Kirjahaku

The "Garbage Eater" of the title poem in Brett Foster's provocative collection is a member of a religious sect (some would say cult) in the Bay Area who lives an ascetic life eating scraps from dumpsters. Just as this simple way of life exists within the most technologically advanced region in the world, Foster's poems are likewise animated by the constant tension between material reality and an unabashed yearning for transcendence. The titles of Foster's poems--"Like as a ship, that through the Ocean wyde," "Meditation in an Olive Garden," "Little Flowers of Dan Quisenberry" --nod to the poems of the classical, medieval, and Renaissance masters he studies as a scholar. In Foster's vivid imagination, however, they point to the surprises hidden in the quotidian: a trip to the DMV, a visit to a chain restaurant, and the saintly reflections of the Kansas City Royals' best closer. A lesser, more faddish writer would then tend toward ironic distance, but Foster fearlessly raises such unfashionable subjects as joy, doubt, gratitude, and grief without losing a sly sense of humor, even (as the sample poem shows) about poetry itself. Given its ambition, The Garbage Eater hardly seems a debut work. Foster's universal subject matter and approachable style will win fans among both the most experienced poetry readers and those easily intimidated by contemporary verse.

How far from our imperfect human selves have we traveled? How shall we recover what is left, live within our man-made technologies built to be more powerful than us, and still keep a sense of humor? In the depths of an illness that would ultimately claim his life, the beloved poet and professor Brett Foster offered a parting gift, Extravagant Rescues, a sublime collection of poetry that lays bare the human and poetic brilliance of a man immersed in capturing human beings’ mortal splendor and frailty within their own technology and flaws.The poems ask questions with hymn-like couplets, in a language of the gospel of empathy. We are allowed to rethink our choices, question and be wary of our machinery, and, in the end, with metaphors that channel feelings of loss, humor, and compassion, we are reminded “to come, and dream, with eyes wide open / and set within the vessels of our waking selves, / of ever more intricate schemes, extravagant rescues.”