Kirjahaku

The proliferation of international courts and tribunals has given rise to several new issues affecting the administration of international justice. This book makes a significant contribution to understanding the impact of this proliferation by addressing one important question: namely, whether international courts and tribunals are increasingly adopting common approaches to issues of procedure and remedies. This book's central argument is that there is an increasing commonality in the practice of international courts to the application of rules concerning these issues, and that this represents the emergence of a common law of international adjudication. This book examines this question by considering several key issues relating to procedure and remedies, and analyses relevant international jurisprudence to demonstrate that there is substantial commonality. It goes on to look at why international courts are increasingly adopting common approaches to such questions, and why a greater degree of commonality may be found with respect to some issues rather than others. In doing so, light is shed on the methods adopted by international courts to engage in the cross-fertilization of legal principles. The emergence of a common law of international adjudication has important practical and theoretical implications, as it suggests that international courts can also devise common approaches to the challenges that they face in the age of proliferation. It also suggests that international courts do not generally operate as self-contained regimes, but rather that they regard themselves as forming part of a community of international courts, therefore having positive implications for the development of the international legal system.

A LONG-OUT-OF-PRINT CLASIC BY A MASTER OF UNDERGROUND COMICSIn the late 1980s, the idiosyncratic Chester Brown (author of the muchlauded Paying for It and Louis Riel) began writing the cult classic comic book series Yummy Fur. Within its pages, he serialized the groundbreaking Ed the Happy Clown, revealing a macabre universe of parallel dimensions. Thanks to its wholly original yet disturbing story lines, Ed set the stage for Brown to become a world-renowned cartoonist. Ed the Happy Clown is a hallucinatory tale that functions simultaneously as a dark roller-coaster ride of criminal activity and a scathing condemnation of religious and political charlatanism. As the world around him devolves into madness, the eponymous Ed escapes variously from a jealous boyfriend, sewer monsters, the Royal Canadian Mounted Police, and a janitor with a Jesus complex. Brown leaves us wondering, with every twist of the plot, just how Ed will get out of this scrape. The intimate, tangled world of Ed the Happy Clown is definitively presented here, repackaged with a new foreword by the author and an extensive notes section, and is, like every Brown book, astonishingly perceptive about the zeitgeist of its time.

A memoir of shocking honesty by the graphic novelist behind 2011's acclaimed comic Paying for ItAs with every Chester Brown book, The Playboy--originally published in 1992--was ahead of its time, illustrating the fearlessness and prescience of the iconoclastic cartoonist. A memoir about Brown's adolescent sexuality and shame, The Playboy chronicles his teenage obsession with the magazine of the same name, but it's also a work that explores the physical form of comics to their fullest storytelling capacity. In it, a fifteen-year-old Chester is visited by a time-traveling adult Chester, and the latter narrates the former's compulsion to purchase each issue of Playboy as it appears on newsstands. Even more fascinating than his obsession with the magazine is his need to keep his habit secret and the resulting lengths to which he goes to avoid detection by his family and, later, his girlfriends. The comics that became The Playboy first appeared in issues of Brown's controversial, groundbreaking comic Yummy Fur more than twenty years ago, and yet the frankness of the work makes it seem avant-garde even now. As in every work by this master cartoonist, The Playboy uses no extra words, no extra panels, no extra lines, conveying environment and emotion through perfectly chosen moments. Fans of his acclaimed and controversial memoir Paying for It are sure to be drawn in by this early autobiographical portrait of blazing honesty. The expanded reissue includes all-new appendixes and notes from the author.

The critically lauded memoir about being a john, available in paperback for the first time!Paying for It was easily the most talked-about and controversial graphic novel of 2011, a critical success so innovative and complex that it received two rave reviews in The New York Times and sold out of its first print run in just six months. Chester Brown's eloquent, spare artwork stands out in this paperback edition.Paying for It combines the personal and sexual aspects of Brown's autobiographical work (I Never Liked You, The Playboy) with the polemical drive of Louis Riel. He calmly lays out the facts of how he became not only a willing participant in but also a vocal proponent of one of the world's most hot-button topics--prostitution. While this may appear overly sensational and just plain implausible to some, Brown's story stands for itself. Paying for It offers an entirely contemporary exploration of sex work--from the timid john who rides his bike to his escorts, wonders how to tip so as not to offend, and reads Dan Savage for advice, to the modern-day transactions complete with online reviews, seemingly willing participants, and clean apartments devoid of clich d street corners, drugs, or pimps. Complete with a surprise ending, Paying for It continues to provide endless debate and conversation about sex work.

The iconoclastic and bestselling cartoonist of Paying for It: A Comic-Strip Memoir About Being a John returns with a polemical interpretation of the Bible that will be one of the most controversial and talked-about graphic novels of 2016. Mary Wepte over the feet of Jesus is the retelling in comics from of nine biblical stories that present Chester Brown's fascinating and starling thesis about biblical representations of prostitution. Brown weaves a connecting line between Bathsheba, Ruth, Rahab, Tamar, Mary of Bethany, and he Birgin Mother and the reassesses the Christian moral code by examining the cultural implications of the Bible's representations of sex work. Mary Wept over the Feet of Jesus is a fitting follow-up to Brown's sui generis graphic memoir Paying for It, which was reviewed twice in the New York Times and hailed by sex workers for Brown's advocacy for the decriminalization and normalization of prostitution. Brown approaches the Bible as he did the life of Louis Riel, making these stories compellingly readable and utterly pertinent to a modern audience. In classic Chester Brown fashion, he provides extensive handwritten endnotes that delve into the biblical lore that informs Mary Wept over the feet of Jesus. 'There aren't many cartoonists as brave - or frankly, as strange - as this Canadian artist.' - Rolling Stone.

The critically lauded memoir about being a john is now a major motion picture! Paying for It was the most talked-about and controversial graphic novel of 2011, a critical success so innovative and complex that it received two rave reviews in The New York Times. Chester Brown's eloquent, spare artwork stands out in this new paperback edition, tied to the release of the film adaptation co-written and directed by Sook-Yin Lee, Brown s longtime friend and the director of Year of the Carnivore and Octavio is Dead! Paying for It offers an entirely unvarnished exploration of sex work through Brown s own life story, showing him as a timid john who rides his bike to his escorts, wonders how to tip so as not to offend, and reads Dan Savage for advice. The book demystifies an experience that is so often sensationalized, revealing a world of online reviews, seemingly willing participants, and clean apartments devoid of cliched street corners, drugs, or pimps. In it, Brown combines the personal and sexual aspects of his autobiographical work (I Never Liked You, The Playboy) with the polemical drive of Louis Riel, as he explores one of the most hotly debated issues in the world and advocates for the importance of legalizing sex work. Now with an introduction by Lee, expanded notes discussing the film adaptation, movie stills and behind the scenes shots, as well as a new cover by Brown and artwork that he created for the production, Paying for It: The Film Edition is an unmissable edition for fans of Brown and film-making alike.

"It has the thoroughness of a history book yet reads with the personalized vision of a novel." -TimeChester Brown reinvents the comic-book medium to create the critically acclaimed historical biography Louis Riel, winning the Harvey Awards for best writing and best graphic novel for his compelling, meticulous, and dispassionate retelling of the charismatic, and perhaps insane, nineteenth-century M tis leader. Brown coolly documents with dramatic subtlety the violent rebellion on the Canadian prairie led by Riel, who some regard a martyr who died in the name of freedom, while others consider him a treacherous murderer.

In one of the best graphic novels published in recent years, Chester Brown tells the story of his alienated youth in an almost detached, understated manner, giving I Never Liked You an eerie, dream-like quality. For the new 2002 definitive softcover edition Brown has designed new layouts for the entire book, using "white" panel backgrounds instead of the black pages of the first edition.

Clownen Eds äventyr är en hisnande vanvettsresa. Den olycksförföljde Ed möter en man som tappat sin hand, en annan man som inte kan sluta skita, en flicka som mördas två gånger, president Reagan som en pratande penis, en hord råttätande pygméer, två vampyrlösa vampyrjägare – ja, och så penistransplantörerna, så klart. Denna makalösa fantasi, som trotsar alla hämningar, berättas i nedtonade, nakna teckningar som fångar läsaren i ett hypnotiskt grepp. En legendarisk serie som gjorde kanadensaren Chester Brown till en kultfigur i serievärlden. Ett sentida surrealistiskt mästerverk, en groteskt kuslig men också en vanvettigt komisk serie. Den svenska utgåvan innehåller även en sammanfattning av handlingen i de ”bortglömda” kapitlen av serien som utelämnades i den amerikanska bokutgåvan.

En koskaan pitänyt sinusta on riipaiseva omaelämänkerrallinen ja moniulotteinen muistelma menetyksistä ja yrityksistä sopeutua.Kirjan Chester on introvertti teini, joka käy taistelua tunteitaan vastaan. Ystävyyssuhteet, ensimmäiset rakkaudentuntemukset sekä äidin horjuva mielenterveys täyttävät ujon päähenkilön mielen. Brownin kuva murrosikäisestä maailmasta on väkevän tunteikas - nuori ihminen irtautuu tutusta osin omasta tahdostaan, osin tahtomattaan. Tämä purkautuu epätoivona ja uudenlaisina tarpeina, joita ei aina ole helppo ymmärtää.Chester Brown käyttää sarjakuvaa lyyrisesti ja antaa tarinan hengittää. Hänen vähäeleinen piirrostyönsä on täynnä merkityksellisiä yksityiskohtia ja kirjan kuvat viipyilevät lukijan mielessä pitkään.Kanadalainen Chester Brown (s. 1960) on yksi maansa arvostetuimpia sarjakuvantekijöitä. Häneltä on aiemmin suomennettu teokset Ed, iloinen klovni (1989, Like) sekä Playboy-tarinoita (1992, Like).