Kirjahaku

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.This collection reveals the history of English common law and Empire law in a vastly changing world of British expansion. Dominating the legal field is the Commentaries of the Law of England by Sir William Blackstone, which first appeared in 1765. Reference works such as almanacs and catalogues continue to educate us by revealing the day-to-day workings of society.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT098188Most gatherings have horizontal chain lines.London: printed by John Rivington, jun. for John, Francis, and Charles Rivington, 1780. 6],336p.; 8

'Brilliant . . . I couldn't stop reading' Jo Spain 'Exceptional . . . Deeply chilling' Jane Casey______________Des is a good husband, a good father - a good man.He encourages his wife's artistic endeavours, reads bedtime stories to his children every night, and holds down a well-paid job.But appearances can be deceptive. His wife seems to be forgetting that her art is for his eyes only. Rumours at work are threatening his reputation as a devoted family man. And his kids don't seem to need him as much as they once did. Des is afraid.Afraid of the world encroaching on his home.Afraid of past mistakes catching up with him.So afraid of losing control over his family that he is contemplating the unthinkable.A Good Father is a dark and gripping novel that takes you into the mind of a man on the edge.__________________'This intricately made novel marks the debut of a writer from whom, and of whom, we shall be hearing much in coming times' John Banville'Captivating . . . Readers will come for the premise and stay for its clever unpacking' Irish Times'A devastating new voice in Irish fiction . . . Magnificent' Joe Duffy'A great read, it's gripping, at times disturbing' Miriam O'Callaghan, RTÉ Radio 1

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Cambridge University LibraryT143658A lady = Catharine Talbot.London: printed for John and Francis Rivington, 1771. 48p.; 12

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Bodleian Library (Oxford)T180313A lady = Catherine Talbot.London: printed for John and Francis Rivington, 1774. 48p.; 12

'Brilliant . . . I couldn't stop reading' Jo Spain 'Exceptional . . . Deeply chilling' Jane Casey ______________Des is a good husband, a good father - a good man.He encourages his wife's artistic endeavours, reads bedtime stories to his children every night, and holds down a well-paid, if unfulfilling, job.But appearances can be deceptive. Lately, his wife seems to be forgetting that her art is for his eyes only. And rumours at work are threatening his reputation as a devoted family man. And he can't help but feel that his kids don't seem to need him as much as they once did.Des is afraid.Afraid of the world encroaching on his home.Afraid of past mistakes catching up on him.So afraid of losing control over his family that he is contemplating the unthinkable.A Good Father is a dark and gripping psychological suspense novel that will take you into the twisted mind of a man on the edge.'This intricately made novel marks the debut of a writer from whom, and of whom, we shall be hearing much in coming times' John Banville 'Captivating . . . Readers will come for the premise and stay for its clever unpacking' Irish Times 'A devastating new voice in Irish fiction . . . Magnificent' Joe Duffy'A great read, it's gripping, at times disturbing' Miriam O'Callaghan, RTÉ Radio 1