Kirjahaku

Selected for the 2009 National Poetry Series by Natasha Trethewey Set in southern New Mexico, where her family's multi­cultural history is deeply rooted, the poems in Carrie Fountain's first collection explore issues of progress, history, violence, sexuality, and the self. Burn Lake weaves together the experience of life in the rapidly changing American Southwest with the peculiar journey of Don Juan de Oñate, who was dispatched from Mexico City in the late sixteenth- century by Spanish royalty to settle the so-called New Mexico Province, of which little was known. A letter that was sent to Oñate by the Viceroy of New Spain, asking that should he come upon the North Sea in New Mexico, he should give a detailed report of "the configuration of the coast and the capacity of each harbor" becomes the inspiration for many of the poems in this artfully composed debut.

A moving, authentic exploration of spirituality and the domestic from a prize-winning poetThe wry, supple poems in Carrie Fountain’s second collection take the form of prayers and meditations chronicling the existential shifts brought on by parenthood, spiritual searching, and the profound, often beguiling experience of being a self, inside a body, with a soul. Fountain’s voice is at once deep and loose, enacting the dawning of spiritual insight, but without leaving the daily world, matching the feeling of the “pure holiness in motherhood” with the “thuds the giant dumpsters make behind the strip mall when they’re tossed back to the pavement by the trash truck.” In these wise, accessible, deeply emotional poems, she captures a contemporary longing for spiritual meaning that’s wary of prepackaged wisdom—a longing answered most fully by attending to the hustle and bustle of everyday life.

An acclaimed poet deepens her exploration of the domestic in a new collection of playful, wise, and humorous poems The poems in Carrie Fountain's third collection, The Life, exist somewhere, as Rilke says, between our daily life and the great work--an interstitial space where sidelong glances live alongside shouts to heaven. In elegant, colloquial language, Fountain observes her children dressing themselves in fledgling layers of personhood, creating their own private worlds and personalities, and makes room for genuine marvels in the midst of routine. Attuned to the delicate, fleeting moments that together comprise a life, these poems offer a guide by which to navigate the signs and symbols, and to pilot if not the perfect life, the only life, the life we are given.

"Carrie Fountain's YA novel is part-plot-twisty thriller, part-sweet romance, and perfect for summer reading " --Bustle, Best YA Book of July, on I'm Not Missing It's senior year, and Miranda Black's best friend, Syd, has run away--suddenly and inexplicably, leaving behind nothing but a pink leopard print cell phone with a text message from the mysterious HIM. Everyone wants to know why Syd left, but the truth is, Miranda has no idea. When Miranda's mother abandoned her as a child, Miranda had found shelter in her friendship with Syd, who wore her own motherlessness like a badge of honor. Now Miranda's been left behind again, left to untangle the questions of why Syd left, where she is--and if she's even a friend worth saving, all while stumbling into first love with the most unlikely boy in school. How do you take on the future when it feels like so much of your past wasn't even real?