Kirjahaku

The essential strange fiction of Catherine CroweCatherine Ann Stevens was born in Kent in 1803 and in common with many English young ladies of her day and class was home educated. She married a soldier, Major John Crowe but the marriage was an unhappy one and they separated in the 1830s. By this time Catherine was living in Edinburgh and moving in literary circles which brought her into contact with Thomas de Quincey. Harriet Martineau and William Makepeace Thackeray among others. Catherine Crowe began her writing career with the typical industry of her age and produced novels, short stories and plays on a number of themes including works for children. Short stories with sensational plots frequently featuring women abused by men were published in Charles Dicken's, Household Words and in Chamber's Edinburgh Journal. Her literary excursions into the supernatural world were not as frequent those of several of her peers, though two notable works were produced: a collection of short stories entitled Ghosts and Family Legends, and perhaps her most popular and enduring work, the evocatively titled The Night Side of Nature, which contained a combination of fictional and allegedly 'true' ghost stories. Montague Summers included two of Crowe's stories in his well-regarded anthology Victorian Ghost Stories (1936). Catherine Crowe appears to have had more than a passing interest in the supernatural. In 1854 she was discovered naked in the street claiming that spirits had rendered her invisible. She was subsequently treated successfully for mental illness, dying in Folkestone in 1876. This Leonaur edition includes all Catherine Crowe's supernatural fiction in a single volume.Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

The essential strange fiction of Catherine CroweCatherine Ann Stevens was born in Kent in 1803 and in common with many English young ladies of her day and class was home educated. She married a soldier, Major John Crowe but the marriage was an unhappy one and they separated in the 1830s. By this time Catherine was living in Edinburgh and moving in literary circles which brought her into contact with Thomas de Quincey. Harriet Martineau and William Makepeace Thackeray among others. Catherine Crowe began her writing career with the typical industry of her age and produced novels, short stories and plays on a number of themes including works for children. Short stories with sensational plots frequently featuring women abused by men were published in Charles Dicken's, Household Words and in Chamber's Edinburgh Journal. Her literary excursions into the supernatural world were not as frequent those of several of her peers, though two notable works were produced: a collection of short stories entitled Ghosts and Family Legends, and perhaps her most popular and enduring work, the evocatively titled The Night Side of Nature, which contained a combination of fictional and allegedly 'true' ghost stories. Montague Summers included two of Crowe's stories in his well-regarded anthology Victorian Ghost Stories (1936). Catherine Crowe appears to have had more than a passing interest in the supernatural. In 1854 she was discovered naked in the street claiming that spirits had rendered her invisible. She was subsequently treated successfully for mental illness, dying in Folkestone in 1876. This Leonaur edition includes all Catherine Crowe's supernatural fiction in a single volume.Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

When morning broke, the ravages of this strange visitant were but too visible graves had been opened, and the remains of the dead, frightfully torn and mutilated, lay scattered upon the earth. A village is driven to a murderous frenzy by the wolf walking among them. In the dead of night, a sleepwalking monk reenacts a scene of violence glimpsed as a child. A lycanthropist draws closer to a monstrous truth while investigating a spate of grisly grave-robbings. In the nineteenth century, Catherine Crowe's name was synonymous with haunting accounts of 'real' ghost stories, glimpses of the 'night side of nature' and well-wrought Gothic tales, earning her a reputation comparable to Dickens' to the Victorian readership. This new collection edited by Crowe expert Ruth Heholt features Crowe's unique, journalistic short tales of real ghost sightings alongside her Gothic stories written for popular periodicals, showcasing her singular gifts as one of the great storytellers of the Victorian era.

The novelist and children's author Catherine Crowe (c.1800–1876) published The Night Side of Nature in two volumes in 1848. This lively collection of ghostly sketches and anecdotes was a Victorian best-seller and Crowe's most popular work. Sixteen editions appeared in six years, and it was translated into several European languages. The stories are intertwined with Crowe's own interpretations and commentaries which attack the scepticism of enlightenment thought and orthodox religion. Crowe seeks instead to encourage and re-invigorate a sense of wonder and mystery in life by emphasising the supernatural. The stories in Volume 1 centre on dreams, psychic presentiments, traces, wraiths, doppelgängers, apparitions, and imaginings of the after-life. Crowe's vivid tales, written with great energy and imagination, are classic examples of nineteenth-century spiritualist writing and strongly influenced other authors as well as providing inspiration for later adherents of ghost-seeing and psychic culture.

The novelist and children's author Catherine Crowe (c.1800–1876) published The Night Side of Nature in two volumes in 1848. This lively collection of ghostly sketches and anecdotes was a Victorian best-seller and Crowe's most popular work. Sixteen editions appeared in six years, and it was translated into several European languages. The stories are intertwined with Crowe's own interpretations and commentaries which attack the scepticism of enlightenment thought and orthodox religion. Crowe seeks instead to encourage and re-invigorate a sense of wonder and mystery in life by emphasising the supernatural. Volume 2 probes the mysterious phenomena of troubled spirits, haunted houses, spectral lights, apparitions and poltergeists. Crowe's vivid tales, written with great energy and imagination, are classic examples of nineteenth-century spiritualist writing and strongly influenced other authors, including Charles Baudelaire, as well as providing inspiration for later adherents of ghost-seeing and psychic culture.

Catherine Crowe (1790–1872) was a successful author of fiction, non-fiction and plays, who moved in literary circles and corresponded with the prominent authors of her day, including W. M. Thackeray and Harriet Martineau. Her interest in the supernatural and the spiritual dimension, and her frustration with the narrow-mindedness of her generation, are evident in this work, first published in 1859. A strong believer in the possibilities of spiritual planes and of forces beyond contemporary human knowledge, she suggests that much is still unknown to the human race, and that the advance of scientific materialism may hinder the search for spiritual insight. Unusually for her time, Crowe also questions the literal truth of the Bible, suggesting metaphorical interpretations of scripture, and asks how modern miracles or prophets might be recognised, in a society so closed to the possibility of the physically impossible.