Kirjahaku

Winner of the STR Theatre Book Prize 2024Featuring contributions from over eighty original cast members, creatives, crew and audience members, Out For Blood pieces together the surprising, hilarious and often-moving inside story of Carrie The Musical to discover how this ‘horror of a Broadway musical’ lived, died and was subsequently resurrected as a mainstream success story.In 1988, following the success of its production of Les Misérables and in the wake of the commercial success of mega-musicals such as Cats, Phantom of the Opera and Chess, the Royal Shakespeare Company agreed to co-produce a musical based on Stephen King’s Carrie, written by the team behind Fame. The result was one of Broadway's most infamous disasters. Plagued by technical problems, on-stage chaos and a critical savaging, Carrie would soon become the by-word for musical theatre flops. But thanks to the efforts of a vocal army of fans and the impact of bootleg trading and emerging online communities, the show reinvented itself as a mainstream success story with thousands of productions worldwide.Patching together memories, archive material and contemporary reports, Out For Blood dives into the origins and development of this infamous show and examines how a promising entertainment product can swiftly gain a notorious reputation, what makes or breaks a Broadway show, and how even the most unlikely of musicals can find its place in the hearts of fans around the world.Based on the hit ten-part podcast, Out For Blood will delight theatregoers, flop aficionados and ‘Friends of Carrie’ alike.

Winner of the STR Theatre Book Prize 2024Featuring contributions from over eighty original cast members, creatives, crew and audience members, Out For Blood pieces together the surprising, hilarious and often-moving inside story of Carrie The Musical to discover how this ‘horror of a Broadway musical’ lived, died and was subsequently resurrected as a mainstream success story.In 1988, following the success of its production of Les Misérables and in the wake of the commercial success of mega-musicals such as Cats, Phantom of the Opera and Chess, the Royal Shakespeare Company agreed to co-produce a musical based on Stephen King’s Carrie, written by the team behind Fame. The result was one of Broadway's most infamous disasters. Plagued by technical problems, on-stage chaos and a critical savaging, Carrie would soon become the by-word for musical theatre flops. But thanks to the efforts of a vocal army of fans and the impact of bootleg trading and emerging online communities, the show reinvented itself as a mainstream success story with thousands of productions worldwide.Patching together memories, archive material and contemporary reports, Out For Blood dives into the origins and development of this infamous show and examines how a promising entertainment product can swiftly gain a notorious reputation, what makes or breaks a Broadway show, and how even the most unlikely of musicals can find its place in the hearts of fans around the world.Based on the hit ten-part podcast, Out For Blood will delight theatregoers, flop aficionados and ‘Friends of Carrie’ alike.

General Adams reflects on his experiences in the cold war, during which he served in both manned bombers and missile silos. He tells stories of famous and not-so-famous cold warriors, including some from the US Navy. Some stories are humorous; some stories are tragic. Having traveled extensively in Russia and some former Soviet Union states after retirement, General Adams tells us about his former adversaries, the Soviet cold warriors. In the process, he leaves no doubt about his respect for all who served so valiantly in the "strategic triad"-- the strategic command, the ICBM force, and the submarine Navy.

In The Grail Guitar: The Search for Jimi Hendrix’s Purple Haze Telecaster, Chris Adams takes readers on a fascinating mystery tour to determine whether a Fender Telecaster bought secondhand in a London music store in 1973 was the one used by Jimi Hendrix to record “Purple Haze” in January 1967. The only clues are its left-handed tuners and the salesman’s chance remark that the guitar was brought into the shop by a Hendrix roadie. But these are enough to set the author off on this intriguing journey into Hendrix history. With firsthand details from model Linda Keith, who discovered Hendrix in New York, Adams recounts how the rising star left for London with a white Stratocaster belonging to Keith Richards. The man who made Hendrix’s pedals explains how this Strat failed to make the “Purple Haze” recording session and how it was replaced by a borrowed Telecaster. As Adams tracks down the surviving musicians, they shed light on the fate of that Telecaster and gradually the two guitars begin to merge into one. Throughout, Adams weaves his own story as a rock musician and tells how, against the odds, he managed to hold on to this remarkable instrument. Here is a riveting story of one man seeking the truth about a cultural artifact that changed rock history, a story for rock fans and guitar aficionados, treasure hunters and antique dealers, as well as anyone who likes a detective story.