Kirjahaku

It is 1854, and with the certainty of land behind her, Sarah flees her home for the uncertainties of life in the new colony. In steerage, she joins the other unmarried women, where the horrors of their close confinement bring an unraveling of secrets no one can control. Sarah endures, longing for her mother's forgiveness and the sweetness of her cousin Richard's breath. As she draws closer to her new land, she becomes increasingly haunted by her own tale and the letter home she cannot write. Moving between the voyage in which pigs run through flooded living quarters to the hallucinatory visions induced by heat and doldrums, Christine Balint's astonishing debut novel brings us close to a time when the world was still a place to be discovered. Shortlisted for the Vogel Literary Award. "Dazzling.... A meticulous history and a beautifully crafted fiction.... Compelling reading."—Brisbane Courier Mail

Christine Balint reimagines the bittersweet life of Harriet Smithson, the tragedienne who brought Shakespeare to the French. Born in County Clare, Ireland, in 1800, Harriet is left in the care of the elderly priest Father Barrett, and is brought up on Lamb's Shakespeare, lime-sherbet sweets, and prayer. A child of traveling players, her ultimate inheritance is Covent Garden, London, the green room, and the theater's rough magic. With the arrival of Charles Kemble's English Theatre troupe in Paris in 1827, the Odeon Theatre is awash with the drama and music of Shakespeare. Harriet is Ophelia. The French Romantics swoon, traffic stops, and the high-society women plait straw in their hair in honor of her mad Ophelia. The fiery composer Hector Berlioz falls in love. In Ophelia's Fan, Balint re-creates the texture and breadth of the nineteenth century and brings alive Harriet Smithson; the actress and the woman, her roles and her loves. Reading group guide included.

Winner of Viva la Novella IX In eighteenth-century Venice, orphan Lucietta is raised by a fisherman's family yet supported by a secret benefactor to study music. At 16, she takes up her position at the Derelitti Convent, one of the prestigious musical orphanages for girls, playing the violin in the ensemble and training the younger musicians. Confronted by her benefactor's plans for her life, Lucietta uncovers the true legacy of these women and her role in bridging the past.

It is 1756. In a mountain village outside Venice, 13-year-old Anna Maria Bonon lives with her grandmother and her father, Giacomo. In the daytime, she cards wool at the local mill. At home, she raises silk worms. Giacomo is one of the forestieri (outsiders) in the community, scrambling for work, drinking his sorrows away at the osteria, stealing by the cover of night. When he is arrested for attempted murder, Anna Maria discovers her voice and the courage to tell her story. She walks 29 kilometres to Vicenza and accuses him of rape. The Council of Ten arrive from Venice to investigate. Challenged by her grandmother and the priest, Anna Maria is torn between loyalty to her elders and telling her truth. She must decide whether to affirm her original story or deny it. Will she choose her own safety and justice over the survival of her family? Drawing closely on original trial documents from the Venetian archives, prize-winning novelist Christine Balint brings to life a court case unique for its time, with important echoes to the present day.