Kirjahaku

What if the lady -- Jane Austen’s contemporary --who conceived the world's most intriguing modern monster (Doc Frankenstein’s creature) -- was also a proto-suffragette, precursor-feminist, and, simultaneously, much to her chagrin, wedded to a narcissist poet, whose liberalism urged on his libertinism? How would such a woman think? What would she say about her majuscule Romantic dilemma and miniscule romantic predicament? Such are the questions that Chad Norman pursues in his act (and art) of sympathetic re-animation: Squall: Poems in the Voice of Mary Shelley.

Appealing to the Good is Us, Chad Norman writes poignantly and lyrically about the human journey, punctuated by border crossings, walls and barb-wire fences, racism, and intolerance based on one's physical looks, religion, gender, language, and geographic dis/location. In these deeply moving poems, the author reminds us that not only are we each other's keeper, but also stewards of the planet. Thus, the care of each other and the planet go hand in hand. These poems are warnings, prophecies, and elegies, but also a strong belief in the goodness of each one of us, and a gentle coaxing into performing right action. This is the only way we will be able to pull ourselves from the brink. Norman offers a blueprint for right action: love, compassion, fortitude, and courage. Read these poems then as meditations of hope for our collective future and evolution.

In Small Parental Forest, Chad Norman reaffirms our humanity and vital interconnectedness by immersing himself in the natural world. Norman has the rare ability to write poems that are politically engaging as well as poems that are so delicate that the reader, coming upon them unexpectedly, catches his breath: I sneak outsideduring the virus invasionto privately witness ...a wee purple crocuspoking out ofour morning's snowfallWith poems such as "The Beauty of the Thistle," and "The ID Cove 20," this collection is bound to impress.- Kenneth Sherman

First thing to say about this story is that it has not appeared in any publication anywhere. It has only been read aloud at the 2021 Honey Harvest festival, which takes place annually at the Avon River Heritage Museum, Newport Landing, Nova Scotia.

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