Kirjahaku

An annotated bibliography of more than 1,200 film audience research studies. Includes an essay entitled The Motion Picture Audience: A Neglected Aspect of Film Research that introduces the reader to the subject of film audience research.

Twelve articles concentrating on research in three non-traditional aspects of film: the film audience, motion picture economics and legal concerns relevant to film as a mass medium. Annotation copyright Book News, Inc. Portland, Or.

In what is becoming a series of annual volumes, researchers contribute to the study of cinema and mass communication by considering three nontraditional aspects of the industry. Among the 12 articles are discussions of the effect of horror movies on violence against women, the production of culture

How two roadside craft shops in upstate New York transformed American crafts into a fine art.Finalist for the 2023 Foreword INDIES Book of the Year Award in the Regional category Amid the economic turmoil of the Great Depression, in 1929, Clarence Wemett, an upstate New York petroleum merchant, underwrote a craft shop bordering U.S. Route 20 and, a few years later, a different one 15 miles away. At precisely the wrong time for such things to happen, the improbable idea of selling discretionary goods targeted to a consumer market characterized by 25 percent unemployment at a rural highway's roadside achieved traction: the first shop was in business for a quarter century, the second for nearly 40 years. More significant than their surprising longevity is the shops' long-lasting contribution to a nascent, national movement that spans crafts personally created for individual use to the commercial work that sees craft elevated to a fine art-craft objects moved from pantry shelves to museum vitrines and craftworkers from hobbyists to professionals. The roadside shops introduced a business model that, 70 years later, is widely experienced on a very different but equally "super" highway, the Internet, and their story is a chapter in the pre-history of the modern crafts movement.

How two roadside craft shops in upstate New York transformed American crafts into a fine art.Finalist for the 2023 Foreword INDIES Book of the Year Award in the Regional category Amid the economic turmoil of the Great Depression, in 1929, Clarence Wemett, an upstate New York petroleum merchant, underwrote a craft shop bordering U.S. Route 20 and, a few years later, a different one 15 miles away. At precisely the wrong time for such things to happen, the improbable idea of selling discretionary goods targeted to a consumer market characterized by 25 percent unemployment at a rural highway's roadside achieved traction: the first shop was in business for a quarter century, the second for nearly 40 years. More significant than their surprising longevity is the shops' long-lasting contribution to a nascent, national movement that spans crafts personally created for individual use to the commercial work that sees craft elevated to a fine art-craft objects moved from pantry shelves to museum vitrines and craftworkers from hobbyists to professionals. The roadside shops introduced a business model that, 70 years later, is widely experienced on a very different but equally "super" highway, the Internet, and their story is a chapter in the pre-history of the modern crafts movement.