Kirjahaku

They disseminate their ideas on the alternative broadcast networks and through their own publishers and schools. Their intellectual leaders demand the complete dismantling of the secular state; their followers have been roused to a fever pitch of resentment and despair. Describing themselves as true patriots, they wrap themselves in the flag - but all it might take, writes veteran journalist (and Harvard Divinity School graduate) Chris Hedges, is one more national crisis of the order of September 11 for the Christian Right to seize power and reveal themselves for what they really are - the American heirs to Fascism.With a step-by-step breakdown of how they started and where they are, Chris Hedges conducts brilliant on-the-ground reporting and produces a deeply compelling work of cultural and political anthropology and an impassioned, no-holds-barred polemic. American Fascists is sure to be one of the most talked about books of the year.

A veteran war correspondent and award-winning author of War Is a Force That Gives Us Meaning shares examples from his personal life and career to discuss how specific American social groups can benefit from an adherence to the Ten Commandments. Reprint. 25,000 first printing.

An expos of the political ambitions of the Christian right provides a step-by-step breakdown of how the non-secular agenda gained momentum through alternative networks, schools, and publishers; challenges popular opinions that equate extreme Christian ideals with patriotism; and warns readers that another national crisis may enable the Christian right to seize political power. Reprint. 50,000 first printing.

This timely anthology of plays by American and British writers bears witness to the realities of the wars in Iraq and Afghanistan for combatants and civilians alike and asks what it means to be a citizen in a democracy at war. Sometimes with humour or erotic charge, always with compassion and surprising insight, these contemporary plays return a necessary social edge to the theatre.

From the New York Times bestselling author of American Fascists and the NBCC finalist for War Is a Force That Gives Us Meaning comes this timely and compelling work about new atheists: those who attack religion to advance the worst of global capitalism, intolerance and imperial projects. Chris Hedges, who graduated from seminary at Harvard Divinity School, has long been a courageous voice in a world where there are too few. He observes that there are two radical, polarized and dangerous sides to the debate on faith and religion in America: the fundamentalists who see religious faith as their prerogative, and the new atheists who brand all religious belief as irrational and dangerous. Both sides use faith to promote a radical agenda, while the religious majority, those with a commitment to tolerance and compassion as well as to their faith, are caught in the middle. The new atheists, led by Richard Dawkins, Christopher Hitchens and Sam Harris, do not make moral arguments about religion. Rather, they have created a new form of fundamentalism that attempts to permeate society with ideas about our own moral superiority and the omnipotence of human reason. I Don't Believe in Atheists critiques the radical mindset that rages against religion and faith. Hedges identifies the pillars of the new atheist belief system, revealing that the stringent rules and rigid traditions in place are as strict as those of any religious practice. Hedges claims that those who have placed blind faith in the morally neutral disciplines of reason and science create idols in their own image -- a sin for either side of the spectrum. He makes an impassioned, intelligent case against religious and secular fundamentalism, which seeks to divide the world into those worthy of moral and intellectual consideration and those who should be condemned, silenced and eradicated. Hedges shatters the new atheists' assault against religion in America, and in doing so, makes way for new, moderate voices to join the debate. This is a book that must be read to understand the state of the battle about faith.

Revolutions come in waves and cycles. We are again riding the crest of a revolutionary epic, much like 1848 or 1917, from the Arab Spring to movements against austerity in Greece to the Occupy movement. In Wages of Rebellion , Chris Hedges- who has chronicled the malaise and sickness of a society in terminal moral decline in his books Empire of Illusion and Death of the Liberal Class - investigates what social and psychological factors cause revolution, rebellion, and resistance. Drawing on an ambitious overview of prominent philosophers, historians, and literary figures he shows not only the harbingers of a coming crisis but also the nascent seeds of rebellion. Hedges' message is clear: popular uprisings in the United States and around the world are inevitable in the face of environmental destruction and wealth polarization.Focusing on the stories of rebels from around the world and throughout history, Hedges investigates what it takes to be a rebel in modern times. Utilizing the work of Reinhold Niebuhr, Hedges describes the motivation that guides the actions of rebels as sublime madness" , the state of passion that causes the rebel to engage in an unavailing fight against overwhelmingly powerful and oppressive forces. For Hedges, resistance is carried out not for its success, but as a moral imperative that affirms life. Those who rise up against the odds will be those endowed with this sublime madness."From South African activists who dedicated their lives to ending apartheid, to contemporary anti-fracking protests in Alberta, Canada, to whistleblowers in pursuit of transparency, Wages of Rebellion shows the cost of a life committed to speaking the truth and demanding justice. Hedges has penned an indispensable guide to rebellion.

We now live in two Americas. One,now the minority,functions in a print-based, literate world that can cope with complexity and can separate illusion from truth. The other,the majority,is retreating from a reality-based world into one of false certainty and magic. To this majority,which crosses social class lines, though the poor are overwhelmingly affected,presidential debate and political rhetoric is pitched at a sixth-grade reading level. In this other America," serious film and theatre, as well as newspapers and books, are being pushed to the margins of society. In the tradition of Christopher Lasch's The Culture of Narcissism and Neil Postman's Amusing Ourselves to Death , Pulitzer Prize-winner Chris Hedges navigates this culture,attending WWF contests, the Adult Video News Awards in Las Vegas, and Ivy League graduation ceremonies,to expose an age of terrifying decline and heightened self-delusion.

For decades the liberal class was a defence against the worst excesses of power. But the pillars of the liberal class, the press, universities, the labour movement, the Democratic Party, and liberal religious institutions,have collapsed. In its absence, the poor, the working class, and even the middle class no longer have a champion. In this searing polemic Chris Hedges indicts liberal institutions, including his former employer, the New York Times , who have distorted their basic beliefs in order to support unfettered capitalism, the national security state, globalization, and staggering income inequalities. Hedges argues that the death of the liberal class created a profound vacuum at the heart of American political life. And now speculators, war profiteers, and demagogues, from militias to the Tea Party,are filling the void.

Acclaimed journalist and Pulitzer Prize winner Chris Hedges is one of the great moral voices of our age. He has the rare combination of decades of experience reporting from conflict zones in Central America, the Middle East, Africa, and the Balkans, and the erudition one would expect from a student of Christian ethics and the classics at Harvard University. He prizes the truth over news and facts. And in the pursuit of truth he has risked his career even his life. I never sought to be objective," he writes. How can you be objective about death squads in El Salvador, massacres in Iraq, or Serbian sniper fire that gunned down unarmed civilians including children in Sarajevo? How can you be neutral about the masters and profiteers of war who lie and dissemble to hide the crimes they commit and the profits they make? How can you be objective about human pain? And finally, how can you be objective about those who are responsible for this suffering?" The World As It Is is a collection of Hedges essays originally published by Truthdig, the Webby award-winning progressive news website. Hedges lyrically and fearlessly dissects the most controversial issues of the day: America's wars of self-destruction in Iraq and Afghanistan, the decay of American empire (at home and abroad), Israel's ghettoization of Palestinians in the West Bank and Gaza, and the failure of American liberalism. His essays draw on his extraordinary experiences as a journalist but also his conviction that the centres of power in America have been seized and hijacked by corporations, something the American media pays deference to. Because the press is not concerned with distinguishing truth from news, because it lacks a moral compass, it has become nothing more than courtiers to the elite, shameless hedonists of power and absurd court propagandists."Chris Hedges insists that unless we begin to stand fast around moral imperatives, ones we cannot abandon and must be willing to fight the formal systems of power to advance, we will be complicit in our self-annihilation.

As a veteran war correspondent, Chris Hedges has survived ambushes in Central America, imprisonment in Sudan, and a beating by Saudi military police. He has seen children murdered for sport in Gaza and petty thugs elevated into war heroes in the Balkans. Hedges, who is also a former divinity student, has seen war at its worst and knows too well that to those who pass through it, war can be exhilarating and even addictive: It gives us purpose, meaning, a reason for living."Drawing on his own experience and on the literature of combat from Homer to Michael Herr, Hedges shows how war seduces not just those on the front lines but entire societies,corrupting politics, destroying culture, and perverting basic human desires. Mixing hard-nosed realism with profound moral and philosophical insight, War Is a Force that Gives Us Meaning is a work of terrible power and redemptive clarity whose truths have never been more necessary.

An unflinching indictment of the horror and obscenity of war by one of our finest war correspondents. Drawn from experience and interviews by Pulitzer-prize-winner Chris Hedges, this book looks at the hidden costs of war, what it does to individuals, families, communities and nations. In fifteen short chapters, Chris Hedges astonishes us with his clear and cogent argument against war, not on philosophical grounds or through moral arguments, but in an irrefutable stream of personal encounters with the victims of war, from veterans and parents to gravely wounded American serviceman who served in the Iraq War, to survivors of the Holocaust, to soldiers in the Falklands War, among others. Hedges reported from Sarajevo, and was in the Balkans to witness the collapse of the Soviet Union. In 2002 he published War Is a Force that Gives Us Meaning, which the Los Angeles Times described as "the best kind of war journalism... bitterly poetic and ruthlessly philosophical" and the New York Times called "a brilliant, thoughtful, timely, and unsettling book." In the twenty years since, Hedges has not wanted to write another book on the subject of war--until now, with the outbreak of war in Ukraine. It is important again to be reminded who are the victors of the spoils of war and of other unerring truths, not only in this war but in all modern wars, where civilians are always the main victims, and the tools and methods of war are capable of so much destruction it boggles the mind. This book is an unflinching indictment of the horror and obscenity of war by one of our finest war correspondents.

Now with a new preface for the paperback edition by the author, an unflinching indictment of the horror and obscenity of war by one of our finest war correspondents. Drawn from experience and interviews by Pulitzer-prize-winner Chris Hedges, a devastating look the hidden costs of war, what it does to individuals, families, communities and nations. "A remarkable record of reporting and analysis. . . A contribution of great significance in these troubled times." --Noam Chomsky In the twenty years since the publication of War Is a Force that Gives Us Meaning, Chris Hedges has not wanted to write another book on the subject of war--until now, with the outbreak of war in Ukraine. In fifteen short chapters, Chris Hedges astonishes us with his clear and cogent argument against war, not on philosophical grounds or through moral arguments, but in an irrefutable stream of personal encounters with the victims of war, from veterans and parents to gravely wounded American serviceman who served in the Iraq War, to survivors of the Holocaust, to soldiers in the Falklands War, among others. Hedges reported from Sarajevo, and was in the Balkans to witness the collapse of the Soviet Union. Today it is important again to be reminded who are the victors of the spoils of war and of other unerring truths, not only in this war but in all modern wars, where civilians are always the main victims, and the tools and methods of war are capable of so much destruction it boggles the mind.

With intimate and harrowing portraits of the human consequences of oppression, occupation, and violence experienced in Palestine today, Pulitzer-prize-winning journalist Chris Hedges issues a call to action urging us to bear witness and engage with the ongoing humanitarian crisis. Hedges wrote the first section of the book when he was in Ramallah in July 2024, and he draws from his experience doing extensive reporting from the Middle East, including Gaza, for the New York Times. A Genocide Foretold confronts the stark realities of life under siege in Gaza and the heroic effort ordinary Palestinians are waging to resist and survive. Weaving together personal stories, historical context, and unflinching journalism, Chris Hedges provides an intimate portrait of systemic oppression, occupation, and violence. The book includes chapters on: What life is like in Gaza City and Ramallah in the midst of approaching bombs and gunfire.The history of the dispossession of Palestinians of their land in relation to the ideology of Zionism.A portrait of Amr, a 17-year-old highschool student who is forced to evacuate his village with his family.Psychoanalysis of the state of permanent war that has led to the destruction of hospitals, telecommunications centers, governmental buildings, roads, homes universities, schools, and libraries and archaeological and heritage sites in Gaza.The ways in which the collective retribution against innocents is a familiar tactic employed by colonial rulers.A heartbreaking final chapter called "Letter to the Children of Gaza."Hedges, the Pulitzer Prize-winning former Middle East Bureau Chief for The New York Times, is an Arabic speaker who spent seven years covering the conflict. He wrote the first section of the book when he was in Ramallah in July 2024. A Pulitzer-Prize winning journalist, he is also the author of two bestselling books, War is a Force that Gives us Meaning and The Greatest Evil is War. In A Genocide Foretold he writes with an emotional depth that can only be achieved from spending many years on the ground in Gaza and the West Bank. A Genocide Foretold is a call to action, urging us to bear witness and engage with the ongoing humanitarian crisis.

A powerfully moving book that "could make graspable why today's prisons are contemporary slave plantations" (Alice Walker, author of The Color Purple), giving voice to the poorest among us and laying bare the cruelty of a penal system that too often defines their lives.Pulitzer Prize-winning journalist Chris Hedges has taught courses in drama, literature, philosophy, and history since 2013 in the college degree program offered by Rutgers University at East Jersey State Prison and other New Jersey prisons. In his first class at East Jersey State Prison, where students read and discussed plays by Amiri Baraka and August Wilson, among others, his class set out to write a play of their own. In writing the play, Caged, which would run for a month in 2018 to sold-out audiences at The Passage Theatre in Trenton, New Jersey, and later be published, students gave words to the grief and suffering they and their families have endured, as well as to their hopes and dreams. The class's artistic and personal discovery, as well as transformation, is chronicled in heartbreaking detail in Our Class. This "magnificent" (Cornel West, author of Race Matters) book gives a human face and a voice to those our society too often demonizes and abandons. It exposes the terrible crucible and injustice of America's penal system and the struggle by those trapped within its embrace to live lives of dignity, meaning, and purpose.