Kirjahaku

Drawing from sources including the ethology of art and the cognitive science of religion this book proposes an improved understanding of both art and religion as behaviors developed in the process of human evolution. Looking at both art and religion as closely related, but not identical, behaviors a more coherent definition of religion can be formed that avoids pitfalls such as the Eurocentric characterization of religion as belief or the dismissal of the category as nothing more than false belief or the product of scholarly invention.The book integrates highly relevant insights from the ethology and anthropology of art, particularly the identification of "the special" by Ellen Dissanayake and art as agency by Alfred Gell, with insights from, among others, Ann Taves, who similarly identified "specialness" as characteristic of religion. It integrates these insights into a useful and accurate understanding and explanation of the relationship of art and religion and of religion as a human behavior. This in turn is used to suggest how art can contribute to the development and maintenance of religions.The innovative combination of art, science, and religion in this book makes it a vital resource for scholars of Religion and the Arts, Aesthetics, Religious Studies, Religion and Science and Religious Anthropology.

Reconstructing Eliade is a concept-by-concept analysis of the thought of Mircea Eliade and a re-evaluation of his analysis of religion. It illustrates how a thorough familiarity with Eliade's work can produce an interpretation of his thought as systematic, coherent, and fully rational. Part One provides an analysis of the terms of Eliade's understanding of religion--hierophany, the sacred and the dialectic of the sacred and profane, homo religiosus, myths and symbols--and thus of the meaning of religion implied throughout his work. Part Two inspects various problems which arise in light of this analysis, particularly relativism and the role of commitment. Part Three applies this analysis to certain problems--religion in the modern world and Eliade's unfinished analysis of the modern, the postmodern phenomenon, implicit religion, and various related problems in the study of religion. Far from being outmoded and inadequate, Eliade's thought is suggested to be fertile ground for the reconception of religious realities in the contemporary world.

Drawing from sources including the ethology of art and the cognitive science of religion this book proposes an improved understanding of both art and religion as behaviors developed in the process of human evolution. Looking at both art and religion as closely related, but not identical, behaviors a more coherent definition of religion can be formed that avoids pitfalls such as the Eurocentric characterization of religion as belief or the dismissal of the category as nothing more than false belief or the product of scholarly invention.The book integrates highly relevant insights from the ethology and anthropology of art, particularly the identification of "the special" by Ellen Dissanayake and art as agency by Alfred Gell, with insights from, among others, Ann Taves, who similarly identified "specialness" as characteristic of religion. It integrates these insights into a useful and accurate understanding and explanation of the relationship of art and religion and of religion as a human behavior. This in turn is used to suggest how art can contribute to the development and maintenance of religions.The innovative combination of art, science, and religion in this book makes it a vital resource for scholars of Religion and the Arts, Aesthetics, Religious Studies, Religion and Science and Religious Anthropology.