Kirjahaku

Award-winning poet and essayist Cheryl Clarke’s illustrious career has spanned more than four decades and culminates in Archive of Style: New and Selected Poems, a long-awaited retrospective of the indelible work of a Black feminist, community and LGBTQ activist, and educator. This collection features carefully curated poems from Narratives: Poems in the Tradition of Black Women (1982), Living as a Lesbian (1986), The Days of Good Looks: Prose and Poetry 1980-2005 (2006), By My Precise Haircut (2016), and Targets (2019). Together these works show a brilliant thinker who has profoundly impacted generations of writers and activists. Clarke’s poetry and essays, centered around the Black, lesbian, feminist experience, have attracted an audience around the world. Her essays, “Lesbianism: an Act of Resistance” and “The Failure to Transform: Homophobia in the Black Community” revolutionized the thinking about lesbians of color and the struggle against homophobia. Her poetry and non-fiction have been reprinted in numerous anthologies and assigned in women and sexuality courses globally. Having published since 1977, Clarke and her work have become a foundational part of LGBTQ literature and activism. Archive of Style is a celebration and homage to one of American literature’s Black Women literary warriors.

The politics and music of the sixties and early seventies have been the subject of scholarship for many years, but it is only very recently that attention has turned to the cultural production of African American poets. In "After Mecca," Cheryl Clarke explores the relationship between the Black Arts Movement and black women writers of the period. Poems by Gwendolyn Brooks, Ntozake Shange, Audre Lorde, Nikki Giovanni, Sonia Sanchez, Jayne Cortez, Alice Walker, and others chart the emergence of a new and distinct black poetry and its relationship to the black community's struggle for rights and liberation. Clarke also traces the contributions of these poets to the development of feminism and lesbian-feminism, and the legacy they left for others to build on. She argues that whether black women poets of the time were writing from within the movement or writing against it, virtually all were responding to it. Using the trope of "Mecca," she explores the ways in which these writers were turning away from white, western society to create a new literacy of blackness. Provocatively written, this book is an important contribution to the fields of African American literary studies and feminist theory.

Riley the Runner is the speediest runner in town. He loves to run EVERYWHERE But what if something happens and he can't run anymore? Join Riley as discovers that fast isn't always best.

Poetry. African & African American Studies, Women's Studies. LGBT Studies. THE HILARY THAM CAPITAL COLLECTION. Cheryl Clarke's long-awaited fifth poetry collection travels the political and spiritual trails of her many commitments--to social justice, to women of color, to the LGBTQ community, and to the rage, love, and song that live in each reader. Says Nikky Finney, Cheryl has stayed the firebrand course, all while inventing new and wondrous paths. 2016 Judge Kimiko Hahn adds, Whether the tone is wily or grieving, wise or wise-ass, the reader is drawn closer by the page and into a world that may be Black, Lesbian, middle-aged, sister of a deceased Sgt. J. L. Winters, daughter of the Block Elder--but is certainly a threshold for all.

Over the last 20 years, the pressure on married couples has increased dramatically. Reports show that couples who stayed married for several years were unhappy and dissatisfied with their marriage--they felt unaccepted, underappreciated, and passionless. Many couples stayed in their marriage either because of financial reasons or for the sake of their children. Greg and Cheryl's insight can help shift your married life from HURTING to HEALED so you can create the relationship of your dreams.

In 2010, Professor Kevin Allred created the university course "Politicizing Beyonc " to both wide acclaim and controversy. He outlines his pedagogical philosophy in Ain't I a Diva?, exploring what it means to build a syllabus around a celebrity. Topics range from a capitalist critique of "Run the World (Girls)" to the politics of self-care found in "Flawless"; Beyonc 's art is read alongside black feminist thinkers including Kimberl Crenshaw, Octavia Butler, and Sojourner Truth. Combining analysis with classroom anecdotes, Allred attests that pop culture is so much more than a guilty pleasure, it's an access point--for education, entertainment, critical inquiry, and politics.