Kirjahaku

Plenty of thirtysomething women would be thrilled to look like a teenager. But journalist Kathy Hopkins wishes she could be taken a little more seriously-or, at the very least, order a glass of wine without producing ID. Now her youthful appearance is forcing her into an undercover assignment she could do without: posing as a freshman at a small liberal arts college where, rumor has it, a secret prostitution ring is flourishing. It could mean a career-making expos . But right now, pretending to be eighteen means dealing with a Clay Aiken--obsessed roommate, late-night parties that test her aging body--and most embarrassing of all, a massive crush on a guy who's just turned legal. Suddenly, Kathy's got the chance to do it all over again, hopefully better this time. Fortunately she's a quick learner.

From the author of the delightful( Booklist) Getting Warmer, a comedy about what happens when the best lei'd plans go awry. When Jane Shea's boyfriend, Jimmy, invites her to spend a week at a swanky resort in Maui, she's thrilled-of course-but nervous, too. She worries about missing their flight. She worries about losing her luggage. It never even occurs to her that she might misplace Jimmy. But paradise has a way of attracting trouble, and Jane hasn't even managed to learn the hula or paddle under a waterfall before Jimmy disappears. When the police suggest that Jimmy has drowned, Jane thinks things can't get any worse-but her troubles have just begun. This is one vacation the guidebooks never prepared her for.

From the author of Here Today, Gone to Maui, the story of a woman who finally got a life...some else's. Ever since Veronica's husband found the love of his life-not her-she's been a walking zombie with runny mascara. It doesn't help that she keeps getting mistaken for Haley Rush-the Hollywood starlet whose dazzling life is plastered on every magazine. When Haley's manager offers Veronica a job as a celebrity double, it only takes a moment before she says yes. Veronica gets to drive Haley's car, wear her phenomenal clothes-and have fun with her hot celebrity boyfriend, Brady Ellis. Too bad the job's only part-time, and at the end of the day she has to return to her life as a cash-strapped substitute teacher and cub scout mom. But when real sparks fly with Brady, is it a fantasy come true or a disaster in disguise?

First comes love, then comes marriage, then . . . things can get a little complicated. Vanessa wants just one thing for her twenty-ninth birthday: an engagement ring from her longtime boyfriend, Eric. But when the ring turns out to be a mix CD and Eric turns out to be a guy who doesn't want to get married or have children, Vanessa considers a new path to having a family.When Wendy and her husband, Darren, couldn't have children the old- fashioned way, a sperm donor seemed like the perfect solution. She never imagined she'd have out-of-control twins who'd drive her to cookie binges and scrapbooking while Darren escaped into the virtual world of computer games.Single and career-driven, Laura didn't need a man to have a baby - at least not one that she ever met. Thanks to an anonymous donor, she shares her life with her adored eight-year-old son, Ian. She'll do anything for Ian - even fill their backyard with a bunch of noisy chickens. But the one thing Ian really wants is something Laura's never been able to give him: a sibling.Now, to grant Ian's wish, Laura starts a search that will not only change her life but Vanessa's and Wendy's as well...

Carol Snow's award-winning poetry has been admired and celebrated as 'work of difficult beauty' (Robert Hass), 'ever restless, ever re-framing the frame of reference' ("Boston Review"), teaching us 'how brutally self-transforming a verbal action can be when undertaken in good faith' (Jorie Graham). In this, her third volume, Snow continues to mine the language to its most mysterious depths and to explore the possibilities its meanings and mechanics hold for definition, transformation, and emotional truth. These poems place us before, and in, language - as we stand before, and in, the world. "The Seventy Prepositions" comprises three suites of poems. The first, 'Vocabulary Sentences', reflects on words and reality by taking as a formal motif the sort of sentences used to test vocabulary skills in elementary school. The poems of the second suite, 'Vantage', gather loosely around questions of perspective and perception. The closing suite finds its inspiration in the Japanese dry-landscape gardens known as karesansui, such as the famous rock garden at Ryoan-ji Temple in Kyoto. Here the poet approaches composition as one faces a 'miniature Zen garden', choosing and positioning words rather than stones, formally, precisely, evocatively.