Kirjahaku

WRITERS IN CONVERSATION compiles Christopher Bigsby's interviews with the world's greatest writers from a decade of the Arthur Miller Centre's International Literary Festival at the University of East Anglia. These often candid, in-depth, witty and illuminating exchanges shine a light on the craft and profession of the working writer today.

Christopher Bigsby explores the entirety of Arthur Miller’s work, including plays, poetry, fiction and films, in this comprehensive and stimulating study. Drawing on interviews conducted over the last twenty years, on unique rehearsal material and research archives, he paints a compelling picture of how Miller’s works were influenced by and created in the light of events of the twentieth and twenty-first centuries. This is an enjoyable insight into a great playwright that will interest both theatregoers and students of modern drama.

Christopher Bigsby explores the works and influences of ten contemporary American playwrights: John Guare (House of Blue Leaves), Tina Howe (Museum and Approaching Zanzibar), Pulitzer Prize and Tony award winner Tony Kushner (Angels in America), Emily Mann (Anulla: An Autobiography and Having Our Say), Richard Nelson (An American Comedy), Marsha Norman (The Secret Garden), David Rabe (In the Boom Boom Room), Pulitzer Prize winner Paula Vogel (Desdemona: A Play about a Handkerchief), Wendy Wasserstein (The Sisters Rosenzweig), and Pulitzer Prize winner Lanford Wilson (Talley’s Folly). Bigsby examines, in some detail, the developing careers of some of America’s most fascinating and original dramatic talent. In addition to well-known works, Bigsby discusses some of the latest plays to reach the stage. This lively and accessible book, by one of the leading writers on American theatre, will be of interest to students, scholars and general theatre-goers alike.

Christopher Bigsby explores the works and influences of ten contemporary American playwrights: John Guare (House of Blue Leaves), Tina Howe (Museum and Approaching Zanzibar), Pulitzer Prize and Tony award winner Tony Kushner (Angels in America), Emily Mann (Anulla: An Autobiography and Having Our Say), Richard Nelson (An American Comedy), Marsha Norman (The Secret Garden), David Rabe (In the Boom Boom Room), Pulitzer Prize winner Paula Vogel (Desdemona: A Play about a Handkerchief), Wendy Wasserstein (The Sisters Rosenzweig), and Pulitzer Prize winner Lanford Wilson (Talley’s Folly). Bigsby examines, in some detail, the developing careers of some of America’s most fascinating and original dramatic talent. In addition to well-known works, Bigsby discusses some of the latest plays to reach the stage. This lively and accessible book, by one of the leading writers on American theatre, will be of interest to students, scholars and general theatre-goers alike.

One of America's most powerful and original dramatists, August Wilson offered an alternative history of the twentieth century, as seen from the perspective of black Americans. He celebrated the lives of those seemingly pushed to the margins of national life, but who were simultaneously protagonists of their own drama and evidence of a vital and compelling community. Decade by decade, he told the story of a people with a distinctive history who forged their own future, aware of their roots in another time and place, but doing something more than just survive. Wilson deliberately addressed black America, but in doing so discovered an international audience. Alongside chapters addressing Wilson's life and career, and the wider context of his plays, this Companion dedicates individual chapters to each play in his ten-play cycle, which are ordered chronologically, demonstrating Wilson's notion of an unfolding history of the twentieth century.

Neil LaBute is one of the most exciting new talents in theatre and film to have emerged in the 1990s. Influenced and inspired by such writers as David Mamet, Edward Bond and Harold Pinter, he is equally at home writing for the screen as for the stage, and the list of films he has written and directed includes The Wicker Man (2006), Possession (2002) and In the Company of Men (1998). As a playwright, screenwriter, director, and author of short stories, he has staked out a distinctive, and disturbing, territory. In the first full-length study on LaBute, Christopher Bigsby examines his darkly funny work which explores the cruelties, self-concern and manipulative powers of individuals who inhabit a seemingly uncommunal world. Individual chapters are dedicated to particular works, and the book also includes an interview with LaBute, providing a fascinating insight into the life of this influential and often controversial figure.

Christopher Bigsby explores the entirety of Arthur Miller’s work, including plays, poetry, fiction and films, in this comprehensive and stimulating study. Drawing on interviews conducted over the last twenty years, on unique rehearsal material and research archives, he paints a compelling picture of how Miller’s works were influenced by and created in the light of events of the twentieth and twenty-first centuries. This is an enjoyable insight into a great playwright that will interest both theatregoers and students of modern drama.

One of America's most powerful and original dramatists, August Wilson offered an alternative history of the twentieth century, as seen from the perspective of black Americans. He celebrated the lives of those seemingly pushed to the margins of national life, but who were simultaneously protagonists of their own drama and evidence of a vital and compelling community. Decade by decade, he told the story of a people with a distinctive history who forged their own future, aware of their roots in another time and place, but doing something more than just survive. Wilson deliberately addressed black America, but in doing so discovered an international audience. Alongside chapters addressing Wilson's life and career, and the wider context of his plays, this Companion dedicates individual chapters to each play in his ten-play cycle, which are ordered chronologically, demonstrating Wilson's notion of an unfolding history of the twentieth century.

This is a meditation on memory and on the ways in which memory has operated in the work of writers for whom the Holocaust was a defining event. It is also an exploration of the ways in which fiction and drama have attempted to approach a subject so resistant to the imagination. Beginning with W. G. Sebald, for whom memory and the Holocaust were the roots of a special fascination, Bigsby moves on to consider those writers Sebald himself valued, including Arthur Miller, Anne Frank, Primo Levi and Peter Weiss, and those whose lives crossed in the bleak world of the camps, in fact or fiction. The book offers a chain of memories. It sets witness against fiction, truth against wilful deceit. It asks the question who owns the Holocaust - those who died, those who survived to bear witness, those who appropriated its victims to shape their own necessities.

Neil LaBute is one of the most exciting new talents in theatre and film to have emerged in the 1990s. Influenced and inspired by such writers as David Mamet, Edward Bond and Harold Pinter, he is equally at home writing for the screen as for the stage, and the list of films he has written and directed includes The Wicker Man (2006), Possession (2002) and In the Company of Men (1998). As a playwright, screenwriter, director, and author of short stories, he has staked out a distinctive, and disturbing, territory. In the first full-length study on LaBute, Christopher Bigsby examines his darkly funny work which explores the cruelties, self-concern and manipulative powers of individuals who inhabit a seemingly uncommunal world. Individual chapters are dedicated to particular works, and the book also includes an interview with LaBute, providing a fascinating insight into the life of this influential and often controversial figure.

A volume in the Writers and Their Work series, which draws upon recent thinking in English studies to introduce writers and their contexts. Each volume includes biographical material, an examination of recent criticism, a bibliography and a reappraisal of a major work by the writer.

Biography of one of the greatest of modern playwrights, Arthur Miller (1915-2005).This is the long-awaited biography of one of the twentieth century's greatest playwrights whose postwar decade of work earned him international critical and popular acclaim.Arthur Miller was a prominent figure in American literature and cinema for over sixty years, writing a wide variety of plays - including The Crucible, A View from the Bridge, All My Sons, and Death of a Salesman - which are still performed, studied and lauded throughout the world.Born in 1915 to moderately affluent Jewish-American parents, Miller wrote during a fascinating time in American history. The Great Depression was a period of deprivation for many that left an indelible mark on the national psyche, and, like many, Miller found hope for the beleaguered common man in Communism. The Second World War elevated the common man to war hero, but when the Cold War subsequently began, the ugly elements of American conservatism freely persecuted writers and artists who had embraced Communism. Miller was among them. His refusal to give evidence against others to the notorious House Un-American Activities Committee in 1956 gave him a heroic role to play. In that same year, Arthur Miller momentously married the young actress Marilyn Monroe, a marriage that remains famous to this day. Christopher Bigsby's gripping, meticulously researched biography, based on boxes of papers made available to him before Miller's death, offers new insights into their marriage, and sheds new light on how their relationship informed Miller's subsequent great plays. After his death in 2005, many respected actors, directors and producers paid tribute to Miller, calling him 'the last great practitioner of the American stage'. Christopher Bigsby's supremely authoritative biography does full justice to Miller's life and art.

WRITERS IN CONVERSATION compiles Christopher Bigsby's interviews with the world's greatest writers from a decade of the Arthur Miller Centre's International Literary Festival at the University of East Anglia. These often candid, in-depth, witty and illuminating exchanges shine a light on the craft and profession of the working writer today. Volume 3 features interviews with Martin Amis, Alan Acykbourn, John Banville, John Banville, Cherie Blair, William Boyd, Andre Brink, Geraldine Brooks, A. S. Byatt, Jung Chang, Louis de Bernieres, Margaret Drabble, Richard Eyre, Richard Flanagan, Richard Ford, Jonathan Franzen, David Guterson, Christopher Hampton, David Hare, Michael Holroyd, Christopher Hope, Clive James and Hanif Kureishi.

WRITERS IN CONVERSATION compiles Christopher Bigsby's interviews with the world's greatest writers from a decade of the Arthur Miller Centre's International Literary Festival at the University of East Anglia. These often candid, in-depth, witty and illuminating exchanges shine a light on the craft and profession of the working writer today. Volume 4 features interviews with David Leavitt, Doris Lessing, Penelope Lively, David Lodge, Javier Marias, Blake Morrison, Toni Morrison, John Mortimer, Michael Ondaatje, Stephen Poliakoff, Irina Ratushinskaya, Salman Rushdie, Nawal El Saadawi, Jane Smiley, Alexander McCall Smith, Tom Stoppard, Graham Swift, Amy Tan, Colm Toibin, Claire Tomalin with Michael Frayn, Rose Tremain, Jane Urquhart, Peter Ustinov and Shirley Williams.

When, in Moby Dick, Ahab disappeared, tied to his nemesis, only one man survived to tell the tale, Ishmael. The story, it appeared, had ended. But stories never really end. What happened thereafter to Ishmael, condemned, for a while, to repeat his account as if there were a lesson to be learned, by him or those to whom he repeated a tale which had a mystery at its heart? Was the white whale more than a simple fact of nature and what drove a man to pursue it as though there were a sudden insight to be unveiled? Here is a sequel to that story as Ishmael seeks to purge his memories, trying his hand at pioneering before caught up in a bloody Civil War, once more facing death, before returning to the sea and the whaling on which he believed he had turned his back. And what of Ahab and a certain white whale? There are rumours that both still sail the deep ocean, locked in that same embrace which brought about the death of all on the Pequod. After all, sometimes rumours may have the shadow of truth about them, repetition being a fundamental law of existence.Christopher Bigsby is a Fellow of the Royal Society of Literature and the Royal Society of Arts. His first novel, Hester, won the McKitterick Award while Beautiful Dreamer was an American Library Association Notable Book. His biography of Arthur Miller was shortlisted for the Sheridan Morley and James Tait Black Memorial Prize in Britain and the George Freedley Award in the United States It was also a CHOICE Outstanding Academic Title while a winner of the European Association for American Studies Prize.Of Hester: 'Magnificent ... Unnaturally beautiful' (The Village Voice) 'Enchantingly beautiful' (The Washington Post}Of Beautiful Dreamer: ''a powerful Faulknerian vision'' (Joyce Carol Oates) 'Stylistically brilliant and pitilessly gripping' (Louis de Berni res)

Something has happened in the world of television drama. For the last decade and a half America has assumed a dominant position. Novelists, screenwriters and journalists, who would once have had no interest in writing for television, indeed who often despised it, suddenly realised that it was where America could have a dialogue with itself. The new television drama was where writers could engage with the social and political realities of the time, interrogating the myths and values of a society moving into a new century. Familiar genres have been reinvented, from crime fiction to science fiction. This is a book as much about a changing America as about the television series which have addressed it, from The Sopranos and The Wire to The West Wing, Mad Men and Treme, in what has emerged as the second golden age of American television drama.

Something has happened in the world of television drama. For the last decade and a half America has assumed a dominant position. Novelists, screenwriters and journalists, who would once have had no interest in writing for television, indeed who often despised it, suddenly realised that it was where America could have a dialogue with itself. The new television drama was where writers could engage with the social and political realities of the time, interrogating the myths and values of a society moving into a new century. Familiar genres have been reinvented, from crime fiction to science fiction. This is a book as much about a changing America as about the television series which have addressed it, from The Sopranos and The Wire to The West Wing, Mad Men and Treme, in what has emerged as the second golden age of American television drama.

The early years of the twenty-first century saw several losses for the American theatre but also marked the emergence of a new generation of exciting playwrights. In this book, Christopher Bigsby explores the work of nine of these developing talents, and the importance of issues including race, gender and politics for their writing. Increasingly, these new figures are gaining their reputations not on Broadway but in small theatres and small towns or even abroad, bringing fresh and diverse perspectives to contemporary American drama. With a focus on female writers and on issues of personal and public identity in contemporary society, this volume investigates the styles and techniques these playwrights favour, the themes they raise, and their role in a changing America and a changing world.

The early years of the twenty-first century saw several losses for the American theatre but also marked the emergence of a new generation of exciting playwrights. In this book, Christopher Bigsby explores the work of nine of these developing talents, and the importance of issues including race, gender and politics for their writing. Increasingly, these new figures are gaining their reputations not on Broadway but in small theatres and small towns or even abroad, bringing fresh and diverse perspectives to contemporary American drama. With a focus on female writers and on issues of personal and public identity in contemporary society, this volume investigates the styles and techniques these playwrights favour, the themes they raise, and their role in a changing America and a changing world.