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109 kirjaa tekijältä Charles Gore

Regions in Question (Routledge Revivals)

Regions in Question (Routledge Revivals)

Charles Gore

Routledge
2010
sidottu
Originally published in1984. Regional development planning has grown rapidly in recent years, as both an academic specialism and a focus of policy and practice. Books and articles on the subject have proliferated, and all across the Third World governments have become commited to it, setting up large new departments and even ministries. Charles Gore argues that this growing popularity of regional planning in developing countries is profoundly paradoxical.
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Regions in Question (Routledge Revivals)

Regions in Question (Routledge Revivals)

Charles Gore

Routledge
2012
nidottu
Originally published in 1984, this book discusses the rapid growth of regional development planning, as both an academic specialism and a focus of policy and practice. Books and articles on the subject have proliferated, and all across the Third World governments have become commited to it, setting up large new departments and even ministries. Charles Gore argues that this growing popularity of regional planning in developing countries is profoundly paradoxical.
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Art, Performance and Ritual in Benin City

Art, Performance and Ritual in Benin City

Charles Gore

Edinburgh University Press
2007
sidottu
This book explores the roles of contemporary urban shrines and their visual traditions in Benin City. It focuses on the charismatic priests and priestesses who are possessed by a pantheon of deities, the communities of devotees, and the artists who make artifacts for their shrines. The visual arts are part of a wider configuration of practices that include song, dance, possession and healing. These practices provide the means for exploring the relationships of the visual to both the verbal and performance arts that feature at these shrines. The analysis in this book raises fundamental questions about how the art of Benin, and non-Western art histories more generally, are understood. The book throws critical light on the taken-for-granted assumptions which underpin current interpretations and presents an original and revisionist account of Benin art history.
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