Kirjahaku

American Indian Youth Literature Award Winner: Best Middle Grade Book Brian Young's powerful debut novel tells of a seemingly ordinary Navajo boy who must save the life of a Water Monster--and comes to realize he's a hero at heart.When Nathan goes to visit his grandma, Nali, at her mobile summer home on the Navajo reservation, he knows he's in for a pretty uneventful summer, with no electricity or cell service. Still, he loves spending time with Nali and with his uncle Jet, though it's clear when Jet arrives that he brings his problems with him.One night, while lost in the nearby desert, Nathan finds someone extraordinary: a Holy Being from the Navajo Creation Story--a Water Monster--in need of help.Now Nathan must summon all his courage to save his new friend. With the help of other Navajo Holy Beings, Nathan is determined to save the Water Monster, and to support Uncle Jet in healing from his own pain.The Heartdrum imprint centers a wide range of intertribal voices, visions, and stories while welcoming all young readers, with an emphasis on the present and future of Indian Country and on the strength of young Native heroes. In partnership with We Need Diverse Books.

American Indian Youth Literature Award Winner: Best Middle Grade Book Brian Young's powerful debut novel tells of a seemingly ordinary Navajo boy who must save the life of a Water Monster--and comes to realize he's a hero at heart.When Nathan goes to visit his grandma, Nali, at her mobile summer home on the Navajo reservation, he knows he's in for a pretty uneventful summer, with no electricity or cell service. Still, he loves spending time with Nali and with his uncle Jet, though it's clear when Jet arrives that he brings his problems with him.One night, while lost in the nearby desert, Nathan finds someone extraordinary: a Holy Being from the Navajo Creation Story--a Water Monster--in need of help.Now Nathan must summon all his courage to save his new friend. With the help of other Navajo Holy Beings, Nathan is determined to save the Water Monster, and to support Uncle Jet in healing from his own pain.The Heartdrum imprint centers a wide range of intertribal voices, visions, and stories while welcoming all young readers, with an emphasis on the present and future of Indian Country and on the strength of young Native heroes. In partnership with We Need Diverse Books.

An unmissable companion to Healer of the Water Monster, which won the American Indian Library Association Youth Literature Award, this novel by Navajo author Brian Young tells the story of two contemporary young Navajo heroes--and one water monster--who must learn to work together to save their present world from the lasting hurts of their people's past. Edward feels ready to move in with his dad's girlfriend and her son, Nathan. He might miss having his dad all to himself, but even if things in their new home are a little awkward, living with Nathan isn't so bad. And Nathan is glad to have found a new guardian for Dew, the young water monster who has been Nathan's responsibility for two years. Now that Nathan is starting to lose his childhood connection to the Holy Beings, Edward will be the one to take over as Dew's next guardian.But Edward has a lot to learn about taking care of a water monster. And fast. Because Dew's big sister, the powerful Yitoo Bii'aanii, is coming up to Fourth World to instruct Dew after recovering in the Third World for 160 years. She suspects a monstrous and enormous Enemy from the Hero Twins stories has returned and is stealing water from all of the Navajo Nation.In their search for the Modern Enemy, Nathan, Edward, Dew, and Yitoo must confront their past and their inner selves if they are to save the Fourth World from a devastating disaster.A riveting, emotionally affecting adventure--and an American Indian Library Association Youth Literature Award Honor Book

An unmissable companion to Healer of the Water Monster, which won the American Indian Library Association Youth Literature Award, this novel by Navajo author Brian Young tells the story of two contemporary young Navajo heroes—and one water monster—who must learn to work together to save their present world from the lasting hurts of their people’s past. Edward feels ready to move in with his dad’s girlfriend and her son, Nathan. He might miss having his dad all to himself, but even if things in their new home are a little awkward, living with Nathan isn’t so bad. And Nathan is glad to have found a new guardian for Dew, the young water monster who has been Nathan's responsibility for two years. Now that Nathan is starting to lose his childhood connection to the Holy Beings, Edward will be the one to take over as Dew’s next guardian.But Edward has a lot to learn about taking care of a water monster. And fast. Because Dew’s big sister, the powerful Yitoo Bii’aanii, is coming up to Fourth World to instruct Dew after recovering in the Third World for 160 years. She suspects a monstrous and enormous Enemy from the Hero Twins stories has returned and is stealing water from all of the Navajo Nation.In their search for the Modern Enemy, Nathan, Edward, Dew, and Yitoo must confront their past and their inner selves if they are to save the Fourth World from a devastating disaster.A riveting, emotionally affecting adventure—and an American Indian Library Association Youth Literature Award Honor Book!

History has often ignored the influence in modern Quebec of family dynasties, patriarchy, seigneurial land, and traditional institutions. Following the ascent of four generations from two families through eighteenth-century New France to the onset of the First World War, Patrician Families and the Making of Quebec compares the French Catholic Taschereaus and the Anglican and English-speaking McCords. Consulting private, institutional, and legal archives, Brian Young studies eight family patriarchs. Working as merchants or colonial administrators in the first generation, they became seigneurial proprietors, officeholders, and prelates. The heads of both families used marriage arrangements, land stewardship, and judgeships to position their heirs. Young shows how patriarchy was a central force in both domestic and public life, as well as the ways in which Taschereau and McCord family strategies extended into the marrow of Quebec society through moral authority, influence on national identities, and their positions within senior offices in religious, judicial, and university institutions. Through courthouses, cemeteries, belfries, and their own chapels and neoclassical estates, they created encompassing cultural landscapes. Later generations used museums, archives, historian collaborators, photography, and modern print to elevate family achievement to the status of heroic national narratives. Sagas of the monied and entrepreneurial, nationalist imperatives to protect a vulnerable people, and skepticism about the lasting power of great families and historical institutions have relegated the influence of the Taschereaus and McCords to obscurity. Patrician Families and the Making of Quebec resuscitates the central role these elite families played in English and French Quebec.

History has often ignored the influence in modern Quebec of family dynasties, patriarchy, seigneurial land, and traditional institutions. Following the ascent of four generations from two families through eighteenth-century New France to the onset of the First World War, Patrician Families and the Making of Quebec compares the French Catholic Taschereaus and the Anglican and English-speaking McCords. Consulting private, institutional, and legal archives, Brian Young studies eight family patriarchs. Working as merchants or colonial administrators in the first generation, they became seigneurial proprietors, officeholders, and prelates. The heads of both families used marriage arrangements, land stewardship, and judgeships to position their heirs. Young shows how patriarchy was a central force in both domestic and public life, as well as the ways in which Taschereau and McCord family strategies extended into the marrow of Quebec society through moral authority, influence on national identities, and their positions within senior offices in religious, judicial, and university institutions. Through courthouses, cemeteries, belfries, and their own chapels and neoclassical estates, they created encompassing cultural landscapes. Later generations used museums, archives, historian collaborators, photography, and modern print to elevate family achievement to the status of heroic national narratives. Sagas of the monied and entrepreneurial, nationalist imperatives to protect a vulnerable people, and skepticism about the lasting power of great families and historical institutions have relegated the influence of the Taschereaus and McCords to obscurity. Patrician Families and the Making of Quebec resuscitates the central role these elite families played in English and French Quebec.

INTO FRAGILE SILVERS is a unique collection of poetry spanning over two decades. Each work represents a picture of life, as seen through the eyes of Brian Young, who has been writing poetry, essays and short stories since the early 1980Os. BrianOs unique writing style has developed and grown significantly over the years, as well as his unique perspectives of life, love, loss, hope, betrayal, family, friendship and personal growth. With words, elaborate images take shape and atmospheres are created through his moods and feelings. This collection is one manOs journey through adolecent youth to adulthood, uncovering all of the small spaces in between. BRIAN YOUNG has been writing poetry and short stories since a young age in the early 1980Os. BrianOs other creative endeavours include musical production, graphic design, web design and photography. Brian was born and raised in Colorado and lived in Portland, Oregon until the time of his death, July 17, 2018.

INTO FRAGILE SILVERS is a unique collection of poetry spanning over two decades. Each work represents a picture of life, as seen through the eyes of Brian Young, who has been writing poetry, essays and short stories since the early 1980Os. BrianOs unique writing style has developed and grown significantly over the years, as well as his unique perspectives of life, love, loss, hope, betrayal, family, friendship and personal growth. With words, elaborate images take shape and atmospheres are created through his moods and feelings. This collection is one manOs journey through adolecent youth to adulthood, uncovering all of the small spaces in between. BRIAN YOUNG has been writing poetry and short stories since a young age in the early 1980Os. BrianOs other creative endeavours include musical production, graphic design, web design and photography. Brian was born and raised in Colorado and lived in Portland, Oregon until the time of his death, July 17, 2018.

The history of the north-shore railways provides a case study in the complexities of industrial development in nineteenth-century Quebec. Constructed in the fifteen years following Confederation, the North Shore and the Montreal Colonization Railways reinforced Quebec's integration into a transcontinental unit. Yet bankruptcy of both companies in 1875 forced the provincial government to assume ownership of the railways and to shoulder a financial burden that kept the province preoccupied, weak, and subservient to Ottawa. Diverse political, clerical, and business interests united to construct the railways and to manoeuvre them from private companies into a public venture and ultimately into the Canadian Pacific system.The two railways brought new concentrations of capital and power that cut across French and English ethnic lines and sharpened regional rivalries. Along the south short of the St. Lawrence both French- and English-speaking inhabitants protested against the province's commitments to its north-shore railways. By the late 1870s Quebec City's English community was lobbying hard against the growing power of their English-speaking counterparts in Montreal. The north-shore railways plagued a generation of Quebec politicians, and their construction bared incompatible regional aspirations. By 1885 years of negotiation, scandal, and political blackmail culminated in the incorporation of the two north-shore railways into the Canadian Pacific system. As this study so clearly demonstrates, Quebec paid a high price in making its contribution to linking Canada by steel a mari usque ad mare.

Experience the adventure and excitement of Pinky Whiskers and Sharp Nose. These two mice can never seem to stay out of trouble Their parents don't know quite what to do. Sharp Nose is the adventure loving older sister and Pinky Whiskers is her good-hearted baby brother. Join them in their journey from home to home in search of a place that's safe. They face much danger and must work together to come out on top. Their story of faith, love, and teamwork will leave you begging for more

Brian Young took the pictures in The Train NYC, 1984, the year he moved to New York, when the city was recovering from an economic depression that began in the mid-1970s but whose eff ects were still quite visible. The loss of manufacturing followed by loss of population to suburbs led to large-scale urban decay and a decline in social services. Abandoned shells of burnt-out cars littered roadways, and muggings were a fact of daily life. The beginnings of the crack cocaine epidemic, with its coincident escalating crime, created an atmosphere of citywide malaise. Graffiti exploded and spread across the city landscape, in particular on the subway system. Although considered vandalism, graffiti's proliferation can be thought of as an act of social protest, an outcry for relief and reform, or a platform for the dispossessed. It was a bleak time; it was Gotham.