Kirjahaku

Given their pedagogical nature, many Victorian novels are highly politicized; their narratives are filtered through the value schemes, social views, and conscious purposes of their authors. Victorian women were largely expected to dedicate themselves to the social and moral betterment of their families. Women were expected to be soft, meek, quiet, modest, submissive, gentle, patient, and spiritual; men were supposed to be aggressive, assertive, resilient, disciplined, and competitive. These expectations were repeatedly endorsed through the conduct books of the period, which encouraged people to adhere to proper behavior. The Victorian era also viewed fiction as a didactic tool and as a means to propagate morality. Thus novels of the period typically present women as subordinate to men and as angels of the home. Women who conform to the social norms are usually rewarded in these fictitious worlds, whereas women who violate society's standards are often penalized.Certainly the novels of Charles Dickens fall into the larger didactic trend of Victorian fiction, and like other works of the period, his novels overtly support the conventional values of Victorian society. Dickens typically uses descriptive detail to register approval or disapproval of certain women, and these women are rewarded or chastized through his plots. But on a less obvious level, Dickens also challenges the prevailing Victorian attitude toward women. A close look at his works shows that patriarchs do not automatically deserve the respect they command from their privileged social positions. Women—however virtuous—are unable to produce moral or social change, and many women succeed outside the constraints of domesticity. This book provides a penetrating analysis of how Dickens' novels ultimately fail to promote the conventional Victorian behavioral ideal for women and discusses how his works subvert the domestic ideology of the nineteenth century.

Victorian writer Frances Trollope has largely been relegated to a mere footnote in literary history as simply the mother of Anthony. Equally unfortunate is that, aside from her nonfiction work Domestic Manners of the Americans, her 34 novels have been out of print since the nineteenth century. She was, nonetheless, the most provocative female writer of the early Victorian period who used the novel to impel social change. She has been credited for writing the first anti-slavery novel that predates Uncle Tom's Cabin, along with a number of works that incited reform legislation regarding bastardy clauses, poor laws, and labor conditions.Expert contributors examine her life and writings, her social activism, and the impact of her works. The book includes discussions of her influence on Anthony Trollope, the rivalry between Frances Trollope and Charles Dickens, her belief in the power of female friendship, her ambivalence toward the ability of women to effect social change, her thoughts on Evangelicalism, her views on women and aging, and her innovative contribution to early crime fiction. Contributors argue for the value of reprinting her novels and travel books and point to her enduring literary legacy.

Some of the greatest English novels were written during the Victorian era, and many are still widely read and taught today. But many others written during that period have been neglected by scholars and modern readers alike. A number of these novels were written by women and were popular when published. Moreover, they reveal perspectives of 19th-century British culture not present in canonized works and therefore revise our understanding of Victorian life and attitudes. With the increasing interest in revising Victorian history and gender scholarship, especially through the rediscovery of lost texts written by women, this book is a timely and much needed study.The expert contributors to this volume argue the value of novels by such Victorian women writers as Grace Aguilar, Catherine Crowe, Charlotte Elizabeth Tonna, Annie E. Holdsworth, Ella Hepworth Dixon, Flora Annie Steel, Anne Thackeray, Sarah Grand, Marie Corelli, and others. Most of the chapters address numerous works by a particular writer. Each focuses on different social issues as well, though most of them share an interest in gender politics. Topics discussed include a 19th-century Jewish novelist's navigation through Protestant spirituality, the relationship of noncanonical governess novels to class and gender issues, and forgotten works by women crime writers. Other chapters analyze how women writers impelled social reform and subverted patriarchally defined religious issues.

Becoming Wollstonecraft: The Interconnection of Her Life and Works draws from biography to explain her works, and it analyses the works to draw a biographical composite of Wollstonecraft. Becoming Wollstonecraft will be more fully developed than previous works, with added information that has not previously been associated with Wollstonecraft, such as the story of Reverend Mr. Joshua Waterhouse.Although there are over fifty book-length biographies published on Wollstonecraft, very few agree on much about Wollstonecraft. She seems to have become an “everywoman,” or a figure unfixed in time and protean. Deemed the Mother of Feminism, like feminism itself, she is what people have wanted her to be and is by no means an immutable or universal personage.A study of her life as evident by her works and vice versa, this monograph intends to refocus the image of Wollstonecraft for students and scholars, informed by biographical texts on Wollstonecraft and on those people in Wollstonecraft’s life and acquaintance, historical context, and exposition from her works.

Becoming Wollstonecraft: The Interconnection of Her Life and Works draws from biography to explain her works, and it analyses the works to draw a biographical composite of Wollstonecraft. Becoming Wollstonecraft will be more fully developed than previous works, with added information that has not previously been associated with Wollstonecraft, such as the story of Reverend Mr. Joshua Waterhouse. Although there are over fifty book-length biographies published on Wollstonecraft, very few agree on much about Wollstonecraft. She seems to have become an “everywoman,” or a figure unfixed in time and protean. Deemed the Mother of Feminism, like feminism itself, she is what people have wanted her to be and is by no means an immutable or universal personage. A study of her life as evident by her works and vice versa, this monograph intends to refocus the image of Wollstonecraft for students and scholars, informed by biographical texts on Wollstonecraft and on those people in Wollstonecraft’s life and acquaintance, historical context, and exposition from her works.

Over the course of her 57-year career, Augusta Jane Evans Wilson published nine best-selling novels, but her significant contributions to American literature have until recently gone largely unrecognized. Brenda Ayres, in her long overdue critical biography of the novelist once referred to as the 'first Southern woman to enter the field of American letters,' credits the importance of Wilson's novels for their portrait of nineteenth-century America. As Ayres reminds us, the nineteenth-century American book market was dominated by women writers and women readers, a fact still to some extent obscured by the make-up of the literary canon. In placing Wilson's novels firmly within their historical context, Ayres commemorates Wilson as both a storyteller and maker of American history. Proceeding chronologically, Ayres devotes a chapter to each of Wilson's novels, showing how her views on Catholicism, the South, the Civil War, male authority, domesticity, Reconstruction, and race were both informed by and resistant to the turbulent times in which she lived. This comprehensive and meticulously researched biography contributes not only to our appreciation of Wilson's work, but also to her importance as a figure for understanding women's roles in history and their art, evolving gender roles, and the complicated status of women writers.

Over the course of her 57-year career, Augusta Jane Evans Wilson published nine best-selling novels, but her significant contributions to American literature have until recently gone largely unrecognized. Brenda Ayres, in her long overdue critical biography of the novelist once referred to as the 'first Southern woman to enter the field of American letters,' credits the importance of Wilson's novels for their portrait of nineteenth-century America. As Ayres reminds us, the nineteenth-century American book market was dominated by women writers and women readers, a fact still to some extent obscured by the make-up of the literary canon. In placing Wilson's novels firmly within their historical context, Ayres commemorates Wilson as both a storyteller and maker of American history. Proceeding chronologically, Ayres devotes a chapter to each of Wilson's novels, showing how her views on Catholicism, the South, the Civil War, male authority, domesticity, Reconstruction, and race were both informed by and resistant to the turbulent times in which she lived. This comprehensive and meticulously researched biography contributes not only to our appreciation of Wilson's work, but also to her importance as a figure for understanding women's roles in history and their art, evolving gender roles, and the complicated status of women writers.

Betwixt and Between identifies the biases, errors and ambiguities that have run rampant in the biographies on Mary Wollstonecraft, many of them left unchecked and perpetuated from publication to publication. Brenda Ayres investigates the agenda, problems and strengths of eighteen critical biographies, beginning with William Godwin’s Memoirs (1798), ending with Charlotte Gordon’s Romantic Outlaws (2015) and including ten lesser-known biographies. Betwixt and Between synthesizes the biographies, exposes gaps and contradictions, and attempts to fill and reconcile them, supplying in the process considerable information on Wollstonecraft that has never before been published.

Betwixt and Between identifies the biases, errors and ambiguities that have run rampant in the biographies on Mary Wollstonecraft, many of them left unchecked and perpetuated from publication to publication. Brenda Ayres investigates the agenda, problems and strengths of eighteen critical biographies, beginning with William Godwin’s Memoirs (1798), ending with Charlotte Gordon’s Romantic Outlaws (2015) and including ten lesser-known biographies. Betwixt and Between synthesizes the biographies, exposes gaps and contradictions, and attempts to fill and reconcile them, supplying in the process considerable information on Wollstonecraft that has never before been published.

Ever since Godwin announced to the world in Memoirs that Wollstonecraft had had little use for religion, most biographers, scholars, historians and readers have regarded her as an apostate. Further, the existing scholarly texts fail to demonstrate the pervasiveness of biblical references in A Vindication of the Rights of Woman. The true tally of scriptural references approaches over 1,100 as identified in this study. Wollstonecraft’s biblical allusions, besides sheer volume, are noteworthy because they gave women a biblical basis upon which to contend for better education and occupational opportunities as well as for legal and political independence. That the arguments were couched in biblical rhetoric most likely contributed to their initial reception and tolerance of what were incendiary ideas and searing social criticism. The recognition and analysis of biblical underpinnings in Wollstonecraft and Religion not only of Rights of Woman but also of her other publications and letters propose new consideration regarding the Mother of Feminism and her work. The chapters that accompany the annotated text of Rights of Woman furnish biographical and historical context that offer fresh perspectives about Wollstonecraft’s religious convictions and faith, many of which have not been published elsewhere.

Frances Milton Trollope (1779-1863) was a prolific, provocative and hugely successful novelist. She greatly influenced the generation of Victorian novelists who came after her such as Charles Dickens, George Eliot and Elizabeth Gaskell. This book features Trollope's social problem novels.

Frances Milton Trollope (1779-1863) was a prolific, provocative and hugely successful novelist. She greatly influenced the generation of Victorian novelists who came after her such as Charles Dickens, George Eliot and Elizabeth Gaskell. This book features Trollope's social problem novels.

Frances Milton Trollope (1779-1863) was a prolific, provocative and hugely successful novelist. She greatly influenced the generation of Victorian novelists who came after her such as Charles Dickens, George Eliot and Elizabeth Gaskell. This book features Trollope's social problem novels.

Frances Milton Trollope (1779-1863) was a prolific, provocative and hugely successful novelist. She greatly influenced the generation of Victorian novelists who came after her such as Charles Dickens, George Eliot and Elizabeth Gaskell. This book features Trollope's social problem novels.

Frances Milton Trollope (1779-1863) was a prolific, provocative and hugely successful novelist. She greatly influenced the generation of Victorian novelists who came after her such as Charles Dickens, George Eliot and Elizabeth Gaskell. This book features Trollope's social problem novels.

The writings of Frances Trollope have been subject to increasing academic interest in recent years, and are now widely studied. In this four-volume set her comical, yet subversive, treatment of Victorian marriage provides an interesting contrast to some of the more earnest but conventional fiction of the time.

The writings of Frances Trollope have been subject to increasing academic interest in recent years, and are now widely studied. In this four-volume set her comical, yet subversive, treatment of Victorian marriage provides an interesting contrast to some of the more earnest but conventional fiction of the time.

The writings of Frances Trollope have been subject to increasing academic interest in recent years, and are now widely studied. In this four-volume set her comical, yet subversive, treatment of Victorian marriage provides an interesting contrast to some of the more earnest but conventional fiction of the time.