMT, and offers adequate references and recommendations for further study, research and evidence-based practice. I enthusiastically recommend this book to creative arts therapists, allied practitioners and especially to practicing and interning dance movement therapists as a professional resource and guide' - Maria Brignola Lee, The Arts in Psychotherapy Dance Movement Therapy is a concise, practical introduction to a form of therapy, which has the body-mind relationship at its centre. Movement, with both its physical and metaphorical potential, provides a unique medium through which clients can find expression, reach new interpretations and ultimately achieve a greater integration of their emotional and physical experience. In the book, Bonnie Meekums maps the origins of Dance Movement Therapy (DMT) and its relationship to other more traditional forms of therapy. Outlining a new model for DMT, she describes the creative process, which develops in cycles throughout each session and over the course of therapy. The stages in this creative, psychotherapeutic process are described as: - preparation - incubation - illumination - and evaluation Illustrated throughout with vivid case examples, the book defines the role of the therapist in working with clients to bring about change. This is a practical and accessible guide, which will help new trainees become orientated within the field of DMT. It also has much to offer practising psychotherapists who wish to develop more holistic and creative ways of meeting their clients' needs.

Forty-something Northern UK psychotherapist and university lecturer Rachel longs for a close family when, a year after their parents die her brother decides to cut off all contact. Out of the blue she meets Fran, a petite, attractive and outgoing community artist who disturbs and excites her. Shortly after this Aggie appears, looking like a relic from the 1960s and with a strong working-class London accent. She takes a strong interest in Rachel's relationship with Fran. But who is she, and why is Rachel the only one that can see and hear her? When Fran's mother dies, the two women discover a family secret that impacts on their decision to try for a baby. But there is more shock and heartache to come, and a tough decision to be made before Rachel finally finds her own kind of family. This is a story that challenges traditional ideas about what constitutes family. It is also about overcoming grief, and healing the past; about love, loss, and ultimately hope.

Love...Loss...Hope...Following the death of her parents, Rachel leans on her brother as her only living relative. Until a message arrives telling her that he's focusing on his family, and she needs to find her own. In her forties, Rachel thinks she's lost her chance at love and the close-knit family she longs for.Community artist Fran embraces life in a way Rachel's never experienced before. Outgoing Fran is conservative Rachel's complete opposite, but the attraction she feels for Fran both excites and disturbs her.As Rachel's feelings for Fran deepen, Aggie, who looks and sounds as if she's from 1960's working-class London, enters her life. She takes a special interest in Rachel's relationship with Fran. Who is she and why does she care so much about their relationship?When tragedy strikes, it's Aggie who helps Rachel find a way forward.A Kind of Family challenges traditional ideas of what constitutes family.It explores the raw emotions of grief and finds hope in the connections that help us to heal.

Bonnie Meekums presents creative group work strategies and techniques for professionals working with women who have experienced child sexual abuse. The practical strategies have been developed from an understanding of the complex process of recovery, and are informed by the voices of women who have been abused in childhood themselves.The book is divided into two parts. The first looks at the theoretical issues, exploring the nature of abuse and patterns of recovery and also considers the debate about `false memory syndrome'. The second part of the book presents practical group strategies, detailing a full sequence of creative exercises for the sessions. The author outlines how to set up the group, how to establish the group and how to manage group endings. The material in the book has been successfully trialled in a variety of professional settings, including a specialist multi-modal arts therapy program with a group of fourteen women.Creative Group Therapy for Women Survivors of Child Sexual Abuse will enable professionals and students to understand and support women through the difficult process of recovery from childhood sexual abuse.